Saturday, August 31, 2024

LA CA Museum exhibition crew contact manager tech director + carpenter

to submit

https://fullstopproductions.com/productions/work-with-us/ 

some description

https://www.backstage.com/casting/museum-exhibition-crew-contract-2852976/

Museum Exhibition, Crew

Seeking talent nationwide (United States)
Roles paying up to $22,750.00

About the project

COMPANY DETAILS
Full Stop Productions

Chris Nobels and Ken Doty Production

Seeking crew for Museum Exhibition. Full Stop Productions, in conjunction with Running Subway Productions, and West Wall Exhibits, LLC seeks a motivated, detail-oriented, Crew looking to support the installation and installing of a variety of museum and entertainment projects. A qualified candidate will work closely with in-house producers and project managers, design staff, and business development associates, to lead local labor crews for the physical load-in, setup, strike, and load-out, for live events, museum experiences, and theatrical productions across the USA.

Head Carpenter
Full Stop Productions, in conjunction with Running Subway Productions, and West Wall Exhibits, LLC seeks a motivated, detail-oriented, freelance Head Carpenter looking to support the install and deinstall of a variety of museum and entertainment projects. A qualified candidate will work closely with in-house producers and project managers, design staff, and business development associates, to lead local labor crews for the physical load-in, setup, strike and load-out, for live events, museum experiences, and theatrical productions across the USA.

Essential Duties and Responsibilities: Lead local carpentry/labor crews for the safe and effective load-in, setup, strike and load-out of the various events, including but not limited to scenery, exhibitory, properties, rigging, and support of general AVL and artifact placement needs. This includes the unloading, unpacking, packing and loading of trucks and maintaining organized inventories and tracking of show assets and their related components; ensure the physical assembly of the event matches the design plans and construction documents and identify any issues that arise while collaborating with the production and venue teams on appropriate solutions; gain intimate familiarity with and maintain show assets to production standards.

Including proactively inspecting and repairing structural and aesthetic elements, and ensuring all packaging and transport preparations of the assets are executed to facilitate their maximum longevity; coordinate with venue leads on appropriate attachment and anchoring methods to the facility for structural, safety and jurisdiction-specific needs. Follow-up to ensure all venue-assigned work is completed to production standards; coordinate with the venue on appropriate movement of heavy production and artifact objects, including the equipment and personnel necessary to safely do so; Identify crew and equipment needs and proactively communicate needs; work within closely defined parameters as directed by production management

Qualification Requirements: Ability to read, interpret and follow construction and installation documentation; ability to safely operate a variety of hand tools, power tools, fork lifts, scissor lifts, personnel lifts, telehandler and other machinery and equipment required to load in and out the exhibit while following industry standards for installing events that are open to the general public; comfort working in museum environments and facilitating the movement of sensitive artifacts and equipment as required; proven knowledge of fabrication techniques and equipment; proven experience working under strict timelines and in a fast-paced environment; proven experience managing a crew to load-in and load-out events of various size and complexity; excellent organization, written and verbal communication skills; self-motivated and driven to seek out information and ask questions; must be willing to work a flexible schedule during times of peak business demand
    Required Roles:
    • Carpenter
    • Theatre Technician
Head AVL
Full Stop Productions, in conjunction with Running Subway Productions, and West Wall Exhibits, LLC seeks a motivated, detail-oriented, and tech-savvy freelance AVL Lead looking to support the install and deinstall of a variety of museum and entertainment projects. A qualified candidate will work closely with in-house producers and project managers, design staff, and business development associates, to lead local AVL crews for the physical load-in, setup, strike and load-out, for live events, museum experiences, and theatrical productions across the USA.

Essential Duties and Responsibilities: Lead local AVL crews for the safe and effective load-in, setup, strike and load-out of the various events, including all audio, video, lighting (practical and theatrical), show control, multimedia, microclimate control/monitoring, security cameras, network equipment and related technology (the “AVL systems” and “AVL equipment”). This includes maintaining organized inventories and tracking of show assets and their related components; ensure physical assembly, execution and performance functions of the AVL systems carefully match the design plans and identify any issues that arise and collaborates with the production and venue teams on appropriate solutions; collaborate with the AVL Designer & Programmer to set up and maintain proper creative vision for the AVL systems, which includes but is not limited to the safe physical placement, focus and strict level-setting for lighting instruments (practical, theatrical, showcases), audio devices (speakers, microphones), video (projectors/screens and televisions), interactive technology (touchscreens, remote controls), special effects/props, and the show-control computers, networking and playback devices that run them; place, test, strike and pack the microclimate equipment and climate control monitoring systems for the artifacts. This includes humidity-control devices, temperature/humidity/lighting monitoring sensors placed inside of assigned display cases, remote receivers, and the computer/software tasked with monitoring the devices; pull low-voltage cable and make connections throughout the exhibition for the AVL equipment and tie into the localized or centralized control rooms and racks as required; coordinate power tie-in of show assets in collaboration with venue electricians

Coordinate with the venue IT Lead to establish all network feeds to/from the AVL system racks (internet feeds, remote connections, live feeds, etc); test and troubleshoot networking equipment (switches, coordinating IP addresses, etc) and any outgoing signal needs to tie into local security monitoring systems; facilitate training and handover of the AVL and microclimate control and monitoring systems to the venue’s operational teams; gain intimate familiarity with and maintain show assets to production and manufacturer’s standards, including proactively inspecting, repairing and ensuring all packaging and transport of the assets are executed to facilitate their maximum longevity; coordinate with the Head Carpenter and venue leads on appropriate attachment and anchoring methods to the facility for structural, safety and jurisdiction-specific needs. Follow-up to ensure all venue-assigned work is completed to production standards; Identify crew and equipment needs and proactively communicate needs; work within closely defined parameters as directed by production management

Qualification Requirements: Ability to read, interpret and follow construction and installation documentation; proven experience with audio, video, lighting, show control and computer networking systems for exhibition, theatrical and multimedia environments; comfort working in museums, supporting sensitive artifacts with strict parameters for lighting and environmental control; ability to safely operate a variety of hand tools, power tools, fork lifts, scissor lifts, personnel lifts, telehandler and other machinery and equipment required to load in and out the exhibit while following industry standards for installing events that are open to the general public; experience operating, troubleshooting and maintaining AVL and networking systems; experience with microclimate control/monitoring a plus, but not a requirement; proven experience working under strict timelines and in a fast-paced environment; proven experience managing a crew to load-in and load-out events of various size and complexity; excellent organization, written and verbal communication skills; self-motivated and driven to seek out information and ask questions; must be willing to work a flexible schedule during times of peak business demand
    Required Roles:
    • Lighting Tech / Operator
    • Theatre Technician
Production Manager/Technical Director
Full Stop Productions, in conjunction with Running Subway Productions, and West Wall Exhibits, LLC seeks a motivated, detail-oriented, freelance Production Manager / Technical Director looking to support the pre-production, install and deinstall of a variety of museum and entertainment projects. A qualified candidate will work closely with in-house producers and project managers, design staff, and business development associates, to produce detailed 3D drawings and layouts, spec equipment and crew calls, and manage the load-in and load-out, for live events, museum experiences, and theatrical productions across the USA.

Essential Duties and Responsibilities: In collaboration with the venue, and artifact lender, lead all production departments and actively manage the comprehensive on-site load-in, set up, strike and load-out of the various events (including but not limited to labor/carpentry, AVL/networking, and art handling) – all in a hands-on capacity with each team as required; coordinate and execute effective scheduling and labor planning that aligns with production requirements and venue responsibilities; identify, manage and communicate logistical and equipment needs in partnership with business development, project management and local venues to ensure production needs are met; work within closely defined budget parameters; Coordinate the design layout, modeling, annotation, and itemization of stage structures and effects for museum, attraction, and live entertainment events and ensure documentation of as-installed conditions; attend meetings as required

Qualification Requirements: Bachelor’s degree in Theatre, Live Entertainment, or Engineering a plus but not required proven experience managing a crew to load-in and load-out events of various size and complexity; proven knowledge of fabrication techniques and equipment; proven knowledge of audio, video, lighting and multimedia design and programming; ability to safely operate a variety of hand tools, power tools, fork lifts, scissor lifts, personnel lifts, telehandler and other machinery and equipment required to load in and out the exhibit while following industry standards for installing events that are open to the general public; proven experience working under strict timelines and in a fast-paced environment; excellent organization, written and verbal communication skills; CAD and VectorWorks/3D modeling experience; self-motivated and driven to seek out information and ask questions; must be willing to work a flexible schedule during times of peak business demand.
    Required Roles:
    • Theatre Technician

Dates & Locations

Shoots Oct. 19-Nov 22 in Los Angeles, CA.

Compensation & ContractProduction Manager/Technical Director: Staff / Crew

Rate: $450.00 - $650.00 / day
Total Pay: $15,750.00 - $22,750.00 for an estimated 35 days of work
All other roles:
Rate: $350.00 - $550.00 / day
Total Pay: $12,250.00 - $19,250.00 for an estimated 35 days of work

Key Details

Seeking talent nationwide (United States)
Roles paying up to $22,750.00


GROUP 20240831

 

Thursday, August 29, 2024

GROUP 20240830

 

NYC 5-SEP LUXURY JEWELRY BRAND CAMPAIGN

 IG DM

https://www.instagram.com/isabellaarmina/

 or EMAIL

isabellaarminabusiness@gmail.com


 


NYC motion capture siblings Same gender 61+ within 5 years of age

https://www.research.net/r/westcastny

Use above link or read below 

Fill out the quick online application to make sure you qualify, instructions at the bottom. After completing the survey/application, if you qualify someone will be in touch to schedule you at a day and time that works for you!

TALENT WANTED FOR MEDIA TECH CO MOTION STUDY (Siblings Ages 61+)

NYC In-Person Opinion Study / Focus Group / Motion Study for Media Tech Co.

$175 EACH for 1 hr. & 45 min & if both siblings complete the study there is a $25 bonus each. ($200 each sibling total)

Seeking same-gender siblings aged 61+ (within 5 years of each other)

We’re thrilled to announce an exciting new focus group/opinion study taking place in NYC for an Entertainment Media Group

COMPANY DETAILS

Westcasting

Martin West, Casting Associate

Details:

• When: Now through the end of September 2024 (various days/times)

• Where: Manhattan

• Pay: $175 for you and $175 for a sibling that is within 5 years of your age and the same gender (you can participate on different dates/times OR the same day & time—doesn’t have to be together). The study is 1 hour & 45 minutes long.

• Bonus: Earn an extra $25 each as a bonus if both you and your sibling complete the study


What You’ll Do:

• The purpose of the study is to collect videos of people as they move around in furnished rooms. Participants will be asked to make simple movements, like crouching, raising both hands, turning their head in different directions, and more. The results of this study will assist an entertainment media technology company with its product development and improvement.

• Do the study with a same-gender sibling aged 61+ at the same time or separately.

• Have fun!

To apply: Please fill out the quick online survey/application. Below are a few different ways to bring you to the application page:

1. Copy and paste the link below into your web browser

(It’s not clickable when messaged through Backstage):

https://www.research.net/r/westcastny

OR

2. Scan the attached QR code.




OR




3. Clicking link at top of this message.

MIA FL F music video 8.30 at 11pm

 IG DM 





A24 feature film foreign language speakers

 https://docs.google.com/forms/d/e/1FAIpQLSd0BlbGbHa9RAJWmadLkJX1mQcRG1_4-HP1_cSc7sTwU5sN8g/viewform

Apply above link.

Some description 

A24 FEATURE FILM - Foreign Language Speakers

We are a NYC based casting company https://www.jv8inc.com (we have worked on casting such projects as HBO's Euphoria and The Sympathizer, as well as A24's Uncut Gems and C'mon C'mon).


We are currently doing a NY LOCAL search for the following roles in the new A24 feature film for various supporting roles (A24 is the production company behind such films as Everything Everywhere All At Once, Civil War and MaXXXine)


Please see the information about the project below. If you feel like you fit the description of any of the following, please submit ASAP!


No previous acting experience is required. Just people open to new experiences. This a paid opportunity and talent needs to be based in NY or willing to work as a NY local hire.



PRODUCTION COMPANY: A24

SHOOT DATES: Fall 2024

LOCATION: New York, NY

DEADLINE TO SUBMIT: SUNDAY SEPTEMBER 1ST, 4PM EST. These roles shoot SOON so do not wait!


****PLEASE NOTE, YOU SHOULD NOT CUT YOUR HAIR SHORT OF SHAVE YOUR HEAD IN ANY WAY MOVING FORWARD IF YOU WANT TO BE CONSIDERED FOR THE ROLE. THIS FILM IS SET IN THE 1950S, SO WE MUST KEEP THE HAIR ACCURATE TO THE ERA. LET YOUR HAIR GROW OUT FOR AT LEAST ANOTHER 3 WEEKS *****


JAPANESE SPEAKERS: 20 to 70 years old, Japanese men and women. Please submit fluent Japanese speakers for a variety of day player roles. NY LOCAL. DAY PLAYER. MUST SPEAK FLUENT JAPANESE. DENOTE IN SUBMISSION IN NOTES.


ROMANIAN & POLISH SPEAKERS: Male. 50 - 70. Please submit fluent ROMANIAN and POLISH speakers for a day player role. NY LOCAL. DAY PLAYER. PLEASE DENOTE WHAT LANGUAGE(S) ACTOR SPEAKS.


FRENCH TEEN: Male. 11-14 years old. White. Male. 11-14 years old. White. A teen dines with his family in a Parisian restaurant. MUST BE ABLE TO SPEAK FRENCH WITH AN AUTHENTIC FRENCH ACCENT. 


NY LOCAL FOREIGNER ROLE: Male. 20s-early 30s. European / Eastern European / Indian / Middle Eastern / East & Central Asian, and Brazilian performers. Must be a native speaker of a non-English language. MUST SPEAK ENGLISH WITH AN AUTHENTIC FOREIGN ACCENT. MUST BE A NY LOCAL OR WILLING TO WORK AS A NY LOCAL HIRE. MUST ALREADY HAVE US WORKING PAPERS. ROLE SHOOTS ONE DAY. PLEASE DENOTE WHAT LANGUAGE(S) ACTOR SPEAKS.




PLEASE NOTE:

- NO PRIOR ACTING EXPERIENCE NECESSARY

- MUST BE COMFORTABLE ON CAMERA AND WILLING TO TRAVEL 

- MYST BE NY BASED OR WILLING TO WORK AS A NY LOCAL

- IF CAST, PAID JOB OPPORTUNITY

- UNION & NON-UNION TALENT MAY APPLY



HOW TO SUBMIT:


Please fill out the following form and submit interview video + photos if you would like to be considered for this project!  



1) INTERVIEW VIDEO (IN ENGLISH) 


SLATE QUESTIONS:

a) What is your name?

b) What is your height?

c) Where are you based?

d) What languages do you speak?


INTERVIEW QUESTIONS: Please tape yourself answering these questions candidly as possible and unrehearsed. It should be conversational, not written down, or memorized.


d) how would your friends describe you? How would your enemies describe you?

e) describe the last dream or nightmare you had.

f) describe the last great day you had.


HOW TO CREATE THE INTERVIEW VIDEO:

- Please try to keep the video no longer than 8 minutes long 

- If you use your phone to record your interview, please make sure to shoot it HORIZONTALLY (not vertically).

- Please make sure to set up the camera so it is facing you (frame from chest up) and speak directly into it to tell your story.

- Do NOT film in front of a backdrop/sheet. You can tape yourself outside, in your car, in your bedroom, etc.



2) VIDEO 2:


If auditioning for the roles of FLUENT ROMANIAN SPEAKERS, FLUENT JAPANESE SPEAKERS, OR 14 YEAR OLD FRENCH KID, please IMPROV instructions below:


In the requested language (ROMANIAN, JAPANESE OR FRENCH) , please give me walking directions to your home using the local shortcuts.




3) PHOTOS: 

Please submit 2 current, non-professional photos - 1 full body shot & 1 close up. These can be as simple as phone pictures against a plain wall in a well lit area (by a window with natural light is always best).


If you have issues uploading or accessing the form below, simply email your videos, photos and contact info to castingcall@jv8inc.com. Sometimes videos, if filmed in HD, can be too large in size to upload to this google form. We recommend using Quicktime to compress the video file to something smaller in size. You do this by opening the video in Quicktime and selecting File -> Export As -> 720p or 480p.




Tuesday, August 27, 2024

GROUP 20240828

 

BK ROOM SHARE OCT. 1 SUBLET F PREFERRED

 IG DM



Photo Double WF. emale Actor, 5'8, slim (SAG) Happy Gilmore 2

 Please log in to https://gwci.app/talent to view details.


Go to Open Roles / Happy Gilmore 2 / Photo Double for White Female Actor, 5’8, slim (SAG-AFTRA COVERED)

NYC White Christmas,Singers Paper Mill Playhouse

White Christmas,Singers

Seeking talent from New York City, NY

About the project

COMPANY DETAILS
Paper Mill Playhouse

Mark S. Hoebee, prod. artistic dir.; Jen Bender, assoc. artistic dir.; Christopher Slavik, assoc. prod.; Mark S. Hoebee, dir.; Randy Skinner, choreo.; Kristyn Pope, choreo. restaging; Tara Rubin Casting/Kevin Metzger-Timson, CSA-casting dir.; Spencer Gualdoni, CSA-casting assoc.; Cynthia Meng, music dir.; Kevin Metzger-Timson, casting dir.; Spencer Gualdoni, casting assoc.

Member since Jul 12, 2013
PROJECT DESCRIPTION

Casting Equity actors for chorus singer parts in "White Christmas," a musical based upon the Paramount Pictures film written for the screen by Norman Krasna, Norman Panama, and Melvin Frank.

Roles in this project

Collapse All Roles
ACTORS & PERFORMERS
Equity Actors
Lead. 18+

To apply, see the "Key Details" section below.

Dates & Locations

Rehearsals begin Nov. 4; preview Nov. 27; runs Dec. 1-29; possible extension through Jan. 5, 2025.

Compensation & Contract

Rate: $1,101.00 / week (estimated duration: not provided)
Additional: Pays $1101/wk. Equity Tier 4 COST Contract.

Key Details

Auditions:
Pearl Studios (519), 519 8th Ave, 12th Fl, New York City, NY, 10018-6504
Equity Chorus Call
  • Sep 11, 2024: 10:00 AM EDT

Lunch 1:30-2:30 p.m.
Equity Chorus Call
  • Sep 11, 2024: 2:30 PM EDT

Seeking talent from New York City, NY
Additional Instructions:

Holding room: Studio D. For the audition, prepare 16-32 bars of a traditional musical theatre song in the style of the show. Bring a hardcopy headshot and resume, and sheet music in the correct key. An accompanist will be provided. ECC Procedures are in effect for this audition. An Equity Monitor will be provided.

Paper Mill Playhouse is committed to antiracism and anti-oppression practices in all areas, including casting. We acknowledge histories of systemic exclusionary practices and will continue to dismantle barriers to theatre making. Paper Mill Playhouse welcomes diversity and inclusion across the spectrum of race, gender, gender identity, gender expression, sexual orientation, religion, neurodiversity, and artists with disabilities. The audition process is open to all actors and stage managers.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions.

Additional Materials

Character Breakdown

[EZEKIAL FOSTER] – Mid 40s-Late 50s. The ultimate taciturn New Englander, who helps out at the Inn and takes life at a very slow pace. May double as Snoring Man.

[MIKE] – Mid 20s-Late 30s. Bob and Phil’s Stage Manager. Has a tendency to be over-dramatic and completely hysterical, but will get things done. Never seen without his whistle and clipboard, which he uses to attempt to keep order.

[RITA AND RHODA] – Mid 20s-Early 30s. Bob and Phil’s two star chorus girls, they are brash and fun, although perhaps not the smartest.

[ENSEMBLE] – Dancers who sing very well, to play various supporting characters who are early 20smid 30s. Extremely skilled tap dancers who are equally strong in ballroom and jazz dance. May understudy principal roles:

[BOB WALLACE] – Late 20s-Mid 30s. A major singing star, Bob is the guiding force behind the song and dance team of Wallace and Davis. He wears his fame easily and is a born leader but has some trouble with social and romantic interactions. Despite his occasional gruffness, he is a deeply kind and principled man who is searching for his true love. A superb singer with a crooning style who moves well. Baritone.

[PHIL DAVIS] – Late 20s-Mid 30s. The fun-loving, go-getting song-and-dance partner of the team Wallace and Davis. An irrepressible clown, operator and incorrigible ladies’ man who is determined to see his friend happy, even if it requires scheming and outright deception. He has a boyish charm and sex appeal. Strong jazz and tap-dancing needed – a song-and-dance comic performer; Bari-Tenor.

[BETTY HAYNES] – Mid-Late 20s. The sensible, responsible half of the up-and-coming song-anddance team, the Haynes Sisters. Destined to be a star in her own right, she is nonetheless hesitant to take the spotlight for herself. A woman of decent, upstanding principles, she is devoted to her younger sister. Like Bob, she hides her yearning for true love under a protective shell. A rich chest mix sound with a soprano extension. Moves well.

[JUDY HAYNES] – Early 20s. The younger, more ambitious, slightly scheming Haynes sister. While wholesome and adorable, she is flirty and a winning charmer! Strong jazz and tap dancing needed – a major song-and-dance performer with a chest mix.

[GENERAL HENRY WAVERLY] – Late 50s-Mid 60s. A retired U.S. Army General, adjusting to returning to civilian life in post-World War II America. Once a powerful leader, he now struggles to run an Inn in Vermont. He remains a man of great principle and dignity. Beneath his curmudgeonly military exterior lies a warm, compassionate man in need of family and love. A mostly non-singing role.

[MARTHA WATSON] – Late 40s-Mid 60s. Once a Broadway star, now the General’s housekeeper and receptionist at the Inn. Martha has a very dry, wry, wisecracking sense of humor. Bighearted but completely unsentimental, she runs the General’s life in spite of his protestations. She is an irrepressible meddler, but always for what she believes to be the other guy’s best interests. A winning, appealing character-comedienne with a clarion belt voice.

[SUSAN WAVERLY] – 9-12 to play 9 years-old. The General’s granddaughter, Susan is a loveable and outgoing real kid. She is very smart, wise beyond her years, and cares deeply about her grandfather. Once bitten hard by the showbiz bug, she demonstrates everything that is winning in the ultimate child performer. She has an excellent belt voice and is able to move well.

NYC White Christmas,Dancers Paper Mill Playhouse

White Christmas,Dancers

Seeking talent from New York City, NY
Paper Mill Playhouse

Mark S. Hoebee, prod. artistic dir.; Jen Bender, assoc. artistic dir.; Christopher Slavik, assoc. prod.; Mark S. Hoebee, dir.; Randy Skinner, choreo.; Kristyn Pope, choreo. restaging; Tara Rubin Casting/Kevin Metzger-Timson, CSA-casting dir.; Spencer Gualdoni, CSA-casting assoc.; Cynthia Meng, music dir.; Kevin Metzger-Timson, casting dir.; Spencer Gualdoni, casting assoc.


Casting Equity actors for chorus dancer parts in "White Christmas," a musical based upon the Paramount Pictures film written for the screen by Norman Krasna, Norman Panama, and Melvin Frank.

Equity Actors
Lead. 18+

To apply, see the "Key Details" section below.

Dates & Locations

Rehearsals begin Nov. 4; preview Nov. 27; runs Dec. 1-29; possible extension through Jan. 5, 2025.

Compensation & Contract

Rate: $1,101.00 / week (estimated duration: not provided)
Additional: Pays $1101/wk. Equity Tier 4 COST Contract.

Key Details

Auditions:
Pearl Studios (500), 500 8th Ave, New York City, NY, 10018-6504
Equity Chorus Call
  • Sep 13, 2024: 10:00 AM EDT

Lunch 1:30-2:30 p.m.
Equity Chorus Call
  • Sep 13, 2024: 2:30 PM EDT

Seeking talent from New York City, NY
Additional Instructions:

Holding room: Studio 315. For the audition, bring tap shoes or tap heels and character heels or flats. Wear form-fitting clothing you can move in. In case you are asked to sing, prepare 16-bars of a traditional musical theatre song in the style of the show. Bring a hardcopy headshot, resume, and sheet music in the correct key. An accompanist will be provided. ECC Procedures are in effect for this audition. An Equity Monitor will be provided.

Paper Mill Playhouse is committed to antiracism and anti-oppression practices in all areas, including casting. We acknowledge histories of systemic exclusionary practices and will continue to dismantle barriers to theatre making. Paper Mill Playhouse welcomes diversity and inclusion across the spectrum of race, gender, gender identity, gender expression, sexual orientation, religion, neurodiversity, and artists with disabilities. The audition process is open to all actors and stage managers.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions.

Additional Materials

Character Breakdown

[EZEKIAL FOSTER] – Mid 40s-Late 50s. The ultimate taciturn New Englander, who helps out at the Inn and takes life at a very slow pace. May double as Snoring Man.

[MIKE] – Mid 20s-Late 30s. Bob and Phil’s Stage Manager. Has a tendency to be over-dramatic and completely hysterical, but will get things done. Never seen without his whistle and clipboard, which he uses to attempt to keep order.

[RITA AND RHODA] – Mid 20s-Early 30s. Bob and Phil’s two star chorus girls, they are brash and fun, although perhaps not the smartest.

[ENSEMBLE] – Dancers who sing very well, to play various supporting characters who are early 20smid 30s. Extremely skilled tap dancers who are equally strong in ballroom and jazz dance. May understudy principal roles:

[BOB WALLACE] – Late 20s-Mid 30s. A major singing star, Bob is the guiding force behind the song and dance team of Wallace and Davis. He wears his fame easily and is a born leader but has some trouble with social and romantic interactions. Despite his occasional gruffness, he is a deeply kind and principled man who is searching for his true love. A superb singer with a crooning style who moves well. Baritone.

[PHIL DAVIS] – Late 20s-Mid 30s. The fun-loving, go-getting song-and-dance partner of the team Wallace and Davis. An irrepressible clown, operator and incorrigible ladies’ man who is determined to see his friend happy, even if it requires scheming and outright deception. He has a boyish charm and sex appeal. Strong jazz and tap-dancing needed – a song-and-dance comic performer; Bari-Tenor.

[BETTY HAYNES] – Mid-Late 20s. The sensible, responsible half of the up-and-coming song-anddance team, the Haynes Sisters. Destined to be a star in her own right, she is nonetheless hesitant to take the spotlight for herself. A woman of decent, upstanding principles, she is devoted to her younger sister. Like Bob, she hides her yearning for true love under a protective shell. A rich chest mix sound with a soprano extension. Moves well.

[JUDY HAYNES] – Early 20s. The younger, more ambitious, slightly scheming Haynes sister. While wholesome and adorable, she is flirty and a winning charmer! Strong jazz and tap dancing needed – a major song-and-dance performer with a chest mix.

[GENERAL HENRY WAVERLY] – Late 50s-Mid 60s. A retired U.S. Army General, adjusting to returning to civilian life in post-World War II America. Once a powerful leader, he now struggles to run an Inn in Vermont. He remains a man of great principle and dignity. Beneath his curmudgeonly military exterior lies a warm, compassionate man in need of family and love. A mostly non-singing role.

[MARTHA WATSON] – Late 40s-Mid 60s. Once a Broadway star, now the General’s housekeeper and receptionist at the Inn. Martha has a very dry, wry, wisecracking sense of humor. Bighearted but completely unsentimental, she runs the General’s life in spite of his protestations. She is an irrepressible meddler, but always for what she believes to be the other guy’s best interests. A winning, appealing character-comedienne with a clarion belt voice.

[SUSAN WAVERLY] – 9-12 to play 9 years-old. The General’s granddaughter, Susan is a loveable and outgoing real kid. She is very smart, wise beyond her years, and cares deeply about her grandfather. Once bitten hard by the showbiz bug, she demonstrates everything that is winning in the ultimate child performer. She has an excellent belt voice and is able to move well.

NYC EPA White Christmas Paper Mill Playhouse

White Christmas

Seeking talent from New York City, NY

About the project

COMPANY DETAILS
Paper Mill Playhouse

Mark S. Hoebee, prod. artistic dir.; Jen Bender, assoc. artistic dir.; Christopher Slavik, assoc. prod.; Mark S. Hoebee, dir.; Randy Skinner, choreo.; Kristyn Pope, choreo. restaging; Tara Rubin Casting/Kevin Metzger-Timson, CSA-casting dir.; Spencer Gualdoni, CSA-casting assoc.; Cynthia Meng, music dir.; Kevin Metzger-Timson, casting dir.; Spencer Gualdoni, casting assoc.

Member since Jul 12, 2013
PROJECT DESCRIPTION

Casting Equity actors for roles in Irving Berlin's "White Christmas," a musical based upon the Paramount Pictures film written for the screen by Norman Krasna, Norman Panama, and Melvin Frank.

Equity Actors
Lead. 18+

To apply, see the "Key Details" section below.

Dates & Locations

Rehearsals begin Nov. 4; preview Nov. 27; runs Dec. 1-29; possible extension through Jan. 5, 2025.

Compensation & Contract

Rate: $1,101.00 / week (estimated duration: not provided)
Additional: Pays $1101/wk. Equity Tier 4 COST Contract.

Key Details

Auditions:
Pearl Studios (519), 519 8th Ave, 12th Fl, New York City, NY, 10018
Equity Principal Audition
  • Sep 10, 2024: 10:00 AM to 6:00 PM EDT

Lunch 1:30-2:30 p.m.
Seeking talent from New York City, NY
Additional Instructions:

Holding room, Studio F. For the audition, prepare a brief traditional musical theatre song in the style of the show. Bring a headshot, resume, and sheet music in the correct key. An accompanist will be provided. EPA Procedures are in effect for this audition. An Equity Monitor will be provided.

Paper Mill Playhouse is committed to antiracism and anti-oppression practices in all areas, including casting. We acknowledge histories of systemic exclusionary practices and will continue to dismantle barriers to theatre making. Paper Mill Playhouse welcomes diversity and inclusion across the spectrum of race, gender, gender identity, gender expression, sexual orientation, religion, neurodiversity, and artists with disabilities. The audition process is open to all actors and stage managers.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions.

Additional Materials

Character Breakdown

[EZEKIAL FOSTER] – Mid 40s-Late 50s. The ultimate taciturn New Englander, who helps out at the Inn and takes life at a very slow pace. May double as Snoring Man.

[MIKE] – Mid 20s-Late 30s. Bob and Phil’s Stage Manager. Has a tendency to be over-dramatic and completely hysterical, but will get things done. Never seen without his whistle and clipboard, which he uses to attempt to keep order.

[RITA AND RHODA] – Mid 20s-Early 30s. Bob and Phil’s two star chorus girls, they are brash and fun, although perhaps not the smartest.

[ENSEMBLE] – Dancers who sing very well, to play various supporting characters who are early 20smid 30s. Extremely skilled tap dancers who are equally strong in ballroom and jazz dance. May understudy principal roles:

Astoria Queens F Music Video 8.27 at 5pm

 IG DM



NYC F 21-35 Pilates Brand Commercial 9.17

EMAIL SUBMIT



NYC Baseball Managers/trainers- Tent. Works 9/4 (Non-SAG) Poker Face

 







Please log in to https://gwci.app/talent to view details.

Go to Open Roles / Poker Face / Minor League Baseball Managers/trainers- Tent. Works 9/4 (Non-SAG-AFTRA COVERED)

HAPPY GILMORE 2 photo double 5’9"-5’11" White Male with short dark hair, slim build

 Happy Gilmore 2

Seeking talent from New York City, NY; Jersey City, NJ
Roles paying up to $253.00

About the project

COMPANY DETAILS
Grant Wilfley Casting

Allyn Wamble, Casting Associate

PROJECT DESCRIPTION

Casting a photo double for ''Happy Gilmore 2,'' a feature film.

Photo Double for White Male with Dark Hair 5’9-5’11 (SAG Covered)
Background / Extra. Male. 18+
SAG Covered; 5’9"-5’11" White Male with short dark hair, slim build. This background role is covered by SAG-AFTRA CBA and subject to a Preference of Employment provision. Note you must be able to present valid identification to fill out a Federal I9 form and be paid. Height, weight, and clothing sizes are used for costuming purposes only, unless needed for the casting of stand-ins or photo doubles.
Ethnicity: White / European Descent

Dates & Locations

Fitting/shooting dates TBD in New Jersey. Tentative schedule: TBD dates (September-November) in New Jersey area.

Compensation & Contract

Total Pay: $253.00 for an estimated 8 hours of work (flat rate)
Additional: Pays $253/8 hrs. Note: This background role is covered by SAG-AFTRA CBA and subject to a Preference of Employment provision.

Key Details

Seeking talent from New York City, NY; Jersey City, NJ
Roles paying up to $253.00
Additional Instructions:

For consideration, email hg2@gwcnyc.com with all the following information: Your name, your union status (SAG-AFTRA or Non-SAG-AFTRA), phone number, your sizes: height, weight, current clothing and shoe sizes (men: height, weight, jacket, neck, sleeve, waist, inseam and shoe; women: height, weight, bust, waist, hip, and shoe), attach a current, clear selfie; and let production know if you are okay with a haircut and being clean shaven if necessary.

GROUP 20240827

 

NJ Asbury Park Rocky Horror Show

The Rocky Horror Show

Seeking talent from Asbury Park, NJ; Ocean Grove, NJ
Roles paying up to $500.00

About the project

COMPANY DETAILS
Asbury Park Theater Company

William Whitefield, Producing Artistic Director Bob Angelini, Managing Director Brian O'Brien, Stage Director Michael Thomas Murray, Musical Director

Rocky Horror Show

An Asbury Park Theater Company Production

Director/Choreographer: Brian O’Brien

Production Supervisor: Bob Angelini

Musical Director: Michael Thomas Murray

Producers:

Bob Angelini

William Whitefield

General:

Asbury Park Theater Company (APTCo), William Whitefield, Producing Artistic Director, Bob Angelini, Managing Director, announces auditions for Rocky Horror Show, book, music and lyrics by Richard O’Brien. The show will be directed and choreographed by Broadway performer Brian O’Brien (Promises, Promises, The Pirate Queen, Anything Goes, Annie Get Your Gun, Steel Pier, Beauty and the Beast and Chicago). The show will play for 7 performances from Oct 31 thru Nov 10 at the Jersey Shore Arts Center, 66 S. Main Street, Ocean Grove, NJ.

Seeking:

APTCo seeks 12 to 14 local non-union actor/singer/movers all ages. Must be good singers with good comedy chops. NOTE: Housing is not provided for this contract.

Synopsis:

One fateful night, Brad Majors and his fiancée, Janet Weiss — a wholesome, well-behaved, utterly normal young couple in love — innocently set out to visit an old professor. Unfortunately for them, this night out is destined to be one they will never forget. A thunderstorm and a flat-tire force them to seek help at the castle of Dr. Frank ’N’ Furter, an alien, transvestite scientist with a manic genius and insatiable libido. Brad, Janet, and Frank’ N’ Furter’s cohorts are swept up into the scientist’s latest experiment. The night’s misadventures will cause Brad and Janet to question everything they’ve known about themselves, each other, love and lust. A loving homage to the classic B sci-fi film and horror genres with an irresistible rock’n’roll score, The Rocky Horror Show is a hilarious, wild ride that no audience will soon forget.

Rehearsals:

Rehearsals will begin on or around Monday, Sept 16 and will continue through final dress rehearsal on Wed Oct 30 with a schedule that will work something like this: M-T evenings from 7pm to 10pm, Saturdays from 10am to 1pm, Fridays and Sundays generally off as well as other days/eves when not called. Tech week will be the week of Sunday Oct 27 and tech nights will be from 6pm to 11pm.

Performs:

Thurs Oct 31 at 8pm

Friday Nov 1 at 8pm

Sat Nov 2 at 8pm

Thurs Nov 7 at 7pm (mandatory brush up rehearsal or added show)

Fri Nov 8 at 8pm

Sat Nov 9 at 5pm & 9pm

Sun Nov 10 at 3pm

Compensation:

All positions will be paid a stipend. Stipend will be commensurate with experience.

First Audition:

Please submit a video of a song along with a pic and resume as soon as possible but no later than Thursday, August 29 at 2pm. Put "RH Auditions" in subject line. Sing one song in the style of the show that shows off your vocal range and acting abilities. It is ok to sing from the show, but not mandatory. Attach pic/res and in an email to info@asburyparktheatercompany.org along with a link to your video (using a platform of your choice such as YouTube, Vimeo, Dropbox, Google Drive, etc). Please send link that will take us directly to your video (MP4) without having to be granted access or having to sign in to these platforms.

Second Audition:

For those asked to do so, we will be seeing people in person on Friday, Aug 30 from 7pm to 9pm at The Jersey Shore Arts Center. If you are not able to attend this audition in person, a zoom callback will be arranged. You will be asked to sing, move and possibly read from the script (sides provided).

Character Breakdown:

Dr. Frank-n-Furter (A Scientist)

A “sweet transvestite” scientist from the planet of Transsexual, located in the galaxy of Transylvania. He is the master of a castle which serves as his laboratory and the setting for the majority of the Rocky Horror Picture Show. He is renowned for his decadence and self-indulgence, which in turn lead to his ultimate downfall. Must be excellent singer, mover, comedian with baritone range. All ethnicities, ages 30-50.

Brad Majors (A Hero)

A straight-laced man from Denton, Brad Majors is attempting to visit his old mentor, Dr. Everett V. Scott, with his new fiancée, Janet Weiss, when he stumbles upon Frank-n-Furter’s castle. Must be excellent singer, comedian, mover with baritenor range. All ethnicities, ages 20s to early 30s.

Janet Weiss (A Heroine)

A simple-minded, naive, and innocent girl at the onset of the film, Janet Weiss “gives herself over to absolute pleasure” at the castle, despite her recent engagement to Brad Majors. Must be excellent singer, comedian, mover with mezzo soprano voice (with belt and mix). All ethnicities, ages 20s to early 30s.

Riff-Raff (A Handyman)

Brother/lover of Magenta and a disgruntled, Transylvanian underling of Dr. Frank-n-Furter, Riff-Raff eventually overthrows his master in order to return to his home planet. Must be excellent singer, comedian with rock tenor voice. All ethnicities, ages 20s to 40s.

Magenta (A Domestic)

Sister and lover of Riff-Raff, Magenta serves as a maid under Frank-n-Furter and returns at the conclusion of the movie to Transylvania. Must be excellent singer, comedian, good mover, mezzo soprano/alto with belt. All ethnicities, ages 20s to 40s.

Columbia (A Groupie)

An especially lusty Transylvanian, Columbia first falls in love with Frank-n-Furter, then Ex Delivery Boy, Eddie. She is systematically rejected by Dr. Frank-n-Furter, to her utter frustration. Must be an excellent singer, good dancer (tap a plus) with mezzo soprano voice. All ethnicities, ages 20s to 40s.

Rocky Horror (A Creation)

Created from scratch in the strange laboratory of Dr. Frank-n-Furter, Rocky Horror came into the world simply to serve as a plaything for his creator. Designed to be blonde, dreamy, and statuesque, Rocky’s knowledge of the world is limited to the purely lustful and sexual. He exists for a very short span of time, during which he has trysts with both Frank-n-Furter and Janet. He reflects Mary Shelley’s classic monster of Frankenstein, who is loved and then rejected by his creator. Must be a tenor with great body, good looks. All ethnicities, ages 20s to early 30s.

Dr. Everett V. Scott (A Rival Scientist)

Dr. Everett Scott, mentor of Brad and Janet and uncle of Eddie, wanders into the castle in search of his nephew and serves as the scientific voice of reason. Character singer, good comedian. All ethnicities, ages 50s to late 60s.

Eddie (Ex Delivery Boy)

Eddie from birth is a rotten egg, perpetually finding trouble. He is implied to have had sexual relations with both Dr. Frank-n-Furter and Columbia and seems to have no sense of control or sanity. He rushes to the castle to cause havoc, but leaves a note to his uncle revealing knowledge of the Transylvanians’ dastardly plans. Dr. Frank-n-Furter murders him out of anger. Must be excellent rock baritenor. All ethnicities, all genders. Ages 30s to 50s.

The Criminologist (An Expert)

Serving as something of a narrator to the story, the criminologist is omniscient and perhaps omnipresent, often appearing between scenes in the comfort of his study to provide explanations or commentary on that fateful night. Must be good at improv, comedy and have good singing voice. Baritone. All ethnicities ages 40s to 60s.

Ensemble

A small ensemble of actor/singer/movers to portray Phantoms and Transylvanians. All ages, all genders, all ethnicities.

Roles in this project

Ensemble
Chorus / Ensemble. All Genders. 18-34
Must be EXCELLENT Actor/singer/mover to portray Phantoms and Transylvanians. All ages, all genders, all ethnicities.
Ethnicity: All Ethnicities
Required Media: Headshot/Photo
Required Skills:
  • Dance: Hip Hop
Dance: Modern
Dr. Frank-n-Furter (A Scientist)
Lead. All Genders. 30-50
A “sweet transvestite” scientist from the planet of Transsexual, located in the galaxy of Transylvania. He is the master of a castle which serves as his laboratory and the setting for the majority of the Rocky Horror Picture Show. He is renowned for his decadence and self-indulgence, which in turn lead to his ultimate downfall. Must be excellent singer, mover, comedian with baritone range. All ethnicities, ages 30-50.
Ethnicity: All Ethnicities
Required Media: Headshot/Photo
Brad Majors (A Hero).
Lead. Male. 21-34
A straight-laced man from Denton, Brad Majors is attempting to visit his old mentor, Dr. Everett V. Scott, with his new fiancée, Janet Weiss, when he stumbles upon Frank-n-Furter’s castle. Must be excellent singer, comedian, mover with baritenor range. All ethnicities, ages 20s to early 30s
Ethnicity: All Ethnicities
Required Media: Headshot/Photo
Janet Weiss (A Heroine)
Lead. Female. 23-35
A simple-minded, naive, and innocent girl at the onset of the film, Janet Weiss “gives herself over to absolute pleasure” at the castle, despite her recent engagement to Brad Majors. Must be excellent singer, comedian, mover with mezzo soprano voice (with belt and mix). All ethnicities, ages 20s to early 30s.
Ethnicity: All Ethnicities
Required Media: Headshot/Photo
Riff-Raff (A Handyman)
Supporting. All Genders. 21-48
Brother/lover of Magenta and a disgruntled, Transylvanian underling of Dr. Frank-n-Furter, Riff-Raff eventually overthrows his master in order to return to his home planet. Must be excellent singer, comedian with rock tenor voice. All ethnicities, ages 20s to 40s.
Ethnicity: All Ethnicities
Required Media: Headshot/Photo
Magenta (A Domestic)
Supporting. Female. 21-48
Sister and lover of Riff-Raff, Magenta serves as a maid under Frank-n-Furter and returns at the conclusion of the movie to Transylvania. Must be excellent singer, comedian, good mover, mezzo soprano/alto with belt. All ethnicities, ages 20s to 40s.
Ethnicity: All Ethnicities
Required Media: Headshot/Photo
Columbia (A Groupie)
Supporting. Female. 21-48
An especially lusty Transylvanian, Columbia first falls in love with Frank-n-Furter, then Ex Delivery Boy, Eddie. She is systematically rejected by Dr. Frank-n-Furter, to her utter frustration. Must be an excellent singer, good dancer (tap a plus) with mezzo soprano voice. All ethnicities, ages 20s to 40s.
Ethnicity: All Ethnicities
Required Media: Headshot/Photo
Required Skills:
  • Dance: Tap
Rocky Horror (A Creation)
Supporting. Male. 21-33
Created from scratch in the strange laboratory of Dr. Frank-n-Furter, Rocky Horror came into the world simply to serve as a plaything for his creator. Designed to be blonde, dreamy, and statuesque, Rocky’s knowledge of the world is limited to the purely lustful and sexual. He exists for a very short span of time, during which he has trysts with both Frank-n-Furter and Janet. He reflects Mary Shelley’s classic monster of Frankenstein, who is loved and then rejected by his creator. Must be a tenor with great body, good looks. All ethnicities, ages 20s to early 30s.
Ethnicity: All Ethnicities
Required Media: Headshot/Photo
Required Skills:
  • Sports/Fitness: Body Building
Dr. Everett V. Scott (A Rival Scientist)
Supporting. Male. 50-70
Dr. Everett Scott, mentor of Brad and Janet and uncle of Eddie, wanders into the castle in search of his nephew and serves as the scientific voice of reason. Character singer, good comedian. All ethnicities, ages 50s to late 60s.
Ethnicity: All Ethnicities
Required Media: Headshot/Photo
Eddie (Ex Delivery Boy)
Supporting. All Genders. 30-55
Eddie from birth is a rotten egg, perpetually finding trouble. He is implied to have had sexual relations with both Dr. Frank-n-Furter and Columbia and seems to have no sense of control or sanity. He rushes to the castle to cause havoc, but leaves a note to his uncle revealing knowledge of the Transylvanians’ dastardly plans. Dr. Frank-n-Furter murders him out of anger. Must be excellent rock baritenor. All ethnicities, all genders. Ages 30s to 50s.
Ethnicity: All Ethnicities
Required Media: Headshot/Photo
The Criminologist (An Expert)
Supporting. All Genders. 40-65
Serving as something of a narrator to the story, the criminologist is omniscient and perhaps omnipresent, often appearing between scenes in the comfort of his study to provide explanations or commentary on that fateful night. Must be good at improv, comedy and have good singing voice. Baritone. All ethnicities ages 40s to 60s.
Ethnicity: All Ethnicities
Required Media: Headshot/Photo

Dates & Locations

Rehearsals:

Rehearsals will begin on or around Monday, Sept 16 and will continue through final dress rehearsal on Wed Oct 30 with a schedule that will work something like this: M-T evenings from 7pm to 10pm, Saturdays from 10am to 1pm, Fridays and Sundays generally off as well as other days/eves when not called. Tech week will be the week of Sunday Oct 27 and tech nights will be from 6pm to 11pm. All rehearsals will be at the Jersey Shore Arts Center, 66 S. Main St., Ocean Grove, NJ 07756

Compensation & Contract

All Roles
Total Pay: $300.00 - $500.00 for an estimated 8 days of work (flat rate)
Additional: Rehearsals:

Rehearsals will begin on or around Monday, Sept 16 and will continue through final dress rehearsal on Wed Oct 30 with a schedule that will work something like this: M-T evenings from 7pm to 10pm, Saturdays from 10am to 1pm, Fridays and Sundays generally off as well as other days/eves when not called. Tech week will be the week of Sunday Oct 27 and tech nights will be from 6pm to 11pm.

Key Details

Seeking talent from Asbury Park, NJ; Ocean Grove, NJ
Roles paying up to $500.00
Additional Instructions:

First Audition:

Please submit a video of a song along with a pic and resume as soon as possible but no later than Thursday, August 29 at 2pm. Put RH Auditions in subject line. Sing one song in the style of the show that shows off your vocal range and acting abilities. It is ok to sing from the show, but not mandatory. Attach pic/res and in an email to info@asburyparktheatercompany.org along with a link to your video (using a platform of your choice such as YouTube, Vimeo, Dropbox, Google Drive, etc). Please send link that will take us directly to your video (MP4) without having to be granted access or having to sign in to these platforms.

Second Audition:

For those asked to do so, we will be seeing people in person on Friday, Aug 30 from 7pm to 9pm at The Jersey Shore Arts Center. If you are not able to attend this audition in person, a zoom callback will be arranged. You will be asked to sing, move and possibly read from the script (sides will be provided).

Monday, August 26, 2024

The Saints FOX Nation Italian 8.28 MALES 30-59 wAmerican accent

REPLY DIRECTLY TO ERICA IF POSSIBLE THANKS


From: Erica Palgon <ericapalgonbarbmccasting@gmail.com>
To: info@giaa.us

 

Hello GIAA! 
 
I am a casting director in NY. I'm working on a casting with my colleague casting director Barbara McNamara.  
We are casting ADR actors for an episodic docudrama that was shot in Europe.  
 
It's NON UNION project. 
 
I am reaching out to see if you know anyone or have any leads on actors who would fit what we are looking for.
 
The show is called The Saints and it's for FOX Nation. 
 
Currently, we are looking for...
Italian MALES (30'S - LATE 50'S) who can speak with an American accent (slight Italian accent must be UNDERSTANDABLE). 
 
This episode is scheduled to do ADR on FRIDAY, August 28th in NYC. 
 
Pay is $350 (+20% if going through a talent agent or manager) for 8 hours
 
Please let us know if you have anyone who fits the description and they can email us directly
 
Let me know if you have any questions.  
 
Thanks so much!
Erica and Barbara
 
--
Please select "REPLY ALL" when you respond to emails
 
Barbara McNamara, Casting Director, CSA
Erica Palgon, Casting Director, CSA
Office (212) 645-6051

Saturday, August 24, 2024

Springboro, OH Irving Berlin's Holiday Inn

Irving Berlin's Holiday Inn

Seeking talent nationwide (United States)
Roles paying up to $5,500.00

About the project

COMPANY DETAILS
LaComedia Dinner Theatre

Dave & Sherry Gabert, Producers; Chris Beiser, Director/Choreographer; Kris Byerly, Production Manager

Seeking talented singers/actors/dancers for our upcoming production of Holiday Inn --joyous musical featuring thrilling dance numbers, laugh-out-loud comedy and a parade of hit Irving Berlin songs.

Musical theatre experience required - send song and Tap Video/Reel to submissions@lacomedia.com. Please include phone number

Male, 30s, Lyric Baritone. Jim is a performer and singer-songwriter eager to leave showbiz behind for a simpler life on a farm in Connecticut
Required Media: Headshot/Photo, Audio or Video Reel
Required Skills:
  • Dance: Tap
Singing: Musical Theatre
Male, 30s, lyric baritone. Jim’s best friend and performing partner; a charming ladies’ man looking for his big break
Required Media: Headshot/Photo, Audio or Video Reel
Required Skills:
  • Dance: Tap
Singing: Musical Theatre
Female, 30s, belt/mix – a school teacher with the hidden talents of a singer and dancer
Required Media: Headshot/Photo, Audio or Video Reel
Required Skills:
  • Dance: Tap
Singing: Musical Theatre
Female, 30s, high belt - A determined performer and Jim’s mismatched fiancée
Required Media: Headshot/Photo, Audio or Video Reel
Required Skills:
  • Dance: Tap
Singing: Musical Theatre
Female, 40s-50s, belt – the local “fix it” woman; tough, no nonsense, and extremely perceptive
Required Media: Headshot/Photo, Audio or Video Reel
Required Skills:
  • Dance: Tap
Singing: Musical Theatre
Danny
Supporting. Male. 30-60
Jim, Ted, and Lila’s agent
Required Media: Headshot/Photo, Audio or Video Reel
Strong singers and dancers to play many roles and understudy leads. Must tap!
Ethnicity: All Ethnicities
Required Media: Headshot/Photo, Audio or Video Reel
Required Skills:
  • Dance: Tap
Singing: Musical Theatre

Dates & Locations

Rehearsals begin October 14, 2024 (Mon - Sat 9AM – 5PM) in Springboro, OH

Performances November 1 – December 29, 2024.
Wednesday Matinees and Thurs-Sun matinees and evenings.
4 days off at Thanksgiving & Christmas

Compensation & Contract

JIM HARDY: Lead
Rate: $500.00 / week
Total Pay: $5,500.00 for an estimated 11 weeks of work
TED HANOVER: Lead
Rate: $500.00 / week
Total Pay: $5,500.00 for an estimated 11 weeks of work
LINDA MASON: Lead
Rate: $500.00 / week
Total Pay: $5,500.00 for an estimated 11 weeks of work
LILA DIXON: Lead
Rate: $500.00 / week
Total Pay: $5,500.00 for an estimated 11 weeks of work
LOUISE: Lead
Rate: $500.00 / week
Total Pay: $5,500.00 for an estimated 11 weeks of work
Danny: Supporting
Rate: $400.00 / week
Total Pay: $4,400.00 for an estimated 11 weeks of work
Ensemble Singers/Dancers: Chorus / Ensemble
Rate: $400.00 / week
Total Pay: $4,400.00 for an estimated 11 weeks of work
Additional: On-site Housing, Transportation Stipend, Buffet meal each performance, health club membership provided

Key Details

Seeking talent nationwide (United States)
Roles paying up to $5,500.00
Additional Instructions:

Email to submissions@lacomedia.com
Include headshot/resume (with phone number)
Singing Video: 16 bars of appropriate Musical Theatre Song
Dance Video: Must include tap!