Philadelphia Theatre Company 2023-2024 Season, Equity Philadelphia, PA EPA

Philadelphia Theatre Company 2023-2024 Season, Equity Philadelphia, PA EPA

EXPIRES:July 25, 2023 8:00 PM

Company

Philadelphia Theatre Company

Tyler Dobrowsky, artistic dir.; Taibi Magar, artistic dir.

Verified

Production Description

Casting Equity actors for roles in Philadelphia Theatre Company's 2023-2024 Season. Season includes: "Macbeth In Stride" (Whitney White, playwright; Taibi Magar and Tyler Dobroswky, dir. Rehearsals begin Sept. 25; runs Oct. 31-Nov. 19), "Cost Of Living" (Martyna Majok, playwright. Rehearsals begin Jan. 4, 2024; runs Feb. 2-18, 2024), "Frankie And Johnny" (Terrence McNally, playwright. Rehearsals begin Mar. 28, 2024; runs Apr. 26-May 19, 2024), and "The Duat: A Fire Dance For One Man" (Roger Q Mason, playwright; Taibi Magar, dir. Rehearsals begin May 9, 2024; runs June 7-23, 2024.)

Equity Actors: 18+

To apply, see the "Key Details" section below

Rehearsal and Production Dates & Locations

Season runs in Philadelphia, PA.

Compensation & Contract Details

Additional: Pays $776/wk. Equity Non-Rep LORT D Agreement.

Key Details

Auditions:

Philadelphia Theatre Company, 480 S Broad St, Philadelphia, PA, 19146

Equity Principal Audition

• Jul 23, 2023: 1:30 PM to 8:30 PM EDT

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no scheduled break; by appointment

Equity Principal Audition

• Jul 24, 2023: 1:00 AM to 7:00 PM EDT

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by appointment; break 3-4 p.m.

Seeking talent from

Philadelphia, PA

Additional Instructions:

An Equity Monitor will not be provided. The producer will run all aspects of this audition. Prepare two brief contrasting monologues totaling no more than three minutes. Also, bring your headshot and resume stapled together. To set up an audition appointment contact casting@philatheatreco.org. Some roles in Macbeth In Stride will be understudied. No other roles will be understudied. More info at www.philatheatreco.org. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions.

Additional Materials

Breakdown Of Plays/Roles

MACBETH IN STRIDE
NOTE: All roles and understudies for this play are cast.

COST OF LIVING
Eddie: Late 40s, male
Ani: Early 40s, female
Jess: Mid 20s, female
John: Mid 20s, male
NOTE: PTC will cast the roles of Jess and John in Cost of Living with a performer with the same or similar disability

FRANKIE AND JOHNNY
Frankie: Late 40s to early 60s, female
Johnny: Late 40s to early 60s, male

THE DUAT: A FIRE DANCE FOR ONE MAN
Corneilius Johnson: Late 40s to early 60s, male, Black

AEA A Christmas Carol,' Equity Submissions for NYC Appointments rehearses runs Malvern, PA

A Christmas Carol,' Equity Submissions for NYC Appointments

CATEGORY:Theater: Musical

EXPIRES:July 14, 2023 8:00 PM

Company

People's Light

People's Light, prod.; Zak Berkman, artistic dir.; Nell Bang-Jensen, dir.; Zak Berkman, text and songs; JZ Casting, Geoff Josselson, CSA, Katja Zarolinski, CSA, casting dir.

Casting Equity actors for "A Christmas Carol."

Actors & Performers

Equity Actors: 18+

To apply, see the "Key Details" section below.

Rehearsal and Production Dates & Locations

Rehearsals begin Oct. 12; opens Nov. 19 in Malvern, PA.

Compensation & Contract Details

Additional: Pays $776/wk. Equity Non-Rep LORT D Agreement.

Key Details

Seeking talent from

New York, NY

Additional Instructions:

For consideration, fill out, and submit your headshot and resume to the following link: https://forms.gle/Sf6yaMR4Fn2SzzQ56 . Deadline: July 13. Auditions TBD. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Additional Materials

Breakdown

A CHRISTMAS CAROL
Adapted from: Charles Dickens and many a British folk carol.

A NOTE FROM THE DIRECTOR: This Christmas Carol imagines a group of dystopian travelers who convert a found space to Dickension England through the power of play and object transformation. Making up a "kind chorus", the cast will devise physical theater sequences to move us from place to place and inspire the Scrooges among us to celebrate the possibility of transformation.

A NOTE FROM THE PLAYWRIGHT: We are all inside Scrooge’s world today: a time of rampant grief and resentment turned into greed and fear. How do we find our hearts again? How do we become generous again? This adaptation offer the start of a path in a more forgiving direction through an approach that treasures the spirit and skill of actors, the impulse to play, to reach for something yet to be made or discovered, and to invite others into their imagination. Through collaborative storytelling and song, I hope this play visits its audience much as the Spirits visit Scrooge: with care, buoyancy, and much determination.

Note: Actors who sing are strongly encouraged to submit.

[BOB CRATCHIT AND OTHERS] 30s - 50s, BIPOC, he/him. Kind hearted, nervous, hard working. Doubles as Young Marley.

[FRED AND OTHERS] 20s - 30s, BIPOC, he/him. Ebullient, playful, puppy dog. Doubles as Young Scrooge.

[EMILY CRATCHIT AND OTHERS] Mid 30s - Late 40s, any ethnicity, she/her. AKA Mrs. Cratchit. Rebellious, eloquent, warm. Strong soul rock singing voice.

[GHOST OF CHRISTMAS PAST/KIND CHORUS LEADER AND OTHERS] - Any age, any ethnicity, any gender. Mischievous, child-like, mercurial. Strong multi-octave folk-pop singing voice (think Joni Mitchell).

[BELLE AND OTHERS] 20s - Early 30s, BIPOC, she/her. Wickedly clever, warm, doesn't suffer fools. Strong musical theatre style singing voice.

[GHOST OF CHRISTMAS PRESENT AND OTHERS] Any age and ageless, BIPOC, any gender. Jovial, wise, full of joy and abundance. Has the power to show people the truth. Has the humor to not take that power too seriously. Boisterous, larger than life, with a fun wry grit in both personality and singing style. Rock, blues, gospel voice. Think James Earl Jones meets Bonnie Raitt.

AEA and Non; Production Logistics Coordinator Seattle WA

 

Production Logistics Coordinator

CATEGORY:More Projects: General Staff + Crew

EXPIRES:July 31, 2023 7:59 PM

Company

The 5th Avenue Theatre

Human Resources, Director

The 5th Avenue Theatre is one of America's leading musical theater companies. We enrich the community we love with the art form we love—giving the Pacific Northwest a front-row seat to original powerhouse productions that go on to light up marquees and audiences all the way to Broadway. From the page to the stage, we bring passion and epic scale to every musical we create. With big talent. Bigger-than-life productions. And did we mention dazzle? As a nonprofit theater company and our region's largest performing arts employer, we spread the joy of great musicals with people of all ages across our region and state.

Each year, we reach more than 75,000 young people through our nationally acclaimed education programs. Programs designed to develop new musicals ensure that the next generation of great musicals will be there to tell the stories that captivate tomorrow's audiences. On the national stage, we are a leading voice for the power of this American art form to lift the human spirit.

Roles

Collapse All Roles

Creatives and Crew

Production Logistics Coordinator:

Position Overview:

Working with the Production Manager, the Production Logistics Coordinator supports logistics needs for all productions, events, and internal projects.
The primary role of the Production Logistics Coordinator is to facilitate the trucking and permitting for all shows and events, support rehearsal room and tech operations, personnel management, production documentation, and internal and external communication.

The 5th Avenue Theatre is a member of LORT (League of Resident Theaters), and produces on a LORT A stage, including educational performances and tours.

Uncertain whether you meet 100% of our qualifications? The 5th Avenue Theatre is committed to building an inclusive organization, and considering a broad array of candidates with diverse workplace experiences and backgrounds. If you believe you that you could excel in this role, regardless of whether you meet every requirement, we encourage you to apply.

Primary Duties and Responsibilities:

• Model and support the mission and values of The 5th Avenue Theatre.
• Attend all staff DEIA training.
• Arrange and manage trucking and permits for all 5th Avenue Theatre shows.
• Create budgets for Stage Door Security, Trucking, and permits.
• Manages Alley use and Trucking Schedules.
• Hires and manages additional traffic control for load-ins/outs
• Provide administrative support to the Production Department, including the processing of new hire paperwork, ordering supplies, etc.
• Lead rehearsal studio setup and stage management support.
• Manage house tech setup, liaising with IT and Facilities.
• Orders trash and recycling removal as needed for Production projects and facilities.
• Works with Tours on their transportation and building access needs.
• Manage service schedule for forklifts, rented trailers, arrange piano tunings.
• May assist with other duties as assigned to support departmental goals.

Work Experience:

• Training and experience in a logistics and/or operation-based role such as Stage Management, Production Management, Technical Direction.

Qualifications & Competencies:

• The ability to deliver projects and deliverables on time in a safe and efficient manner.
• Basic understanding of budgeting practices and expense tracking.
• Attention to detail and ability to keep multiple projects moving forward simultaneously while exercising good judgement.
• Strong written and verbal communication skills (English primarily).
• Some knowledge of one or more theater crafts is useful but not necessary.
• Strong working knowledge of Microsoft Office.
• Experience working with trucking companies and City Permit offices a plus.

Special Hours Requirement:

Work schedule varies and includes frequent evening and weekend hours as well as many weeks in which more than 40 hours may be required.

Physical Demands:

• Ability to perform administrative work using a computer for extended periods of time; up to 8 hours a day.
• Ability to stand and work for long periods of time on foot.
• Ability to work while seated for extended periods of time, up to 14 hours a day, in order to monitor technical rehearsals in a theater.
• Lift/move up to 25 pounds periodically.
• Required to stoop, bend and reach with arms.

The physical demands described here are representative of those that must be met by an employee to successfully perform the essential functions of the job, with or without reasonable accommodation.

 Required Roles:

• Production Coordinator
•  Required Skills:
• Microsoft Office Suite
•  Rehearsal and Production Dates & Locations

  Downtown Seattle, Washington

   Compensation & Contract Details

  Rate: $58,700.00 - $65,000.00 / year

   Total Pay: $58,700.00 - $65,000.00 in Annual Salary

   Additional: $58,700 - $65,000 annual range dependent on experience, hourly equivalent $28.22 - $31.25. This is a salaried non-exempt position eligible for overtime after 40 hours within a work week.

   Key Details

  Seeking talent nationwide (United States)

  Additional Instructions:

To apply, please email a resume, cover letter, and three references to Fabrizio Almeida, HR Director, at falmeida@5thavenue.org. Please include Production Logistics Coordinator in the subject line. This is a rolling application process, and the position will stay open until filled.

Union efforts June

 

AEMI - Activities of the arts, entertainment, and media unions this month:

• Met on June 20 with NEH Chair Shelly Lowe to discuss AEMI priorities related to the NEH’s funding of productions and performances that employ union creative professionals. Unions participating in the meeting were: AEA, AGMA, IATSE, IBEW, SAG-AFTRA and SDC.
• Facilitated a drop-by meeting on June 9 for AGMA members with NEA Chair Dr. Maria Rosario Jackson on the sidelines of the LA Art and Health Week Summit.
• Participated in a June 8 meeting with the State Department’s Intellectual Property office regarding international AI issues. 
• Convened the broadcast unions (IBEW, IATSE, DGA, SAG-AFTRA, and WGAE) on June 9 to discuss ongoing initiatives and collaboration. 
• Updated and distributed the employment and unemployment data for the arts, entertainment, and media industry. The update is here.

Strike Support - 

• Participated in a Below the Line podcast episode with IATSE and SAG-AFTRA to discuss the broader labor movement’s support for the Writers’ strike.
• Supported a Washington, DC leaflet in front of the Carnegie Library Apple Store as part of the Writers’ Strike and its June 5 “Bad Apple” day of action. 
• Assisted WGAE with an action during a film shoot on June 28 in Washington, DC.

Communications/New Interview Series - Posted the second interview in our new series with recently organized professionals. The interview featured Emily Miller, librarian at the Carnegie Library of Pittsburgh and USW member. 

Member Engagement - Hosted a member engagement roundtable to discuss engaging hard-to-reach members with expertise provided by PASS, SDC, and OPEIU. The roundtable had 17 participants from eight affiliate unions. 

Research & Training - 

• Released an organizing resource from 2022 survey on nonunion professionals covering Hispanic and Latino professionals.

   a presentation and training to USW organizers about findings from the 2022 Survey of Nonunion Professionals. During the training component, organizers made use of the survey findings to help inform the content of upcoming organizing conversations for an active campaign. 

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Legislative/Policy - 

• Participated in a call, alongside IFPTE, AFT, and the AFL-CIO,  with Leader Schumer’s staff regarding STEM workforce development and CHIPS implementation.

• Provided input on the AFL-CIO’s comments in response to a National Science Foundation Request for Information related to emerging STEM pathways.

• Working with AFT and IFPTE, provided guidance in the development of the bipartisan Putting Highest Degrees First Act ("PhD First Act"), legislation that offers a high-road approach to attracting and retaining international talent.

MCC Theater 2023-2024 Season, Equity Stage Manager Submissions

MCC Theater 2023-2024 Season, Equity Stage Manager Submissions

EXPIRES:July 14, 2023 8:00 PM

Company

MCC Theater

Bernard Telsey and William Cantler, co-artistic dirs.; Blake West, exec. dir.; Beth Dembrow, general mngr.

Seeking Equity stage managers for MCC Theater's 2023-2024 Season. Season includes: "Walk On Through: Confessions Of A Museum Novice" (Gavin Creel, playwright; Linda Goodrich, dir. Susan & Ronald Frankel Theater. Cat AA. Rehearsals begin (on or around) Oct. 23; runs Nov. 13, 2023-Jan. 7, 2024), "The Connector" (Jason Robert Brown, music-lyrics; Jonathan Marc Sherman, book; Daisy Prince, conceived and dir. by. Newman Mills Theater. Cat CC. Rehearsals begin (on or around) Dec. 4; runs (on or around) Jan. 12-Mar. 17, 2024), and "The Lonely Few" (Zoe Sarnak, music-lyrics; Rachel Bonds, book; Trip Cullman and Ellenore Scott, dirs. Newman Mills Theater. Cat CC. Rehearsals begin (on or around) Mar. 18, 2024; runs Apr. 26-June 30, 2024.)

Equity Stage Managers & ASMs:

To apply, see the "Key Details" section below.

Rehearsal and Production Dates & Locations

Season runs in NYC.

Compensation & Contract Details

Additional: Pays $911/wk. (Off Broadway, Cat. AA) Stage Manager. Pays $835/wk. (Off Broadway, Cat. AA) Assistant Stage Manager. Pays $1348/wk.(Off Broadway, Cat. CC) Stage Manager. Pays $1236/wk. (Off Broadway, Cat. CC) Assistant Stage Manager. Equity Off Broadway AA and CC Agreements.

Key Details

Seeking talent from

New York, NY

Additional Instructions:

Submit your resume for consideration by July 13 to jobs@mcctheater.org. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

NYC AEA SM Womens Project 2024 Season

Womens Project 2024 Season

EXPIRES:July 13, 2023 8:00 PM

Company

Women's Project & Productions, Inc.

Lisa McNulty, producing artistic dir.; Michael Sag, managing dir.; Ayana Parker Morrison, assoc. artistic dir.; Kelly Gillespie, and Danielle King, casting

Seeking Equity stage managers for Womens Project's 2024 Season. Submit for the Pipeline Festival or future consideration. All other positions have been filled. Season includes: "Bite Me" (Eliana Pipes, playwright; Rebecca Martínez, dir.; [WP Theater in partnership with Colt Coeur], producing organization; Adrienne Campbell-Holt [Colt Coeur], artistic dir. Rehearsals begin Aug. 28; runs Oct. 5-Nov. 5.); "Munich Medea: Happy Family" (Corinne Jaber, writer; Lee Sunday Evans, dir.; [WP Theater in partnership with PlayC], producing organization, Kate Loewald [PlayCo], artistic dir.; Robert Bradshaw [PlayCo], managing dir. Rehearsals begin Jan. 2, 2024; runs Jan. 27-March 10); 2024 Pipeline Festival (Amara Janae Brady, Christin Eve Cato, Queen Esther, Amina Henry, and Else Went, writers; Jordana De La Cruz, Onyekachi Iwu, Julia Sirna-Frest, Dina Vovsi, and Ran Xia, dirs.; Alverneq Lindsay, Emma Orme, Sami Pyne, Barbara Samuels, and Praycious Wilson-Gay, prods. [Pod 1] Rehearsals begin March 18; runs April 4-6; [Pod 2] Rehearsals begin March 25; runs April 11-13; [Pod 3] Rehearsals begin April 1; runs April 18-20; [Pod 4] Rehearsals begin April 8; runs April 25-27; [Pod 5] Rehearsals begin April 15; runs May 2-4) (Contract: Special Agreement [TBA/wk.]).

Equity Stage Manager:

To apply, see the "Key Details" section below.

Rehearsal and Production Dates & Locations

Rehearses and runs at the Women's Project & Productions, Inc., New York, NY.

Compensation & Contract Details

Rate: $802.00 - $876.00 / week (estimated duration: not provided)

Additional: Pays $802-$876/wk. Equity Off Broadway Cat. 1 Contract.

Key Details

Seeking talent from

New York, NY

Additional Instructions:

For consideration, submit a resume at jobs@wptheater.org. Submissions deadline is July 13.

Equity's contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

New York Theatre Workshop 2023-2024 Season, Equity Stage Manager Submissions

New York Theatre Workshop 2023-2024 Season, Equity Stage Manager Submissions

PaidUnion

EXPIRES:July 14, 2023 8:00 PM

Company

New York Theatre Workshop

Patricia McGregor, artistic dir.; Jeremy Blocker, exec. dir.; Aaron Malkin, Rachel Silverman, assoc. artistic dirs.; Evan O’Brient, prod.; Claire Yenson, casting dir. in residence

Seeking Equity stage managers for New York Theatre Workshop's 2022-2023 Season. Season includes: "Merry Me" (Hansol Jung, playwright; Leigh Silverman, dir.; Rehearsals begin Sept. 12; runs Oct. 11-Dec. 10), "I Love You So Much I Could Die" (Mona Pirnot, playwright; Mona Pirnot, performed by; Lucas Hnath, dir. Rehearsals begin Jan. 20, 2024; runs Feb. 1-Mar. 17, 2024), and "Here There Are Blueberries" (Moisés Kaufman and Amanda Gronich, playwrights; Moisés Kaufman, dir.; New York Theatre Workshop in partnership with Tectonic Theater Project, producing organization; Moisés Kaufman, Tectonic Theater Project founding artistic dir.; Matt Joslyn, Tectonic Theater Project exec. dir.; Stephanie Yankwitt, casting. Rehearsals begin Mar. 26, 2024; runs Apr. 17-June 2 or 16, 2024.)

Equity Stage Manager & ASM:

To apply, see the "Key Details" section below.

Rehearsal and Production Dates & Locations

Season runs in NYC.

Compensation & Contract Details

Rate: $1,236.00 - $1,348.00 / week (estimated duration: not provided)

Additional: Pays $1348/wk. Stage Manager. Pays $1236/wk. Assistant Stage Manager. Equity Off Broadway Tier CC Agreement.

Key Details

Seeking talent from

New York, NY

Additional Instructions:

Submit your resume for consideration by July 13 to smsubmissions@nytw.org. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Additional Materials

Synopsis Of Plays

"Merry Me" (Hansol Jung, playwright; Leigh Silverman, dir.; Rehearsals begin Sept. 12; runs Oct. 11-Dec. 10)

On an island not far away from the vulnerable coasts of the enemy state, a mysterious blackout has left the Navy restless and itching for action. Lieutenant Shane Horne has occupied her time satisfying the libidinous needs of all the women on the base— including the jealous general's wife. But her own merries will not come. Meanwhile a famed Angel re-descends to amend her previous prophesy, sending the Navy's psychiatrist on an epic quest to save humanity. Will the general discover the affair? Will the earth be saved? Will they ever be merry enough?

"I Love You So Much I Could Die"

I Love You So Much I Could Die is part concert, part play, intricate and intimate, wry and tender, elemental and wholly unforgettable. Through monologues performed by a computer and songs performed by the playwright, NYTW Usual Suspect Mona Pirnot wrestles with the private and unspeakable in a very public way. NYTW Usual Suspect and Tony Award nominee Lucas Hnath directs.

"Here There Are Blueberries"

A mysterious album of never before seen Nazi-era photographs arrives at the desk of United States Holocaust Memorial Museum archivist Rebecca Erbelding. As Rebecca and her team of historians begin to unravel the shocking story behind the images, the album soon makes headlines around the world. In Germany, a businessman sees the album online, recognizes his own grandfather in the photos, and begins a journey of discovery that will lead him to a reckoning of his family's past and his country's history. Here There Are Blueberries tells the story of these photographs – what they reveal about the perpetrators of the Holocaust, and about our own humanity.

Free Breathwork For Ambitious Performers

Free Breathwork For Ambitious Performers

CATEGORY:More Projects: Workshops + Classes

TAGS:Work from Home

EXPIRES:August 25, 2023 1:37 PM

Company

Superpower Coaching

Clarissa Hoffmann, coach

Seeking driven talent for "Release Blocks And Start Unleashing your limitless Potential," a free taste of the Superpower Breathwork six-week online course to get unstuck and finally unleash your limitless potential.

Production states: "Seeking ambitious performers to experience a free breathwork activation audio; performers will learn how to use the power of their breath to release stress, anxiety, and mental and energetic block that might be holding them back from their full power, connect with their true inner power and potential and tap into the state of your dreams achieved (= manifestation). After this experience, talent will feel lighter, brighter, clearer, more connected with themselves and their potential, deeply relaxed, and at the same time highly inspired and motivated to share their amazing self with the world.

Talent might even want to take the next step into this powerful work with the six-week superpower breathwork course to keep releasing blocks and cultivating a powerful, amazing energy with inspiring big visions so they can co-create their dream life with more joy, ease and success.

Clarissa designed this experience as an 'event' so talent can prepare themselves mentally and physically for it to have the best experience and really participate in it instead of downloading it and never finding the time."

Actors & Performers

Female Performer: Female, Gender-Nonconforming, Trans Female, 18-50Work from Home

Ethnicity: All

Voiceover

Female Performer: Voiceover, Female, Trans Female, 18-50Work from Home

 

Creatives and Crew

Creative Freelancer: Work from Home

Required Roles:
• Writer

Models

Model: Models, 18+Work from Home

Content Creators & Real People

Content Creator: Content Creators & Real People, 18+Work from Home

Rehearsal and Production Dates & Locations

Runs TBD remotely.

Compensation & Contract Details

All Roles

Not Paid

Additional: No fees are required. Note: Additional classes may be offered; nothing is mandatory.

Key Details

Seeking talent

Worldwide

Additional Instructions:

To sign up, visit https://clarissa-coaching.mykajabi.com/sign-up-page-free-session-for-performers.

Additional Materials

Website:https://clarissa-coaching.mykajabi.com/sign-up-page-free-session-for-performers

Additional information

3 reasons why Superpower Breathwork might be highly interesting for you:
1) Huge breathwork revolution in the health & wellness & empowerment field thanks to recent studies by modern science
--> Amazing immune system booster for covid+variants, greater lung capacity + vocal quaility, more ENERGY!

2) It’s fun + powerful + designed for ambitious, powerful souls to take bold action and thrive professionally and personally!
--> Booster for self-love, presence, creativity + imagination and activation of bold dreams

3) Led by a facilitator with background in the performing arts!
--> Clarissa knows what she's talking about! Great ENERGY is everything in the business!

Superpower Breathwork and success stories
"My entire body felt elevated and connected and I had powerful visions of clarity on what I wanted to focus on this year. What I needed to let go of. And where I wanted to end up in the future. Honestly, it was one of the most magical and moving hours of my life."

C. Shepard, CEO and Founder

Member Simcha Novella THAT YEAR distributed on Amazon and Apple

worth reading:

Amazon

https://www.amazon.com/dp/B0C9L9XL8W/

 Apple:

https://books.apple.com/us/book/that-year/id6450745041

Actors’ Equity Association Statement on Supreme Court Ruling Ending Affirmative Action in Higher Education

 Courtesy for GIAA members who are not AEA members

Actors’ Equity Association Statement on Supreme Court Ruling Ending Affirmative Action in Higher Education

New York -- Actors’ Equity Association, the national labor union representing more than 51,000 professional actors and stage managers in live theatre, has issued the following statement in response to the news that the Supreme Court has put an end to affirmative action in higher education: 

“Actors’ Equity Association has long supported affirmative action as a key strategy for ensuring the equitable inclusion of those who face discrimination – in education, in employment and in the world at large. Today’s Supreme Court decision claims to establish ‘race neutrality’ in educational admissions; in reality, it places barriers in the way of people of color who seek opportunities to learn, to work and to grow. We disagree with the court’s decision in the strongest possible terms and resolve to continue fighting for a society – and a theatre industry – that creates openings for everyone to pursue their dreams.” 

 

ACTORS' EQUITY ASSOCIATION, founded in 1913, is the U.S. labor union that represents more than 51,000 professional actors and stage managers. Equity endeavors to advance the careers of its members by negotiating wages, improving working conditions and providing a wide range of benefits (health and pension included). Member: AFL-CIO, FIA. www.actorsequity.org  #EquityWorks  

Equity contact: David Levy

AEA SM Gutenberg! The Musical, Broadway

Gutenberg! The Musical,Broadway

CATEGORY:Theater: MusicalGeneral Staff + Crew

TAGS:

Paid Union

EXPIRES:August 1, 2023 8:00 PM

Company

Anthony King and Scott Brown, writers; Alex Timbers, dir.; 321 Management Casting, general management; Stephen Kopel, Carrie Gardner (C12 Casting) and Jillian Cimini, casting dirs.

Seeking Equity stage managers for the Broadway production of "Gutenberg! The Musical."

Creatives and Crew

Equity Stage Managers:

To apply, see the "Key Details" section below.

Rehearsal and Production Dates & Locations

Rehearsals begin Aug. 21; runs Sept. 15, 2023-Jan. 28, 2024.

Compensation & Contract Details

Rate: $3,165.00 - $4,007.00 / week (estimated duration: not provided)

Additional: Pays $4007/wk. (stage manager); $3165/wk. (assistant stage manager) Equity Production (League) Contract.

Key Details

Seeking talent from

New York City, NY

Additional Instructions:

For future consideration, submit your resume to resumes@321mgt.com. All Equity stage managerial positions for the Broadway production of "Gutenberg! The Musical" are currently filled. Submissions deadline is Aug. 1.

For more info, visit www.gutenbergbway.com

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Choreographer At A Summer Camp Denmark, Maine

 https://campwalden.com/work-at-camp-walden/current-open-positions/

Camp Walden

Jen Levi, Assistant Director

Seeking a choreographer for a theater program. Responsibilities include choreographing the musical numbers of five shows over the course of the summer. The Choreographer works closely with a creative and production team which includes a musical theater director, set designer, a costumer, and a musical accompanist. Together the team is involved at all stages of the process, from selecting the plays to be produced to their design and pre-production through to the final performance.

Creatives and Crew

Choreographer:

The choreographer designs dances for each musical number in five bunk shows (musical productions) over the course of the summer. They will work closely with a theatre team and will be an integral part of a close camp community.

Required Roles:

• Choreographer
•  
•  Rehearsal and Production Dates & Locations

• Runs through the summer in Denmark, Maine.Compensation & Contract Details

Rate: $2,800.00 - $3,100.00 / year

Total Pay: $2,800.00 - $3,100.00 in Annual Salary

Additional: This role includes housing and meals for the summer. Laundry is also included. Applicants should understand that this is a position at an overnight summer camp in Maine and the hired staff member will live on-site and join the warm and welcoming camp community.

Key Details

Seeking talent

nationwide (United States)

Additional Materials

Website:http://www.campwalden.com

 

VP Carson Grant CANVAS REBEL article

Great to see and read...

https://canvasrebel.com/meet-carson-ferri-grant/

 

WGA PICKET Wed. Jun 28 NJ Elizabeth

 Hi Carlo, hoping this is enough time in advance. We have a picket for a production tomorrow that is an Italian American story coincidentally enough. 

The RSVP for tomorrow’s picket is listed in the link as 

“Central Jersey”. 

We will be meeting up at 102 Front Street, Elizabeth NJ

Here is the link below 👇 

https://www.wgacontract2023.org/strike/picket-schedules-and-locations

NJ Gladiator M portray NFL players 16-35 Tu Jun 27 Time sensitive

Gladiator,' Non-Union Males To Portray NFL Football Players

CATEGORY:

TV / Series: Scripted Show

TAGS:

PAID

NONUNION

EXPIRES:June 26, 2023 10:59 PM

Waldron Casting

Guy, Waldon Casting Director

Casting 'Gladiator,' for Non-Union Males to portray NFL Football Players available Tuesday June 27.

Company states: "The FX Series Gladiator is seeking Non-Union Background for the below work day to portray Football players at a Training Facility. We are filming exteriors and interiors in Union, NJ and we will have courtesy vans to/from Manhattan or you can self-drive and we will have parking. This will be an early morning call. The Non-Union background rate is $165 for up to 10 hours of work and then overtime after 10 hours. Work Dates: Tuesday June 27. We will send out details the evening before which will include report times, costume notes, location, etc. We will have vans to/from Manhattan."

Roles

Collapse All Roles

Actors & Performers

Non-Union Men to portray NFL Football Players Tuesday June 27; Filming Interiors And Exteriors: Background / Extra, Male, 18-35

Seeking Non-Union Background for the below work day to portray Football players at a Training Facility. We are filming exteriors and interiors in Union, NJ and we will have courtesy vans to/from Manhattan or you can self-drive and we will have parking. This will be an early morning call. The Non-Union background rate is $165 for up to 10 hours of work and then overtime after 10 hours.

Ethnicity: All Ethnicities

Required Skills:

• Sports/Fitness: Football

Rehearsal and Production Dates & Locations

Shoots June 27 in Union, NJ; will have vans from Manhattan or parking available if you wish to self report.

Compensation & Contract Details

Total Pay: $165.00 for an estimated 14 hours of work (flat rate)

Additional: Non-Union talent paid $165 for ten hours and overtime after that. Filming interiors and exteriors.

Key Details

Seeking talent from

New York City, NY; Union, NJ; Jersey City, NJ; Newark, NJ; Rockville Centre, NY; Yonkers, NY; Hartford, CT; Queens, NY; Brooklyn, NY; The Bronx, NY; Manhattan, NY

Additional Instructions:

If interested and available, please email us below answers and put “NonunionFootball” in the subject line email to gladiator@waldroncasting.com.

Include:
1. Current photos – pictures should reflect current hairstyle, color, length. Please send a full body photo.
2. Full Name (if you have a legal name provide for health & safety team)
3. Confirm that you are NONUNION
4. Note 2 forms of ID that would bring in order to get I9’d and paid
5. Phone Number
6. All Clothing sizes. (Below whichever applies)
Women - Height, Weight, Dress, Bust x Waist x Hips, Shoe
Men – Height, Weight, Jacket (R/L), Neck/Sleeve Waist/Inseam, & Shoes
7. Please confirm you're ok work the above date and with a morning call time.
8. Will you need van transportation to/from Manhattan to set in Union, New Jersey or will your Self-Report?
9. Confirm you're over 18.
10. Have you worked on Gladiator before and/or are you lined up for any other work days on Gladiator? IF SO, what days?
11. Do you have any visible tattoos and if so, where?

This is not a booking. If we are able to use you, we will email you! Thank you, Waldron Casting

Additional Materials

Website:http://www.waldroncasting.com

NYC AEA ASM Perelman Performing Arts Center 2023-24 Season

Perelman Performing Arts Center 2023-24 Season

CATEGORY:Theater: Play General Staff + Crew

PaidUnion

EXPIRES:July 7, 2023 8:00 PM

Company

Perelman Performing Arts Center

Benjamin Akio Kimitch and Sophie Ancival, prods.

Seeking Equity assistant stage managers for Perelman Performing Arts Center's 2023-24 Season. Season includes "An American Soldier" (Huang Ruo, composer; David Henry Hwang, libretto; Carolyn Kuan, conductor; Chay Yew, dir. Rehearses April 23-May 5, 2024; tech runs May 7-10; runs May 12-19); "Between Two Knees" (The 1491s, writer; Eric Ting, dir. Rehearsal begins Jan. 2, 2024; tech begins Jan. 25; runs Feb.-24); "Cats" (by arrangement with The Really Useful Group; Andrew Lloyd Webber, music; T.S. Eliot, source material from "Old Possum’s Book of Practical Cats"; Arturo Lyons and Omari Wiles, choreos.; Zhailon Levingston and Bill Rauch, dirs.; X Casting, casting. Workshop runs Oct. 3-14, 2023; rehearses April 30-May 31, 2024; opening TBD; runs through July 7, 2024); and "Watch Night" (Bill T. Jones, co-conceiver-dir.-choreo.; Marc Bamuthi Joseph, co-conceiver-librettist; Tamar-kali, composer; Lauren Whitehead, dramaturg; Adam Rothenberg, music dir.; Jermaine Rowe, assoc. dir.; Destiny Lilly (The Telsey Office), casting. Rehearses Sept. 26-Oct. 27, 2023; tech runs Oct. 28-Nov. 2; runs Nov. 3-Nov. 18).

Note: All of the production stage manager positions have been filled but they are actively seeking Assistant stage managers for all of their productions.

Creatives and Crew

Equity Assistant Stage Managers:

To apply, see the "Key Details" section below.

Rehearsal and Production Dates & Locations

Rehearses and performs in New York.

Compensation & Contract Details

Additional: Equity LORT Non-Rep Contract TBD based on PAC NYC’s forthcoming single-employer labor agreement with Equity. PAC NYC will pay the agreed upon minimum weekly rate established with Equity.

Key Details

Seeking talent from

New York, NY

Additional Instructions:

For consideration, submit your resume to auditions@pacnyc.org for an assistant stage manager position. Submissions deadline is July 7.

For more info visit pacnyc.org.

Equal employment opportunity and a commitment to a diverse staff are fundamental principles at PAC NYC, where employment opportunities are based upon individual capabilities and qualifications without regard to race, color, religion, gender identity, sexual orientation, age, national origin, citizenship, disability, veteran status or any other protected characteristic as established under law.

Long envisioned as a major international cultural institution in the heart of a revived Lower Manhattan, the Perelman Performing Arts Center (PAC NYC) is the final element and cultural keystone of the 2003 Master Plan developed during Mike Bloomberg’s tenure as mayor for rebuilding the World Trade Center site after the tragedy on 9/11. PAC NYC will help to redefine Lower Manhattan as a cultural destination and serve as a testament to the power of the arts to inspire and unite us. Currently under construction, we will open to the public in September of this year.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Additional Materials

Show Breakdown

"An American Soldier"
On October 3, 2011, Chinese-American Army Pvt. Danny Chen was found dead in a guard tower at
his base in Afghanistan. Based on his story and the ensuing courts-martial of Chen’s fellow soldiers,
this New York City premiere opera tells the powerful true story of a young soldier from Manhattan’s
Chinatown who sought to serve his country, only to find his biggest threat was the very people who swore to protect him. Told through the multidimensional music of Huang Ruo ("M. Butterfly," "Book of Mountains and Seas") with libretto by Tony and Grammy winner David Henry Hwang ("M. Butterfly," "Soft Power"), and directed by Obie Award winner Chay Yew ("Cambodian Rock Band," "Sweatshop Overlord"), "An American Soldier"
is a powerful and unforgettable experience.

"Between Two Knees"
Coming to PAC NYC following runs at Oregon Shakespeare Festival, Yale Repertory Theatre, McCarter Theater and Seattle Rep, this play centers on one family’s story of love, loss, and resilience spanning the 1890 massacre at Wounded Knee, forced re-education at Indian boarding schools, World War II, the Civil Rights Movement, Vietnam and the American Indian Movement occupation of Wounded Knee in 1973. Directed by Obie Award winner Eric Ting and infused with the 1491s’ boldly uninhibited comedy, this New York City premiere takes a hard look at the effects of systemic oppression long after our textbooks typically stop teaching Native history. Also, it’s funny.

"Cats"
A fabulously radical reimagining of Andrew Lloyd Webber’s iconic dance musical based on T. S. Eliot’s "Old Possum’s Book of Practical Cats," inspired by the pageant competitions of New York City’s Ballroom culture. With all new ballroom and club beats, and an edgy eleganza makeover, this Jellicle Ball trades feline for fierce, celebrating the joyous transformation of self at the heart of Cats and Ballroom culture itself.

"Watch Night"
Not long ago. And not far from now. In the aftermath of unspeakable tragedy, an opportunistic reporter visits a sacred space defiled by American violence, in search of a story ready made for Hollywood — only to find that history repeats itself too soon, and too close to home. A PAC NYC World Premiere from the acclaimed artistic team of Tony Award-winning choreographer / dancer / director / writer Bill T. Jones ("Fela!," "Spring Awakening"), poet Marc Bamuthi Joseph ("We Shall Not Be Moved"), composer Tamar-kali ("Mudbound") and dramaturg Lauren Whitehead ("Between the World and Me: Onstage at the Apollo"). "Watch Night" fuses melodies rooted in spirituals, percussive breath and fiery opera with the urgency of slam poetry and Bill T. Jones’ dynamic staging to create an immersive exploration of justice and forgiveness in the face of deadly rage.

Arts sector employment May

 PDF link shared drive

https://drive.google.com/file/d/1XBDRi75Cta_9_aGrB1UJFvvPqm-1Dn3n/view?usp=sharing

Organizing Resource: Professionals Who Identify as Hispanic or Latino, 2022 Survey

 

Organizing Resource: Professionals Who Identify as Hispanic or Latino, 2022 Survey

indings from our 2022 Survey of Nonunion Professionals. These resource sheets provide tips for organizing nonunion professionals based on various demographic information so that the content of organizing conversations can be catered to different groups of people. This one focuses on professionals who identify as Hispanic or Latino.

Click image to enlarge or down;oad

Please feel free to forward this resource to your colleagues.

 

 

Queens NY Something Borrowed - Theatre Casting AEA & Non-Union Actors

Something Borrowed - Theatre Casting AEA & Non-Union Actors

Theatre | AEA/Non-AEA | Pay: TBD, 

Writer/Producer will pay an honorarium TBD, but no less than $50.

Project Description: Something Borrowed is a short play by Laura Mazzucca Toops, Playwright and Steve Shoup, Director. AEA and Non-union considered. New York City talent only. To be performed in the upcoming short-play festival at the Secret Theatre in Woodside, Queens July 18 - August 19 and possible extension to semi-finals and finals via audience voting. Will be auditioning via zoom. If selected, we will arrange an audition date online with the director. It will be recorded for any final casting decisions by the playwright and director. For casting decisions only and then the recording will be destroyed. 

Casting: By submission
Rehearsal Date: July 3 - July 18 
Performance Dates: July 18 - August 19
Location: NYC

 something.borrowed.shortplay@gmail.com

Pix/Res/Link to Demo Reel

 

Posted Date: 6/23/2023 3:48:21 PM End Date: 7/3/2023  

THE DRIVER - Updated: 6/23/2023 | Male | Any Ethnicity | Age: 50 - 59 
It's been a long, long day and he just wants the last passenger off of the bus so he can return it to the barn and get the hell home to his family.

Click sides below to enlarge and download