IG DM
Tuesday, December 31, 2024
Monday, December 30, 2024
NYC runs AUBURN NY AEA ECC singers rev theatre
The Rev Theatre Company 2025 Season, Equity NYC Singers ECC
Seeking talent from New York City, NY
About the project
COMPANY DETAILS
The Rev Theatre Company
Brett Smock, producing artistic dir.; Megan Larche Dominick, casting dir.
Casting Equity chorus singers for The Rev Theatre Company's 2025 Season. Se... view more
Roles in this project
Expand All RolesACTORS & PERFORMERS
Dates & Locations
Season runs in Auburn, NY.
Compensation & Contract
Additional: Pays $710/wk. + Pensions and Health - 2024 rate. Equity LOA Ref. to COST Agreement.
Key Details
Auditions:
Ripley-Grier Studios (520), 520 8th Ave, Holding room - Studio 17D, New York City, NY, 10018-6507
Equity Chorus Call
- Jan 21, 2025: 10:00 AM EST
Equity Female Characters; Lunch 1-2 p.m.; Sign-ups will end early due to the Martin Luther King Jr Holiday
Equity Chorus Call
- Jan 21, 2025: 2:00 PM EST
Equity Male Characters; Lunch 1-2 p.m.; Sign-ups will end early due to the Martin Luther King Jr Holiday
Seeking talent from New York City, NY
Additional Instructions:
ECC Procedures are in effect for this audition. An Equity Monitor will be provided. Prepare a 16-bar selection appropriate to the season that demonstrates vocal and dramatic range and ability. Also bring your headshot and resume stapled together. Performers of all ethnic backgrounds are encouraged to audition. More info at www.therevtheatre.com. COVID-19 Procedures: The Rev strongly encourages all current and prospective employees to be up-to-date on their COVID-19 vaccinations. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions.
NYC runs Auburn AEA ECC DANCERS REV THESTRE CO
The Rev Theatre Company 2025 Season, Equity NYC Dancers ECC
Seeking talent from New York City, NY
About the project
COMPANY DETAILS
The Rev Theatre Company
Brett Smock, producing artistic dir.; Megan Larche Dominick, casting dir.
PROJECT DESCRIPTION
Casting Equity chorus dancers for The Rev Theatre Company's 2025 Season. Se... view more
Dates & Locations
Season runs in Auburn, NY.
Compensation & Contract
Additional: Pays $710/wk. + Pensions and Health - 2024 rate. Equity LOA Ref. to COST Agreement.
Key Details
Auditions:
Ripley-Grier Studios (520), 520 8th Ave, Holding room - Studio 17E, New York City, NY, 10018-6507
Equity Chorus Call
- Jan 22, 2025: 10:00 AM EST
Equity Female Characters; lunch 1-2 p.m.
Equity Chorus Call
- Jan 22, 2025: 2:00 PM EST
Equity Male Characters
Seeking talent from New York City, NY
Additional Instructions:
ECC Procedures are in effect for this audition. An Equity Monitor will be provided. Be warmed up and ready to dance at start of call. Combination will be taught. Bring all shoes and a current headshot and resume stapled together. Performers of all ethnic backgrounds are encouraged to audition. More info at www.therevtheatre.com. COVID-19 Procedures: The Rev strongly encourages all current and prospective employees to be up-to-date on their COVID-19 vaccinations. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions.
Sunday, December 29, 2024
Group 20241229 dubai uae f ; NYC F MUSIC VIDEO and NYFW COSPLAY
dubai uae f ; NYC F MUSIC VIDEO and NYFW COSPLAY
NYC F 18-29 NYFW cosplay theme LED WEARABLE GEEKY EDGE
NYFW Cosplay and Costume Models
Seeking talent from United States (Nationwide)
About the project
COMPANY DETAILS
Cosmoda
Paul R, Catherine Schuller Eric Wong
Seeking models for a cosplay themed show integrated with LED wearable. We are seeking models with a geeky edge to walk the runway on February 8th and February 9th for our show
Seeking models of all experience levels.
Required Media: Headshot/Photo, Video Reel
Required Skills:
- Modeling: Swimsuit & Lingerie Modeling
- Modeling: Commercial Modeling
Dates & Locations
Casting call on January 5th at The Rose at 160 W. 25th St, NY, NY from 4pm to 8pm. Event takes place at 30 Walll Street on Feb 8th and Feb 9th
Compensation & Contract
Not Paid
Additional: Meals will be provided. Models paid depending on experience and fan following.
Key Details
Seeking talent from United States (Nationwide)
Additional Instructions:
Please fill out the form to apply https://docs.google.com/forms/d/e/1FAIpQLSdJPJ2tpmvTSr1PkJwDwJypmrdioeA0CQiE8rAHWsCHbd0Ffw/viewform?fbclid=PAZXh0bgNhZW0CMTEAAaZrxrxSOW_C4VuUbJrIHpF4Sd126T_14VJ5jbETWQfppOElIMs3WFy5F0I_aem_xu89i5SZl6FQ4n18n9IcAw
Friday, December 27, 2024
Thursday, December 26, 2024
CA Hollywood+ NYC SAW The Musical
SAW The Musical: The Unauthorized Parody Of Saw
Seeking talent from New York City, NY; Brooklyn, NY; Queens, NY; Los Angeles, CA; Long Beach, CA; Santa Monica, CA; Burbank, CA; West Hollywood, CA; North Hollywood, CA; Glendale, CA; Pasadena, CA
Roles paying up to $200.00
SAW The Musical Parody LLC
Cooper Jordan, conceiver-prod.; Zoe Jordan, book; Anthony De Angelis, Patrick Spencer, music-lyrics; Stephanie Rosenberg, dir.-choreo.; Kimberly Eaton, resident dir.; Gabrielle Guagenti, production stage mgr.; Sarah Thurmond, production mgr.; Sharon Fallon, general mgr.; Josh Otero, company mgr.
PROJECT DESCRIPTION
Casting the Hollywood Resident Production of "SAW The Musical: The Unauthor... view more
Lead. Male. 25-60
A doctor, an older captive, has secrets. Tenor, Belt, or falsetto to high B.
Ethnicity: Ethnically Ambiguous / Multiracial, White / European Descent
Required Media: Headshot/Photo, Video Reel
Required Skills:
Singing
Comedy
Acting Techniques: Musical Theater
Acting
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Adam
Lead. Male. 20-40
A younger captive, a photographer, also has secrets; also plays the five-year-old daughter of Gordon. Baritone/Baritenor.
Required Media: Headshot/Photo, Video Reel
Required Skills:
Singing
Comedy
Acting Techniques: Musical Theater
Acting
Amanda, Ali, Jigsaw, Billy (Swing)
Supporting. Female, Trans Female. 18-40
Female/any gender, 20s-40s; must be an actor with versatile abilities able to play a large number of roles, some comically and some seriously; skills in puppetry or mask work a plus, but not required. Mezzo.
Required Media: Headshot/Photo, Video Reel
Required Skills:
Singing
Variety: Puppetry
Acting Techniques: Musical Theater
Acting
Dates & Locations
Rehearses Feb. 17-March 22, 2025 remotely and in-person in L.A., CA; tech runs March 17-23 in Hollywood, CA; and the run begins March 23 (Sun., 6 p.m.; Mon., 7:30 p.m.; Sunday matinees begin in the Fall) at Hudson Theatres Mainstage in Hollywood, CA; and continues to play Off-Broadway on 51st & 9th in NYC.
Compensation & Contract
All Roles
Total Pay: $125.00 - $200.00 for an estimated 3 hours of work (flat rate)
Additional: Note: Contract is a per-performance contract. Pays $125/performance; rehearsals at $20/hr. 8-month minimum agreement; 2 shows/wk. There is swing role coverage with a minimum of 2 weeks call out with conflicts. The Show continues to play Off-Broadway on 51st & 9th in NYC on a per-performance agreement as well. Production states: "Please apply even if one of the two weekly performances is a conflict. Some roles may be scheduled with alternating Actors based on availability if needed. Additional performances are to be scheduled on some holidays or Holiday weekends for Swings."
Key Details
Seeking talent from New York City, NY; Brooklyn, NY; Queens, NY; Los Angeles, CA; Long Beach, CA; Santa Monica, CA; Burbank, CA; West Hollywood, CA; North Hollywood, CA; Glendale, CA; Pasadena, CA
Roles paying up to $200.00
Additional Instructions:
For consideration, submit a reel, headshot, and resume; as well as a performing 16-32 bars of contemporary musical to sawthemusicalparody@gmail.com. All auditions for L.A. will be via video submission or over Zoom. Note: Limited virtual callbacks will be scheduled in mid-December if needed, based on availability.
Additional Materials
Website:http://www.sawthemusical.com
Tuesday, December 24, 2024
NYC Seeking Equity Stage Managers for Dead Outlaw.
Dead Outlaw,' Equity Stage Manager Submissions, B'way
Seeking talent from New York, NY
About the project
COMPANY DETAILS
Producing Org TBD
Lia Vollack Productions, Sonia Friedman Productions, prods.; David Yazbek & Erik Della Penna, music-lyrics; Itamar Moses, book; David Yazbek, conceived by; Dean Sharenow, music supervisor; Rebekah Bruce, music dir.; David Cromer, dir.; Bespoke Theatricals, general mngr.; Peter Van Dam, CSA, Tara Rubin Casting, casting dir.
Member since Jul 12, 2013
Seeking Equity Stage Managers for Dead Outlaw.
CREATIVES AND CREW
Dates & Locations
Rehearsals begin o/a Mar. 17, 2025; run begins o/a Apr. 12, 2025 at the Longacre Theatre in NYC.
Compensation & Contract
Additional: Pays $4,334/wk. Stage Manager and $3,423/wk. Assistant Stage Manager. Equity Production (League) Agreement.
Key Details
Seeking talent from New York, NY
Additional Instructions:
Submit your resume, and cover letter for consideration by Jan. 7, 2025 to DeadOutlaw@bespoketheatricals.com. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Monday, December 23, 2024
Sunday, December 22, 2024
Friday, December 20, 2024
Thursday, December 19, 2024
group 20241219 PA Media AEA Grease EPA SM; New Hope ballet; athlete+NY W feat.+M esl
PA Media AEA Grease EPA SM; New Hope ballet; athlete+NY W feat.+M esl
Grease, Equity Stage Manager Submissions
Grease, Equity Stage Manager Submissions
Seeking talent from Media, PA
About the project
COMPANY DETAILS
Media Theatre
Christian Ryan, artistic dir.
Seeking Equity stage managers for "Grease."
Dates & Locations
Rehearsals begin Apr. 14, 2025; tech begins Apr. 25, 2025; runs Apr. 30-May 25, 2025 in Media, PA.
Compensation & Contract
Additional: Pays $480/wk. Stage Manager and $440/wk. Assistant Stage Manager. Equity LOA Ref. to LORT Agreement.
Key Details
Seeking talent from Media, PA
Additional Instructions:
Submit your resume for consideration by Jan. 27, 2025 to casting@mediatheatre.org. More info at www.mediatheatre.org. Stage managers local to the Media, PA area are encouraged to submit. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Grease, Media PA EPA
Grease, Media PA EPA
Seeking talent from Media, PA
About the project
COMPANY DETAILS
Media Theatre
Christian Ryan, artistic dir.
PROJECT DESCRIPTION
Casting Equity actors for "Grease."
Roles in this project
Collapse All RolesACTORS & PERFORMERS
Dates & Locations
Rehearsals begin Apr. 14, 2025; runs Apr. 30-May 25, 2025 in Media, PA.
Compensation & Contract
Additional: Pays $400/wk. Equity LOA Ref. to LORT Agreement.
Key Details
Auditions:
Media Theatre for the Performing Arts, 104 E State St, Media, PA, 19063-3416
Equity Principal Audition
- Jan 27, 2025: 12:00 PM to 7:30 PM EST
by appointment; break 3-3:30 p.m.
Seeking talent from Media, PA
Additional Instructions:
An Equity Monitor will not be provided. The producer will run all aspects of this audition. Prepare a short song. Pop/rock style. You may be asked for a contrasting 16-bar song. Also, bring your headshot and resume stapled together. To schedule an audition appointment email: casting@mediatheatre.org . In the Subject Line put: "Audition Request - (Lastname)". Please include your equity status, whether or not you are a local and indicate your preferred time slot between 12 p.m.-7 p.m. (the last block of appointments start at 6 p.m.) in the body of your email. If you are unable to attend in person, you may submit a video submission. Video Submission Instructions: If you are you unable to attend the in person auditions you may send a video submission. Email your headshot, resume and video audition to: casting@mediatheatre.org. Clearly state in the Subject Line "Video Submission - (Lastname)”. Include in the body of your email your Equity status and whether or not you are a local. Note: Most characters sing and dance extremely well. The characters have youthful energy, though reading teenage years is not necessarily a requirement. Actors local to the Media, PA area are encouraged to audition. More info at www.mediatheatre.org. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions.
Additional Materials
Breakdown Of Roles
NOTE:
Most characters sing and dance extremely well. The characters have
youthful energy, though reading teenage years is not necessarily a
requirement.
DANNY ZUKO - Vocal range: Tenor. D-high B. Good falsetto to high D flat if possible.
SANDY DUMBROWSKI - Vocal range: Soprano. Low A to E flat.
BETTY RIZZO - Vocal range: Alto. Low A to D.
FRENCHY - Vocal range: Mezzo Soprano. C to D flat.
MARTY - Vocal range: Alto. C to D flat.
JAN - Vocal range: Alto. Low F to C sharp.
KENICKIE - Vocal Range: Tenor. C to F sharp.
SONNY LaTIERRI - Vocal Range: Baritone. Low G to A.
ROGER - Vocal Range: Tenor. F to G.
DOODY - plays the guitar. Vocal Range: Tenor. D to A with good falsetto to high E flat if possible.
PATTY SIMCOX - Vocal Range: Mezzo Soprano/Alto. B to B.
EUGENE FLORCZYK - Vocal Range: Baritone. Sings with ensemble.
VINCE FONTAINE - Vocal Range: Non-singing role.
CHA CHA, a.k.a. Charlene DiGregorio - Vocal Range: Non-singing role.
JOHNNY CASINO - Vocal Range: Tenor G to E with Good falsetto to high C if possible.
MISS LYNCH - Vocal Range: Mezzo Soprano.
Wednesday, December 18, 2024
PA NEW HOPE ROXEY BALLET DANCER Carmina Burana, 2025 season
Roxey Ballet, Journey Back to the 80s, Carmina Burana, 2025 season
Seeking talent from Frenchtown, NJ; New York, NY; Philadelphia, PA; Washington, DC
About the project
COMPANY DETAILS
Roxey Ballet
Lindsay Osten, marketing assist.-associate
Seeking
highly skilled and passionate dancers to join Roxey Ballett's upcoming
season. The current repertory consists of original, full-length classic
and contemporary ballet works in a variety of styles by a variety of
choreographers.
Must be individuals who exhibit exceptional
technical ability, artistry, and professionalism. This could be a
life-changing opportunity for dancers ready to take the next step in
their careers.
Highly skilled and passionate contemporary ballet dancers to join the company.
Former education experience with children is vital for any successful candidate. Additional experience with inner city youth at risk and artists with disabilities is a plus.
Company states: "We are proud to be a diverse and inclusive organization dedicated to creating meaningful performances and fostering growth in the arts community."
Former education experience with children is vital for any successful candidate. Additional experience with inner city youth at risk and artists with disabilities is a plus.
Company states: "We are proud to be a diverse and inclusive organization dedicated to creating meaningful performances and fostering growth in the arts community."
Required Skills:
- Musical Style: Ballet
- Dance: Contemporary
Dates & Locations
Starts in January in New Hope, PA.
Compensation & Contract
Deferred: Profit Share
Additional: Compensation and details to come with the audition. The contract is for 18-45 weeks annually depending on the dancer.
Key Details
Seeking talent from Frenchtown, NJ; New York, NY; Philadelphia, PA; Washington, DC
Additional Instructions:
Audition
Location: Mill Ballet School, 46 N Sugan Rd. New Hope, PA 18938.
Auditions are by invitation only. There is no audition fee.
For
consideration, ladies, bring your pointe shoes. All dancers should be
prepared to take class, perform choreography, learn company repertory,
and take part in a short interview. Submit resume, headshot, dance
photo, and video.
Additional Materials
Website:https://www.roxeyballet.org/
Tuesday, December 17, 2024
Pneumonia Video Project
apply here
https://form.jotform.com/243225012318141
Pneumonia Video Project
Seeking talent from United States (Nationwide)
Roles paying up to $500.00
About the project
COMPANY DETAILS
Genuine Casting
Genuine Casting, Casting Director
Seeking talent over 50 who has been diagnosed with pneumonia for a video project about pneumococcal pneumonia.
US NAVY BAND SEA CHANTERS BASS VOCALIST (BASS II/LOW BASS)
2 attachments at end
US NAVY BAND SEA CHANTERS BASS VOCALIST (BASS II/LOW BASS)
Seeking talent from United States (Nationwide)
About the project
COMPANY DETAILS
United States Navy Band
United States Navy Band
THE UNITED STATES NAVY BAND, IN WASHINGTON D.C., HAS AN IMMEDIATE OPENING FOR
SEA CHANTERS CHORUS BASS VOCALIST (BASS II/LOW BASS)
Application due Jan. 6, 2025
Live audition date Feb. 12 -13, 2025
Starting Annual Salary:
$76,018 - $83,470 FULL BENEFITS
STUDENT LOAN REPAYMENT UP TO $65,000
Contact the Navy Band for more information:
202-433-2840
Roles in this project
Collapse All RolesACTORS & PERFORMERS
Dates & Locations
The audition will take place over two days, Wednesday-Thursday; February 12-13, 2025 in Washington, D.C. Applications and recordings are due by Monday, January 6, 2025.
Compensation & Contract
Rate: $76,018.08 - $83,470.00 / month (estimated duration: not provided)
Additional: This is an annual starting salary.
Key Details
Seeking talent from United States (Nationwide)
Additional Instructions:
Those selected for positions in the U.S. Navy Band are advanced to the pay grade of E-6 (Musician 1st Class) following recruit training, under a contract for permanent assignment to the U.S. Navy Band, Washington, D.C. All applicants must be aged 18 to 41 and otherwise qualified for service in the U.S. Navy. Please note that the Navy has strict requirements with regard to medical readiness and physical appearance. For more information about Navy Band auditions, email [Pending Approval] or contact the Auditions Director at (202) 433-2840.
Monday, December 16, 2024
1980s Band Family Members SAG Husker 1/9 Tentative
Please log in to https://gwci.app/talent to view details.
Go to Open Roles / 1980s Family of Band Members (SAG-AFTRA Covered) Tentative 1/9 for Husker
GWCI is casting 1980s Family of Band Members (SAG-AFTRA Covered) Tentative 1/9 for Husker
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NYC Pedestrians / Tourists (NON SAG)(1/7) for Untitled Amazon Project
Please log in to https://gwci.app/talent to view details.
Go to Open Roles / Untitled Amazon Project / NYC Pedestrians / Tourists (NON SAG)(1/7)
GWCI is casting NYC Pedestrians / Tourists (NON SAG)(1/7) for Untitled Amazon Project
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NY' 1980s Concert Security (SAG-AFTRA) Husker 1/9 tentative
Please log in to https://gwci.app/talent to view details.
Go to Open Roles / 1980s Concert Security (SAG-AFTRA Covered) Tentative 1/9 for Husker
GWCI is casting 1980s Concert Security (SAG-AFTRA Covered) Tentative 1/9 for Husker
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Saturday, December 14, 2024
NYC EPA Broadway at Music Circus 2025 Season
Broadway at Music Circus 2025 Season, EPA
Seeking talent from New York City, NY
About the project
COMPANY DETAILS
Broadway Sacramento
Scott Klier, producing artistic dir.-president-CEO; Dennis Castellano, music supervisor
PROJECT DESCRIPTION
Casting Equity actors in Broadway at Music Circus 2025 Season. Season includes "Footloose" (Robbie Roby, dir.-choreo. Rehearsals begin March 4, 2025; runs March 21-27), "Joseph and The Amazing Technicolor Dreamcoat" (Glenn Casale, dir.; Robbie Roby, choreo. Rehearsals begin March 25; runs April 11-17), "Million Dollar Quartet" (Greg Santos, dir. Rehearsals begin May 13; runs May 30-June 5), "Hello, Dolly!" (Glenn Casale, dir.; John MacInnis, choreo. Rehearsals begin June 3; runs June 20-26), "West Side Story" (Linda Goodrich, dir.; Kyle Coffman, choreo. Rehearsals begin June 24; runs July 11-17), "In the Heights" (Marcos Santana, dir.; Rickey Tripp, choreo. Rehearsals begin July 15; runs Aug. 1-7), "Hair" (Glenn Casale, dir.; Gerry McIntyre, choreo. Rehearsals begin Aug. 5; runs Aug. 22-28), and "White Christmas" (Linda Goodrich, dir.; John MacInnis, choreo. Rehearsals begin Nov. 17; runs Dec. 5-11).
Roles in this project
ROLES
Dates & Locations
Rehearses and runs in NYC.
Compensation & Contract
Rate: $1,385.00 / week (estimated duration: not provided)
Additional: Pays $1385/wk. Equity Special Agreement Contract.
Key Details
Auditions:
Pearl Studios (500), 500 8th Ave, Holding room - Studio 301, New York City, NY, 10018-6504
Equity Principal Audition
- Jan 15, 2025: 10:00 AM to 6:00 PM EST
Lunch 1:30-2:30 p.m.
Seeking talent from New York City, NY
Additional Instructions:
EPA
Procedures are in effect for this audition. An Equity Monitor will be
provided. Prepare a brief musical theatre song appropriate for the
season. Bring sheet music in your key. An accompanist will be provided.
Also, bring your headshot and resume stapled together. None of the roles
will be understudied.
Company states: "Broadway At Music Circus
actively solicits women and actors from historically excluded groups for
diverse and inclusive casting opportunities and encourages performers
of all ethnic backgrounds, gender identities, ages, and performers with
disabilities, to attend."
Equity’s contracts prohibit
discrimination. Equity is committed to diversity and encourages all its
employers to engage in a policy of equal employment opportunity designed
to promote a positive model of inclusion. As such, Equity encourages
performers of all ethnicities, gender identities, and ages, as well as
performers with disabilities, to attend every audition. Always bring
your Equity Membership card to auditions.
Additional Materials
Season Breakdown
"FOOTLOOSE"
REN
MCCORMACK: 18+ to play teen, male presenting, any ethnicity. Tenor
(D3-C5). Ren brings his Chicago-sized attitude and heart to small town
Bomont. He longs to belong and goes on an emotional journey from boyhood
to maturity as he convinces the town council and Rev. Moore to suspend
its moratorium on public dancing. Great singer and spectacular dancer.
Sings, “Footloose”, “I’m Free/Heaven Help Me”, and “Almost Paradise”.
ETHEL
MCCORMACK: Early 40s, female presenting, any ethnicity. Mezzo (G3-D5).
She is Ren’s mother and has no choice but to uproot their lives and move
in with her sister and conservative brother-in-law in rural Bomont. She
does not succumb to the pathos of her situation and parents her son
honestly. Sings, “On Any Sunday” and “Learning to Be Silent”.
ARIEL
MOORE: 18+ to play teen, female presenting, any ethnicity.
Mezzo-Soprano w/ belt (G3-Eb5). Ariel is smart, attractive and trapped
in her sheltered homelife. Her sassy demeanor is an attempt to deflect
her grief from her brother’s death and the loss of her once loving
relationship with her father. A spectacular singer. Sings, “Holding Out
For A Hero” and “Almost Paradise.”
REV. SHAW MOORE: Mid 40s-50s,
male presenting, any ethnicity. Baritone (A2-F#4). Rev. Moore’s
intellect, charisma and charm endears him to his congregation and town.
He is unable to reconcile the tragic loss of his son and keeps his
surviving daughter on a tight rein. Only Ariel and Vi (and eventually
Ren) witness the frustration and temper stemming from his private
anguish. Sings, “On Any Sunday” and “Heaven Help Me”.
VI MOORE:
Early 40s-50s, female presenting, any ethnicity. Mezzo-Soprano (A3-Db5).
Ariel’s mother, Vi is intelligent, perceptive and compassionate, with
an unflagging good humor she employs to keep her household – and her
husband’s congregation – running smoothly. She gives us a glimpse of
what life with Shaw was like before the tragedy. Sings, “Learning to Be
Silent” and “Can You Find it in Your Heart?”.
WILLARD HEWITT: 18+
to play teen, male presenting, any ethnicity. Tenor (Bb2-Ab4). Willard
is not dumb; he is a gentle giant with quick fists, awkward and
adorable. His humor derives from his gradual, innocent and giddy
discovery of the new worlds he is introduced to by Ren. Great singer who
must finally be able to dance. Sings, “Mama Says (You Can’t Back
Down)”.
RUSTY: 18+ to play teen, female presenting, any
ethnicity. Pop Soprano w/ belt (A3-F#6). Ariel’s friend, Rusty is bold
and self-assured. She is deeply romantic and Willard’s perfect match,
whether or not she nor he recognizes it. Strong singer. Sings,
“Somebody’s Eyes” and “Let’s Hear It for the Boy”.
URLEEN: 18+ to
play teen, female presenting, any ethnicity. Pop Mezzo-soprano (A3-D5).
A flirty friend of Ariel’s, she enjoys being a bit of a rebel when
following someone else’s lead. Sings, “Somebody’s Eyes” and “Holding Out
for a Hero”.
WENDY JO: 18+ to play teen, female presenting, any
ethnicity. Pop Mezzo-Soprano (A3-E5). Another friend of Ariel’s, she’s
agreeable, not the smartest and very protective of her friend. Sings,
“Somebody’s Eyes” and “Holding Out for a Hero”.
CHUCK CRANSTON:
18+ to play teens, male presenting, any ethnicity. Tenor (F#3-B4).
Rough, demanding, and jealous. The local “bad boy”, Chuck is not a fan
of Ren and resorts to violence to get his way. Sings, “The
Girl Gets Around”.
LULU
WARNICKER: Early 40s, female presenting, any ethnicity. Ensemble
singing. Ren’s Aunt and Ethel’s sister. Not one to rock the boat, she is
an uptight gossip. She loves her sister but doesn’t appreciate her
world being shaken. A dutiful wife and city council secretary.
WES
WARNICKER: 40s, male presenting, any ethnicity. Ensemble singing.
Lulu’s husband and Ethel’s brother-in-law. Tough, authoritative, and
easily frustrated with Ren’s inability to fit into his small-town
community.
COACH DUNBAR: 30s–40s, male presenting, any ethnicity.
Ensemble singing. A small-town wrestling coach and high school gym
teacher, he doesn’t mince words and is unwilling to accept lip or sass.
Quick to judge, he likes things the way they are.
ELEANOR DUNBAR:
30s-40s, female presenting, any ethnicity. Ensemble singing. The
conservative wife of Coach Dunbar. Good friends with Vi.
COP/COUNTRY FIDDLER: 30s-50s, male presenting, any ethnicity. Deadpan, law abiding, no nonsense. Doubles as a Country Fiddler.
BETTY
BLAST: 40+, female presenting, any ethnicity. The owner of The Burger
Blast. She’s too old to skate but too ornery to admit it. Not afraid to
say what’s on her mind. A champion of Ren’s, one of the good ones.
PRINCIPAL
CLARK: 40+, male presenting, any ethnicity. The high school Principal,
he takes his job very seriously. He’s accustomed to people jumping when
he speaks. An authoritarian.
"JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT"
JOSEPH:
20-30, male presenting, any ethnicity. Tenor (A2-A4). Strong singer who
must be in great physical shape. Joseph must show an innocence and
eagerness to please, while at the same time, show real charisma. Sings,
“Any Dream Will Do” and “Close Every Door”.
NARRATOR: 25-40,
female presenting, any ethnicity. Alto w/high belt (F3-G5) A strong
singer with a strong personality and presence to narrate our story.
Sings, “Prologue” and “Jacob and Sons”.
JACOB: 50+, male
presenting, any ethnicity. Baritone (A2-Eb4). He is the father of 12
brothers. A strong character who is comfortable with comedy and playing
dual roles, as he doubles as
POTIPHAR, a wealthy Egyptian with an unfaithful wife. Sings, “Jacob and Sons” and “Potiphar”.
PHAROAH:
30-45, male presenting, any ethnicity. High Baritone (Bb2-G#4). A
strong singer and great mover. He is based on the Elvis character (he
has lots of charisma for a confused king). Sings, “Song of the Pharaoh”.
"MILLION DOLLAR QUARTET"
SAM
PHILLIPS: 30s, male presenting. The father of Rock ‘n Roll and founder
of Sun Records: discovered Jerry Lee Lewis, Elvis Presley, Johnny Cash,
Carl Perkins, and many others, including Roy Orbison and B.B. King; a
towering and charismatic figure in American music.
CARL PERKINS:
mid 20s; male presenting. He was the American pioneer of rockabilly
music and best known for his song “Blue Suede Shoes.” An excellent
guitar player. Sings, “Who Do You Love?”, “My Babe”, and “See You
Later, Alligator”.
JOHNNY CASH: late 20s-late 30s, male
presenting. Johnny Cash at the dawn of his epic career. Tall and should
sound and look somewhat like Johnny without being an “impersonator.” An
excellent guitar player and singer. Sings, “Folsom Prison Blues”,
“Sixteen Tons”, and “I Walk the Line”.
ELVIS PRESLEY: 20s, male
presenting. The King of Rock ‘n’ Roll at the beginning of his career.
Must be able to embody the spirit of Elvis Presley without being an
impersonator. Must be familiar with his music and able to play guitar.
Sings, “Long Tall Sally”, “Peace in the Valley”, and “Hound Dog”.
JERRY
LEE LEWIS: 20 to 30 years old, male presenting. Rock ‘n’ Roll’s
legendary piano prodigy and celebrated “Last Man Standing.” He is
energetic, ambitious, and has a comedic edge. An excellent piano player
and singer. Sings, “Real Wild Child”, “Great Balls of Fire”, and “Whole
Lotta Shakin’ Goin’ On”.
DYANNE: Mid 20s-early 30s, female
presenting. An aspiring singer and Elvis’ girlfriend, she’s ahead of her
time, smart, assertive, and a great singer with a wide range. Sings,
“Fever” and “I Hear You Knocking”.
JAY PERKINS: Mid 20s, male presenting. Brother of Carl Perkins and the bass player.
W.S. “FLUKE” HOLLAND: mid 20s, male presenting. Drummer.
"HELLO, DOLLY!"
MRS.
DOLLY GALLAGHER LEVI: Late 30s–40s, female presenting, any ethnicity.
Female Tenor (C3-G#4) or Alto (G3-E5). Dolly Levi is an unflappable
matchmaker, charismatic opportunist, and professional meddler in
everyone’s business. She lives life with gusto, heart, and a commanding
presence. Her songs include “I Put My Hand In,” “Before the Parade
Passes By,” “Hello, Dolly!” and “So Long, Dearie.”
ERNESTINA:
20s-30s, female presenting, any ethnicity. Mezzo-soprano (G4-D5).
Dolly’s calculated match for Horace Vandergelder, Ernestina is raucously
loud and lacks all social graces.
AMBROSE KEMPER: 20s, male
presenting, any ethnicity. Tenor (E3-G#4). A penniless young artist,
Ambrose is desperately in love with Ermengarde. He employs Dolly’s
services to secure their marriage despite Ermengarde’s custodian uncle’s
disapproval. A good dancer.
HORACE VANDERGELDER: 40s-50s, male
presenting, any ethnicity. Baritone (Bb2-E4). The wellknown first
citizen of Yonkers and half-a-millionaire, Vandergelder is the
proprietor of the hay and feed store. Miserly, gruff, and unwavering, he
employs Mrs. Levi to find him a wife. He sings “It Takes A Woman.”
ERMENGARDE:
Early 20s, female presenting, any ethnicity. Mezzo-Soprano (E4-G#5).
Vandergelder’s 17-year-old niece, Ermengarde is desperately in love with
Ambrose Kemper. Her Uncle’s disapproval of their match is the source of
her perpetual angst and tears.
CORNELIUS HACKL: 30s, male
presenting, any ethnicity. High Baritone (Bb2-G#4). The 33-year-old
chief clerk of Vandergelder’s feed store, timid Cornelius is
over-worked, under-paid, and yet remains eager to please. He longs for
an adventure in New York City and springs at the first chance he gets to
take one. His songs include “Put on Your Sunday Clothes” and “It Only
Takes a Moment.”
BARNABY TUCKER: 20s, male presenting, any
ethnicity. High Baritone (Bb2-G#4). Eager and naïve, Barnaby is
Cornelius’ 17-year-old faithful right hand. He is easily swept up in
Cornelius’ New York City adventure. A strong dancer. Sings, “Put on Your
Sunday Clothes” and “Elegance”.
IRENE MOLLOY: 30s, female
presenting, any ethnicity. Mezzo-Soprano (G3-F5). A millineress and
proprietor of her own hat shop in New York City, Irene was widowed too
young and longs to reconnect with romance and life’s lighter side. She
sings “Ribbons Down My Back.”
MINNIE FAY: Early 20s, female
presenting, any ethnicity. Mezzo with bright mix (C4-F5). Minnie is Mrs.
Molloy’s young employee. A sweet chatterbox, she is a running
commentary on propriety or lack-thereof. A good dancer. Sings, “Dancing”
and “Elegance”.
RUDOLPH: 20s-40s, male presenting, any ethnicity. Rudolph is the Major-Domo of the Harmonia Gardens Restaurant in New York City.
JUDGE: 30s-50s, male presenting, any ethnicity. The Judge is a seasoned magistrate moved by Dolly’s romantically spun stories.
"WEST SIDE STORY"
ACTION:
A youthful presence, male presenting, any ethnicity. Baritenor. The
most volatile and aggressive member of the Jets who is always looking
for a fight. An excellent dancer.
ANYBODYS: A youthful presence,
female presenting, any ethnicity. Alto. A spunky tomboy who is desperate
to become a member of the Jets. The other Jets mock her for her
ambitions but generally appreciate Anybodys for her heart and energy. An
excellent dancer.
A-RAB: A youthful presence, male presenting,
any ethnicity. Baritenor. A smaller member of the Jets who enjoys
everything and understands the seriousness of nothing. An excellent
dancer.
BABY JOHN: A youthful presence, male presenting, any
ethnicity. Baritenor w/ strong falsetto. The youngest member of the
Jets. Baby John is in awe of everything. He tries to act like a big man,
but his youth makes him vulnerable. An excellent dancer.
BIG
DEAL: A youthful presence, male presenting, any ethnicity. Baritenor. A
bespectacled, selfimportant “know it all” Jet who believes he really is a
big deal. An excellent dancer.
DIESEL: A youthful presence, male
presenting, any ethnicity. Baritenor. The second-in-command of the
Jets. Diesel is physically large and takes over as the leader following
Riff’s death. An excellent dancer.
RIFF: A youthful presence,
male presenting, any ethnicity. Baritone (A2-F4). The energetic,
intelligent, and quick-tempered leader of the Jets. As Tony’s best
friend, Riff seeks to eliminate the Sharks and establish dominance for
his own gang. He is the All-American type. An excellent dancer.
SNOWBOY:
A youthful presence, male presenting, any ethnicity. Baritone. A smart
aleck Jet who fancies himself a bit of a comedian. An excellent dancer.
TONY:
A youthful presence, male presenting, any ethnicity. Tenor (Bb2-C5). A
romantic young man. Tony is the former leader of the Jets who has left
the gang lifestyle and is trying to be productive with his life. His
instantaneous love for Maria divides his loyalty between his friends and
his heart. He is a genuine young man who gets caught up in violence
while trying to please too many people. An excellent singer who moves
very well.
ANITA: A youthful presence, female presenting, Puerto
Rican. Alto (F3-F5). Bernardo’s girlfriend and Maria’s friend who
dispenses “older sister” type advice. Anita is feisty and assertive, but
mostly so to shield Maria from the gangs. An excellent singer and
dancer.
BERNARDO: A youthful presence, male presenting, Puerto
Rican. Baritone (A2-E4). The leader of the Sharks, Anita’s boyfriend,
and Maria’s older brother. Bernardo seeks to carve out territory and a
sense of identity for the Sharks. He is proud, strong, protective, and
determined. An excellent dancer.
CHINO: A youthful presence, male
presenting, Puerto Rican. Baritenor. Bernardo’s best friend. Chino is
obsessed with Maria, leading him to act on impulse and emotion. He is
angry and at times naïve, later turning murderous and vengeful. An
excellent dancer.
MARIA: A youthful presence, female presenting,
Puerto Rican. Soprano (Bb3-C6). Bernardo’s younger sister who falls in
love with Tony. Maria is a hopeless romantic and innocent young girl,
yet her affections for Tony find her at the center of the violent
conflict between the two gangs. She is forced to choose between love and
loyalty. An excellent singer who moves very well.
DOC: 50s–60s,
male presenting, any ethnicity. Non-singing. The owner of the store
where the Jets hang out. Doc tries to guide the boys’ youthful angst and
provides a safe haven for Tony. He is old-fashioned and wise in his
ways.
GLAD HAND: Mid 30s–40s, male presenting, any ethnicity.
Non-singing. A square and wellintentioned social worker who organizes
and chaperones the dance, making an effort to unite the warring
factions.
LT. SHRANK: 40s–50s, male presenting, any ethnicity.
Non-singing. A local police detective who is frustrated by the ongoing
violence between the Jets and the Sharks. Lt. Shrank is blunt, brash,
and unapologetic.
OFFICER KRUPKE: Mid 30s–mid 40s, male
presenting, any ethnicity. Non-singing. The local beat cop who has no
patience for the gang conflict and tries to keep tensions from erupting
between the Sharks and the Jets, who regularly mock his efforts.
"IN THE HEIGHTS"
USNAVI:
25-35, male presenting, Afro-Latino/Latino. High baritone (A2–A4).
Usnavi lives in Washington Heights and runs his deceased parent’s
Bodega. Raised by Abuela Claudia, he longs to return to the Dominican
Republic. Usnavi is always looking out for others but has bigger
aspirations. He longs for Vanessa but has a hard time showing his true
feelings. After coming into some money, he decides to return to the DR
until he finally realizes Washington Heights is home. He speaks Spanish
and rapping ability necessary. Sings “In the Heights”, “96,000,” and
“Hundreds of Stories”.
NINA: 20-25, female presenting,
Afro-Latina/Latina. Mezzo-soprano with belt (F3–F5). Brilliant and
hardworking, Nina’s first year at Stanford left her humbled and unsure
of herself. The pride of the neighborhood, Nina tells no one that she is
not returning to college. While home, she reconnects with Benny and the
two quickly fall for each other, causing her parents, Kevin and
Camilla, concern. Nina eventually regains her confident spirit and
agrees to return to college after her father sells his Taxi company to
pay for her education. Speaks Spanish. Sings “Breathe,” “When You’re
Home,” and “Everything I Know”.
BENNY: 20-30, male presenting,
Black. High baritone (Bb2–Ab4). Benny is Usnavi’s best friend and, as a
good wingman, helps him score a date with Vanessa. He has worked for
Kevin and Camilla at Rosario’s Taxi Service since he was a young man,
but he aspires to more. He is considered a part of the Rosario family
until he begins dating their daughter, Nina. Sings, “When You’re Home,”
“Sunrise,” and “When the Sun Goes Down”.
VANESSA: 20-25, female
presenting, Afro-Latina/Latina. Alto with high belt (F#3–E5). An
ambitious dreamer, Vanessa works at Daniela’s salon to save enough money
to leave the Heights and move downtown. She is beautiful and all the
boys want her, but Vanessa just wants to be treated with respect. Her
reciprocation of Usnavi’s interest is overlooked due to his insecurity.
Speaks Spanish. Sings “It Won’t Be Long Now,” and “Champagne”.
ABUELA
CLAUDIA: 55-65, female presenting, Afro-Latina/Latina. Alto (Eb3–C5). A
Cuban immigrant, Claudia and her mother came to the U.S. to find work
and a better life but only found the former. Claudia is the beloved
neighborhood matriarch, and takes care of everyone with compassion,
wisdom and devotion. Her dream of returning home becomes a reality but
it may be too late. Speaks Spanish. Sings “Paciencia y Fe,” and
“Hundreds of Stories”.
SONNY: 18+ to play late teens, male
presenting, Afro-Latino/Latino. Tenor (A3–Bb4). Usnavi’s younger cousin,
Sonny was also raised by Claudia. He is young and a smart aleck, who
always has the perfect dry quip to match any situation. Dominican by
birth, Sonny is tough and street-smart but also cares deeply about his
loved-ones and the neighborhood. Speaks Spanish. Sings, “96,000” and “It
Won’t Be Long Now”.
KEVIN: 40-50, male presenting,
Afro-Latino/Latino. Baritone (C3–F4). Kevin is the Puerto Rican owner of
Rosario’s Taxi Dispatch, which he runs with his wife Camila. He is hard
working and overprotective of his daughter, Nina. Kevin is very proud
and has made many sacrifices for his family, but he makes the largest
one when he finds his daughter is unable to afford college. Sings,
“Inútil,” and “Atención”.
CAMILA: 40-50, female presenting,
Afro-Latina/Latina. Alto (G3–D5). Camila is the strong-willed wife and
business partner to Kevin, and mother to Nina. She typically defers to
Kevin but steps up to voice her opinion when their family’s future is
on the line. Speaks Spanish. Sings, “Enough”.
DANIELA: 35-45,
female presenting, Afro-Latina/Latina. Alto (A3–C5). Daniela is the
Puerto Rican owner of the neighborhood salon and gets her chisme and
coffee every morning from Usnavi’s bodega. She knows everything that is
going on in the barrio. Her tough-as-painted-nails exterior disguises
the generous spirit revealed in her support of employee Vanessa. Speaks
Spanish. Sings “No Me Diga” and “Carnaval del Barrio”.
CARLA:
25-35, female presenting, Afro-Latina/Latina. Alto (A3–D5). Carla is
Daniela’s good friend and right hand in the beauty shop. She is upbeat
and a bit dense, in addition to being very sweet and religious. Speaks
Spanish. Sings, “No Me Diga,” and “Carnaval del Barrio”.
GRAFFITI
PETE: 20-30, male presenting, Afro-Latino/Latino. Baritone (A3–D4).
Pete is the local barrio graffiti artist. He lives in the shadows
practicing his larger-than-life art. It’s later revealed that his heart
is equally as large. Break-dancing ability necessary.
"HAIR"
CLAUDE:
A youthful presence, male presenting, any ethnicity. Rock Tenor
(C3-G4). The introspective, gentle, and emotional center of the Tribe.
Claude’s ethos is based in morality, intellect, and spirituality, yet he
is also melancholy and indecisive (as shown by his hesitancy to burn
his draft card). He is concerned about the war and the state of the
human condition, feeling as though he will likely be unable to find his
purpose either with the Tribe or with the Army. An excellent singer.
This role includes brief nudity. Sings, “Manchester, England” and
“Hair”.
BERGER: A youthful presence, male presenting, any
ethnicity. Rock Tenor (A#2-Bb4). The manic master of ceremonies and
leader of the Tribe. Berger experiences the world through pleasure,
courage, and instinct (the animal to Claude’s intellect). He is wild,
loud, and charismatic, but underneath hides a serious, angry, and tragic
persona. An excellent singer. This role includes brief nudity. Sings,
“Donna” and “Hair”.
WOOF: A youthful presence, male presenting,
any ethnicity. Tenor (D3-Ab4). A young member of the Tribe. Woof is sexy
and masculine, driven by free-love. He is very much in his own world, a
bit of a space cadet. This role includes brief nudity. Sings, “Sodomy”
and “Don’t Put it Down”.
HUD: A youthful presence, male
presenting, Black. Tenor (B2-B4). An intellectual and streetwise member
of the Tribe. Hud has an energetic personality and functions as a wise
overseer. He looks to reclaim and diminish the power of racial slurs and
stereotypes. This role includes brief nudity. Sings, “Colored Spade”
and “Abie, Baby”.
SHEILA: A youthful presence, female presenting,
any ethnicity. Alto with belt (C4-F#5). A student and activist/war
protestor from NYU. Sheila is passionate, wild, and dynamic, but also
obsessive as shown by her unrequited love for Berger. An excellent
singer. This role includes brief nudity. Sings, “I Believe in Love” and
“Easy to Be Hard”.
JEANIE: A youthful presence, female
presenting, any ethnicity. Mezzo-Soprano (G3-Eb5). She is the
earth-mother of the group, both figuratively and literally, as she is
pregnant. Because of her obsession with Claude, it is through Jeanie
that the audience feels the tragedy and anguish of those he leaves
behind. An excellent singer. This role includes brief nudity. Sings,
“Air.”
DIONNE: A youthful presence, female presenting, Black.
Alto with belt (F3-F#5). A warm and compassionate member of the Tribe.
Dionne has a strong presence and sense of justice and irony. This role
includes brief nudity. Sings, “Ain’t Got No” and “Walking in Space”.
CRISSY:
A youthful presence, female presenting, any ethnicity. Alto (A3-C#5). A
young member of the Tribe. Chrissy is pretty, innocent, and vulnerable.
This role includes brief nudity. Sings: “Frank Mills”.
"WHITE CHRISTMAS"
BOB
WALLACE: Late 20s–mid-30s, male presenting, any ethnicity. Tenor
(B2-A4). A major singing star, Bob is the guiding force behind the song
and dance team of Wallace and Davis. He wears his fame easily and is a
born leader but has some trouble with social and romantic interactions.
Despite his occasional gruffness, he is a deeply kind and principled man
who is searching for his true love. A superb singer with a crooning
style who moves well. Sings, “Happy Holidays”, “White Christmas”, and
“How Deep is the Ocean.”
PHIL DAVIS: Late 20 – mid 30s, male
presenting, any ethnicity. Baritone (B2-Gb4). The fun-loving, go-getting
song-and-dance partner of the team of Wallace and Davis. An
irrepressible clown, operator and incorrigible ladies’ man who is
determined to see his friend happy, even if it requires scheming and
outright deception. He has a boyish charm and sex appeal. Strong jazz
and tap-dancing – a songand-dance comic performer. Sings, “The Best
Things Happen While Your Dancing”, “I Love a Piano”, and “Count Your
Blessings Instead of Sheep”.
BETTY HAYNES: Mid to late 20s,
female presenting, any ethnicity. Alto (Ab3-D5). The sensible,
responsible half of the up-and-coming song-and-dance team, the Haynes
Sisters. Destined to be a star in her own right, she is nonetheless
hesitant to take the spotlight for herself. A woman of decent,
upstanding principles, she is devoted to her younger sister. Like Bob,
she hides her yearning for true love under a protective shell. A female
singer of quiet beauty and charm with a rich chest mix sound with a
soprano extension. Moves well. Sings, “Sisters”, “Love You Didn’t Do
Right by Me” and “How Deep is the Ocean”.
JUDY HAYNES: Early 20s,
female presenting, any ethnicity. Alto (Ab3-D5). The younger, more
ambitious, slightly scheming Haynes sister. While wholesome and
adorable, she is flirty and a winning charmer! Strong jazz and tap
dancing – a major song-and-dance performer. Sings, “Sisters”, “The Best
Things Happen While You’re Dancing” and “I Love a Piano”.
GENERAL
HENRY WAVERLY: 50s to 60s, male presenting, any ethnicity. Baritone. A
retired U.S. Army General, adjusting to returning to civilian life in
post-World War II America. Once a powerful leader, he now struggles to
run an Inn in Vermont. He remains a man of great principle and dignity.
Beneath his curmudgeonly military exterior lies a warm, compassionate
man in need of family and love.
MARTHA WATSON: 40s–mid-60s,
female presenting, any ethnicity. Alto (F3-C#5). Once a Broadway star,
now the General’s housekeeper and receptionist at the Inn. Martha has a
very dry, wry, wisecracking sense of humor. Big-hearted but completely
unsentimental, she runs the General’s life in spite of his
protestations. She is an irrepressible meddler, but always for what she
believes to be the other guy’s best interests. A winning, appealing
character-comedienne with a clarion belt voice. Sings, “Let Me Sing and
I’m Happy” and “Falling Out of Love Can Be Fun”.
SUSAN WAVERLY:
9-12 years old to play 9, female presenting, any ethnicity. Child Alto
(B3-B4). The General’s granddaughter, Susan is a loveable and outgoing
real kid. She is very smart, wise beyond her years, and cares deeply
about her grandfather. Once bitten hard by the showbiz bug, she
demonstrates everything that is winning in the ultimate child performer.
Has an excellent belt voice and is able to move well. Sings, “Let Me
Sing and I’m Happy”.
RALPH SHELDRAKE: Mid to late 30s, male
presenting, any ethnicity. Baritone. Army buddy of Bob and Phil’s, now a
major television executive with the Ed Sullivan show. Fast talking, New
York professional. Sings, “Happy Holiday” and “White Christmas”.
MIKE
NULTY AND OTHERS: 20s to 30s, male presenting, any ethnicity. Bob and
Phil’s stage manager. Has a tendency to be over-dramatic and completely
hysterical but will get things done. Never seen without his whistle and
clipboard, which he uses to attempt to keep order. Doubles as ED
SULLIVAN ANNOUNCER.
EZEKIEL FOSTER AND OTHERS: Mid-40s to late
50s, male presenting, any ethnicity. The ultimate taciturn New
Englander, who helps out at the inn and takes life at a very slow pace.
Doubles as
SNORING MAN. Sings, “Snow” and “The Best Things Happen While You’re Dancing”.
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