$50/hour compensation
Fill out our application here for consideration for LOS ANGELES ONLY:
Fill out our application for consideration for NEW YORK CITY ONLY:
Italian Immigrant Actors,Writers and projects relating to the same type of humans. Established 1937. Created as Italian Actors Union for Italian Speaking performers
$50/hour compensation
Fill out our application here for consideration for LOS ANGELES ONLY:
Fill out our application for consideration for NEW YORK CITY ONLY:
Ghost the Musical
Bruce Joel Rubin, book.lyrics; Dave Steward and Glan Ballard, music/lyrics; Kevin Connors, dir.; Tony Bellomy, musical dir.; Jim Schilling, managing dir.; TBA, choreo
Casting Equity actors for roles in "Ghost the Musical."
To apply, see the "Key Details" section below.
Dates & Locations
Rehearses Mar. 26-Apr. 11, 2024 at the Music Theatre of Connecticut; runs Apr. 12-28 (weekends only) at the Music Theatre of Connecticut, Norwalk, CT.
Auditions by appointment only. For questions or to book an appointment, contact Alex 203- 454-3883 or email auditions@musictheatreofct.com
. Prepare a song in the style of the show. Accompanist provided. No
video submissions will be accepted at this time. Note: Seeking Very
Strong Actor/Singers. This will be a diverse production and actors from
underserved communities are strongly encouraged to attend. Connecticut
and Westchester actors encouraged to attend. All actors must be fully
vaxed with proof of vaccination. An Equity Monitor will not be provided.
The producer will run all aspects of this audition. Always bring your
Equity Membership card to auditions.
Music Theatre of Connecticut
will conclude its 37th season with the Award-winning musical GHOST. MTC
is located in a beautiful theatre center in Norwalk, CT, and the
company has won numerous "Best" awards both BroadwayWorld and
Connecticut Critics' Circle Awards, including the prestigious Killen
Award for Outstanding Contribution to Professional Theatre, joining Long
Wharf, Hartford Stage and the Westport Playhouse.
Equity’s
contracts prohibit discrimination. Equity is committed to diversity and
encourages all its employers to engage in a policy of equal employment
opportunity designed to promote a positive model of inclusion. As such,
Equity encourages performers of all ethnicities, gender identities, and
ages, as well as performers with disabilities, to attend every audition.
Additional Materials
SAM
WHEAT (Male), extremely strong singer, charming, naturalistic leading
man and the hero of our story; 30 – 40, moves well; very fit; guitar a
plus. Vocal range: G# to Bb (Pop/Rock Tenor with high belt)
MOLLY
JENSEN (Female), extremely strong singer, 30 – 35, An artist living in
New York City with her boyfriend, Sam, until he's murdered. Sweet, smart
but too trusting. Must help Sam avenge his death. Vocal range G3 to Eb5
(pop/rock with strong belt),
ODA MAE BROWN (Female),
African-American, Dynamic singer, larger-than-life character, smart,
sincere, comedic, spiritual advisor in her storefront séance parlor in
Brooklyn; told as a child that she had "the gift" by her mother and
grandmother (who were both able to communicate with the dead), Oda Mae
did not actually experience communication with the spirits until she
"met" Sam Wheat during a séance for an unrelated client. Strong mover.
Vocal range: Ab3 to F5.
CARL BRUNER (Male) Sam’s best friend,
30-40, has hidden unsavory motives, has a wide range. Stage combat
experience a plus. Vocal range: Eb3 to A4
WILLIE LOPEZ/ENSEMBLE
(Male), strong singer, person of color, 25-35, menacing/dangerous,
street-smart thug hired by Carl to steal Sam Wheat’s wallet, which
results in Sam’s murder. Stage combat experience a plus.
Ragtime, Equity Stage Manager Submissions
Andrew Kuhlman, exec. prod.; Gayle Seay, artistic dir.; Alicia Scott-Aune, artistic general manager; Deidre Goodwin, dir.; Michelle Potterf, choreo.; Erika R. Gamez, music dir.; Terrence McNally, book; Stephen Flaherty, music; Lynn Ahrens, lyrics
Seeking an Equity assistant stage manager for "Ragtime."
To pply, see the "Key Details" section below.
Rehearsals begin Aug. 27, 2024 (Tues.-Sun,, 10 a.m.-6 p.m.; runs Sept. 20-Oct. 20, 2024 in Chesterfield, MO.
Submit your resume for consideration to Artistic General Manager: Alicia ScottAune by Feb. 1, 2024 to jobs@stagesstlouis.org or Stages St. Louis, Attn: Artistic General Manager, 1023 Chesterfield Pkwy. E., Chesterfield, MO 63017. All other Equity stage managerial positions have been filled. Stages St. Louis strives to cultivate an inclusive environment which welcomes differences of ethnicity, religion, sexuality, income, or any other divisions with generosity and openness among its artists, audiences, leaders, and community. Through support and understanding of our differences, we are able to recognize our commonalities. STAGES encourages stage managers of all ethnicities, races, gender identities, ages, body types, and abilities to submit. Performance Schedule: stagesstlouis.org/ragtime. More info at stagesstlouis.org. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
URGENT - Tolul Commercial Casting Lead Child and Adult Actors
Commercial | Non-Union | Pay: $1,000 including 1 year buyout
Project Description: Tolul cough medicine Commercial casting lead actors. Usage/run is one year.
Casting: By submission
Shoot Dates: Jan 9, 2024 - Jan 10, 2024
Location: NYC
Seeking Talent From: NEW YORK
Click here to DirectSubmit yourself :
https://www.nycastings.com/castings/?Qc=Film/TV/Video,Kids/Teens&Qn=106303
COUGHING WOMAN | Female | Caucasian, Hispanic | Age: 28 - 43 | Role Type: Leading
Commercial looking woman that will be coughing.
COUGHING MAN | Male | Caucasian, Hispanic | Age: 28 - 38 | Role Type: Leading
Commercial looking Man that will be coughing.
DAUGHTER | Female | Caucasian, Hispanic | Age: 12 - 13 | Role Type: Leading
Talent with a great smile. NOTE: Talent under the age of 18 must have a parent or legal guardian’s permission to apply and must have a parent or legal guardian on set/studio or event at all times.
SON | Male | Caucasian, Hispanic | Age: 12 - 12 | Role Type: Leading
Looking for a 12 years old boy that looks younger with a great smile. NOTE: Talent under the age of 18 must have a parent or legal guardian’s permission to apply and must have a parent or legal guardian on set/studio or event at all times.
HUSBAND FATHER | Male | Caucasian, Hispanic | Age: 40 - 45 | Role Type: Leading
Looking for a commercial looking Dad with a great smile and acting abilities.
WIFE MOTHER | Female | Caucasian, Hispanic | Age: 30 - 35
Looking for a commercial looking Mom with a great smile and acting abilities. The mother does not need to cough, she should just cater to her coughing son.
f vibe and the tone will be charismatic but have a concerning attitude.
Festival of the Lion King
Erika Ureña, casting dir
Casting Equity dancers for "Festival of the Lion King."
To apply, see the "Key Details" section below.
To apply, see the "Key Details" section below.
Potential rehearsals are mid-March 2024.
For the Kissimmee, FL EPDA, to schedule and appointment, e-mail Gregory.B.James@Disney.com.
Dancers should be warmed up and ready to learn a combination at the
start of the audition. Some dancers will be asked to stay to
learn/demonstrate lifts and partnering. Also, bring the talent's
headshot and resume stapled together. For the NYC EPDA, ECC Procedures
are in effect for this audition. An Equity Monitor will be provided.
Always bring your Equity Membership card to auditions. For the
Kissimmee, FL EPDA, an Equity Monitor will not be provided. The producer
will run all aspects of this audition. Always bring your Equity
Membership card to auditions.
Join the inhabitants of the Pride
Lands for this African-inspired celebration of The Lion King featuring
songs from the film! This original musical theatre production
is performed at the Harambe Theater, a state-of-the-art, indoor,
1500-seat theatre-in-the-round in Disney's Animal Kingdom®, at the Walt
Disney World® Resort near Orlando, FL. We will be casting for potential
Full-Time and Sub/Casual-Temporary positions. These characters are
confident in themselves as individuals, their relationships with each
other, and the rest of the inhabitants of the Pride Lands. Their passion
for entertaining and sharing the Lion King story and culture with their
audience drives their performances. We encourage BIPOC dancers to
submit.
Equity’s contracts prohibit discrimination. Equity is
committed to diversity and encourages all its employers to engage in a
policy of equal employment opportunity designed to promote a positive
model of inclusion. As such, Equity encourages performers of all
ethnicities, gender identities, and ages, as well as performers with
disabilities, to attend every audition.
Theatre Aspen 2024 Season
Scott Wojcik, casting dir.
Casting Equity actors for roles in Theatre Aspen's 2024 season.
Season
includes: "Steel Magnolias" (Jenn Thompson, dir. Rehearsals begin May
27, 2024 in NYC; travels to Aspen, CO June 10; runs June 17-29);
"Legally Blonde" (Michael Bello, dir. Rehearsals begin June 13 in Aspen;
runs July 5-27); and "Come From Away" (Kevin McAllister, dir. Travels
to Aspen July 29; runs Aug. 2-24).
To apply, see the "Key Details" section below.
Rehearses and performs in NYC and Aspen, CO.
EPA
Procedures are in effect for this audition. An Equity Monitor will be
provided. Prepare either a monologue of choice for "Steel Magnolias" or a
vocal selection in the style of the shows for "Legally Blonde" and
"Come From Away." Also, bring your headshot and resume stapled together.
Theatre Aspen encourages actors of all Ethnicities, Nationalities, and Gender Identities to audition for their productions.
Equity’s
contracts prohibit discrimination. Equity is committed to diversity and
encourages all its employers to engage in a policy of equal employment
opportunity designed to promote a positive model of inclusion. As such,
Equity encourages performers of all ethnicities, gender identities, and
ages, as well as performers with disabilities, to attend every audition.
"Steel Magnolias"
Truvy
Jones: (40s, any ethnicity, female-identifying) Owner and operator of a
small-town beauty shop in fictional Chinquapin Parish, Louisiana. Truvy
is a big-hearted, frustrated romantic who self-describes as being
“built for comfort not speed”. She prides herself in giving great advice
and knowing everyone’s business, which she lovingly shares with anyone
who will listen. Note: Actor will need to be comfortable doing hair and
nails onstage.
Shelby Eatenton-Latcherie: (early – mid-20s, any
ethnicity, female-identifying) The prettiest girl in town who refuses to
be defined by her compromised health due to Type 1 Diabetes. Rebellious
and independent, she longs to create a family of her own, even in the
face of her mother’s vehement objections. Strong regional southern
accent.
M’Lynn Eatenton: (50s, any ethnicity, female-identifying)
An accomplished career woman and devoted mother to Shelby. M’Lynn is
used to being in charge and frequently clashes with her headstrong
daughter. Strong regional southern accent.
Annelle Dupuy-Desoto:
(early 20s, any ethnicity, female-identifying) New in town and
desperately shy, Annelle finds both a job and a new family when she
begins work as a hairdresser in Truvy’s salon. Quirky and religious, she
comes out of her shell as she bonds with the women at work. Note: Actor
will need to be comfortable doing hair and nails onstage.
Clairee
Belcher: (60s, any ethnicity, female-identifying) Former mayor of
Chinquapin. Wealthy and wise-cracking, Clairee knows everyone’s business
and often uses her sarcastic humor to lighten the mood. Never afraid to
poke loving fun at anyone including and especially her best friend and
town crank, Ouiser.
Ouiser Bourdeaux: (60s, any ethnicity,
female-identifying) Clairee’s dearest and oldest friend, who has been
“in a bad mood for 40 years”. Lovably miserable and brutally frank,
Ouiser is often the butt of other people’s jokes, which she takes in
sardonic stride.
"Legally Blonde"
Elle Woods: (early 20s,
female-identifying) The quintessential California blonde who follows her
ex-boyfriend to Harvard Law School and realizes that she has more to
offer than just a pretty face and a bubbly personality. Gb2-G5 (Soprano
Belt)
Professor Callahan: (mid-late 40s, male-identifying) A pompous and manipulative law professor at Harvard. A2-F#4 (Baritone)
Emmett Forrest: (mid-late 20s, male-identifying) A smart and sensitive law student who takes Elle under his wing. B2-A4 (Tenor)
Warner
Huntington III: (early - mid 20s, male identifying) A good-looking, but
pompous guy who breaks Elle’s heart. Eb3-Ab4 (Tenor)
Paulette:
(mid-30s, female-identifying) A brash and funny hair stylist who is
friends with Elle and longs to find a man for herself. A3-A5. (Soprano
Belt)
Vivienne Kensington: (early-mid-20s, female-identifying) A
smart and savvy Harvard law student who initially dismisses Elle but
grows to be her friend. A3-F5 (Soprano Belt)
Brooke Wyndham:
(late 20s-early 30s, female-identifying) An exercise video star who is
also a former sorority girl. In top physical condition. A3-G5
(Alto/Soprano)
Enid: (early-mid 20s, female-identifying) A mousy, intellectual law student. G3-G5 (Soprano Belt)
Margot: (20s, female-identifying) A charismatic California sorority girl. Part of the Greek Chorus. G#3-F5 (Soprano Belt)
Pilar: (early 20s, female-identifying) A charismatic California sorority girl. Part of the Greek Chorus. G#3-F5 (Soprano belt)
Serena: (early 20s, female-identifying) A charismatic California sorority girl. Part of the Greek Chorus. G#3-F5 (Soprano Belt)
"Come From Away"
Beverley
and Others: (30s-50s, any ethnicity) Character is female (cis, trans,
or non-binary). An American Airlines pilot, Beverley has always loved
flying, but her world is changed when she hears about coworkers who were
killed in the attacks, and when she is confronted by passengers who
refuse to fly again. Doubles as Annette, a local teacher at the Gander
Academy who assists Beulah and often lapses into fantasies about the
newcomers. Excellent singer with a high mix/belt and soprano voice.
Beulah
and Others: (30s-60s, any ethnicity) Character is female (cis, trans,
or non-binary). Head of the Gander Legion, with a firefighter son, she
befriends Hannah, walking to church and praying with her, while
overcoming her suspicions of Ali. Quick-witted and open-hearted, Beulah
loves to share a joke. Excellent singer with an alto/belt with mix
voice.
Bonnie and Others: (20s–50s, any ethnicity) Character is
female (cis, trans, or non-binary). A no–nonsense mother of three,
Bonnie is the head of the Gander area SPCA. When she discovers animals
are trapped on the planes, she stops at nothing to ensure their safety –
but in frustration, she sometimes lashes out at her husband, Doug.
Excellent singer with a strong alto/2nd soprano voice.
Diane and
Others: (40s-60s, any ethnicity) Character is female (cis, trans, or
non-binary). Diane is a traditional divorcee from Texas, who is
terrified that her son may have been flying at the time of the attacks.
When she finds out he is safe, she’s given a new lease on life and
discovers a wilder more carefree side of herself. Alto belt and
mix/soprano voice.
Hannah and Others: (30s–50s, Black,
Indigenous, Asian, Latinx/Hispanic, MENASA. Character is female (cis,
trans, or non-binary). The mother of a firefighter in Manhattan, Hannah
waits for news about her son and is comforted by Beulah. Soulful belt
and mix/soprano voice.
Janice and Others: (20s, any ethnicity)
Character is Female (cis, trans, or non-binary). An eager new local TV
reporter, Janice is thrown into the deep end on her first day. Initially
naïve about the world, Janice must face the pain and confusion around
her. Comedy skills a plus. Excellent characterful belt voice comfortable
with mix/soprano.
Bob and Others: (late 20s-30s, Black)
Character is male (cis, trans, or non-binary). A hardened New Yorker,
Bob is suspicious of where he’s landed, fearing that someone will take
advantage of him – but instead, he ends up losing his New York
jadedness. Baritone.
Claude and Others: (30s-60s, any ethnicity)
Character is male (cis, trans, or non-binary). The gregarious and
well-liked Mayor of Gander, Newfoundland, Claude loves his work, the
townspeople, and his daily traditions, but he’s never before had to deal
with a crisis of this magnitude. Doubles as Derm, mayor of the nearby
town of Appleton. Rich, characterful baritone voice.
Kevin J and
Others: (20s-40s, MENASA, Asian, Latinx/Hispanic, Black, Indigenous, or
any ethnicity) Character is male (cis, trans, or non-binary). Kevin T’s
boyfriend and secretary. Sarcastic and unhappy, he wants to leave and
get back to the U.S. as soon as possible. Doubles as Ali, an Egyptian
passenger. Excellent rich baritenor/tenor 2 voice.
Kevin T and
Others: (20s-mid 50s, any ethnicity) Character is male (cis, trans, or
non-binary). The head of an environmental energy company in Los Angeles,
Kevin was on vacation with his boyfriend (and secretary, also named
Kevin), when they are stranded in Gander. Inspired by the town’s
generosity, Kevin searches for greater meaning and ways to give back.
Doubles as Garth, head of the local union representing the bus drivers.
Excellent tenor voice.
Nick and Others: (40s–60s, any ethnicity)
Character is male (cis, trans, or non-binary). An English oil engineer
who is focused on his work, Nick’s life is turned upside down when he
falls for another passenger, Diane. Doubles as Doug, an air traffic
controller and husband to Bonnie. Characterful baritenor or tenor voice.
Oz
and Others: (20s–50s, any ethnicity) Character is male (cis, trans, or
non-binary). The quirky constable in the two-person Gander police force.
When the town’s population suddenly doubles, Oz helps out in unexpected
ways. Doubles as Joey, a rambunctious passenger on one of the planes
who enjoys a good drink. Excellent pop tenor voice.
To apply:
airtable.com/app45eMznvJwMCb7x/shrbmBf36UMH0PAO
I'm casting a Documentary for Joshua Z Weinstein. He is a New York based director who has directed films for A24, PBS, and NY Times amongst many others (see www.joshuazweinstein.com). LOGLINE: The documentary is about how people use the internet to find community. PROJECT DETAILS: Type: Documentary Director: Joshua Z Weinstein Casting Director: Violette Trotter Shoot Dates: 2024 (Flexible to Talent) Rate: PAID Shoot Location: NYC BREAKDOWNS:
MENTAL HEALTH - Those who either work for online mental health platforms or groups or those who struggle with mental health issues and have found a community online. Those who are suicidal or have known someone who has committed suicide and have found support through online forums / groups.
DISABLED / HOSPITALIZED - Those with physical or mental disabilities or those who are currently hospitalized for mental health / terminal illness who have found a community online.
DRUG USER - Those who are current or former substance users who have a platform displaying their drug use or have found online communities through use / former use.
RELIGIOUS GROUPS - Those who are part of a religious community and have an online presence.
BITCOIN - Those who have an online platform for bitcoin / cryptocurrency. DJ / MUSIC - Those who participate in the underground music / nightlife scenes and have built an online fanbase. Specifically seeking raw, explosive musicians and unique DJs.
SMOKE SHOP - Smoke shop with an interesting online presence / online community.
MIGRANTS - Those who have migrated to the US and have built a community or share their story online. YOUNG PARENT - Those who have children as teens or young adults and have built a platform or found a community online.
SEEKING DYNAMIC, INTERESTING PEOPLE FROM ALL BACKGROUNDS. ALL APPLICANTS MUST BE BASED IN NYC. Best, Violette Trotter | Casting Director t: +1.224.244.2696 e: violettetrottercasting@gmail.com ig: @violettetrotter
The Lost Boys
Marcus Chait, James Carpinello, and Patrick Wilson, prods.; Michael Arden, dir.; David Hornsby and Chris Hoch, book; The Rescues, music; Ethan Popp, music supervisor; The Telsey Office; casting; Bespoke Theatricals, general mngr.
Casting Equity actors for roles in ''The Lost Boys,'' a musical.
To apply, see the "Key Details" section below.
Runs Feb. 12-23, 2024, in NYC.
For
consideration, talent must prepare a short cut of a contemporary
pop/rock song that shows their style and vocal range; bring a headshot
and resume stapled together. Note: All stage managerial positions are
currently filled.
EPA Procedures are in effect for this audition.
An Equity Monitor will be provided. Equity’s contracts prohibit
discrimination. Equity is committed to diversity and encourages all its
employers to engage in a policy of equal employment opportunity designed
to promote a positive model of inclusion. As such, Equity encourages
performers of all ethnicities, gender identities, and ages, as well as
performers with disabilities, to attend every audition. Always bring the
Equity Membership card to auditions.
Michael:
male, 17-18. The oldest of the Emerson boys. As archetypes go, he’s our
brooding teen. Conflicted. Bit of a loner. Has become the protector of
the family against his alcoholic father’s abusive behavior. He carries a
lot of pain inside. And has grown up quicker than he should’ve. But he
doesn’t ask for sympathy. Deep down he longs to be a part of a tribe
where he belongs and finds connection. He’ll find it in Star and David
but it will come, unsuspectingly, at a price. Rock Bari-tenor.
Sam:
male, 18+ to play 15. Michael’s younger teen brother. Back in Arizona,
he developed a keen wit that acts as an effective defensive tool against
bullies. Both at school and at home. He’s outgoing as opposed to
Michael’s introverted personality. Pours himself into comic books as an
escape. He’s a mall rat who experiences culture shock after moving to
the off-beat Santa Carla. Despite his sense of humor, Sam is sensitive
and waiting to break free. And he is about to learn what he’s truly made
of in this strange California beach town. High rock tenor, good
falsetto.
David: male, 20s. Intense, dangerous, and charismatic
leader of the Lost Boys. He can disarm with a smile. An old soul in many
ways, he sees in Michael a possible partner for whom he has waited a
long time. He offers safety and security to all he enlists to be a part
of his family. He offers a security to Michael that Michael never had
from his own father. To Star, he offers love but it comes at a price.
Rock Bari-tenor.
Max: male, mid forties-50. The owner and
founder of Videomax video stores. Lucy’s boss. He hires her on the spot
after being charmed by her. They have an attraction despite their
differences and backgrounds. He is the embodiment of 80s Reagan can-do
conservatism and optimistic capitalism. He’s kind and charming and seems
to be the answer to Lucy’s problems. A single father himself, with his
own grown boys, he offers Lucy stability and, in his opinion, what every
young man needs: a stable father figure. We will come to find he’s got
ulterior motives and is the head vampire to the Lost Boys. Strong
singer.
Edgar Frog: male, 18+ to play 14-15. Santa Carla local.
Militant in devotion and dress. He and his brother Alan have seen one
too many Chuck Norris movies. They hang at the local comic book store
and have both poured themselves into fighting the main threat to Santa
Carla: vampires. Since no one believes them, they have to find the
perfect recruits to enlist in their “army.” They find it in a reluctant
Sam. Rock tenor.
Alan Frog: male (cis, trans, or non-binary),
alto voice, 18+ to play 14-15. The more hardcore of the Frog Brothers.
Intense and lacking any sense of humor. Alan is full force. Tougher than
Edgar but Edgar keeps them in check. They’re a good team and are as
devoted to each other as they are to fighting vamps. The Frog Bros
intensity is comedic because they take themselves so seriously. They
ultimately help Sam dig deeper by challenging him to stand up and fight
for what is right. Strong rock alto.
Lucy: female, early 40s.
The matriarch of the Emerson family. A former hippie whose faith in
people and goodness has gotten her into trouble in the past. (read: her
ex-husband) She carries a lot of guilt for the pain she’s put her kids
through. Messy, kind-hearted and resilient, she’s determined to start
anew and protect her family. She and Michael have their own underlying
tensions as he blames her for staying too long in her marriage. He feels
she didn’t protect him. Lucy finds possible male companionship in Santa
Carla and starts to be seduced by the sexiest notion of all: stability.
High rock belt. This role has been cast.
Star: female, 17-18. A
teenager with a troubled past. She holds a lot of pain but is fiercely
protective of showing herself. She has a biting sense of humor and sees
Michael at first as a little lamb lost in the woods. She has sought
refuge in David but feels regret about the state of her situation. She
finds connection in an unlikely partner in Michael. They bond in their
trauma. High rock belt. This role has been cast.
Marko: male,
20s. Perhaps he’s the most loyal to David and considers himself to be
the “favorite”. He’s not. He loves this family of his. Playful.
Preferably can play an instrument in a rock band. Role requires comedy
chops as well as being intimidating. Strong rock voice. This role has
been cast.
Paul: male, 20s. Marko’s best friend. Earnest. A
great sense of humor. Thinks he’s David’s favorite as well. Ready to
defend his brothers at any cost. Preferably can play an instrument in a
rock band. Role requires comedy chops as well as being intimidating.
Strong rock voice. This role has been cast.
Dwayne: character
portrayed is male, 20s. The live wire of the group. Quieter but loyal
and violent. Preferably can play an instrument in a rock band. Role
requires comedy chops as well as being intimidating. Strong rock voice.
This role has been cast.
URGENT - Health Campaign Seeking Middle Aged Models/ Actors
Campaign | Non-Union | Pay: Flat rate of $150
Project Description: A dialogue video of 3 caregivers who have parents in the rehabilitation center being interviewed by the host script will be provided on set.
Casting: By submission
Shoot Dates: December 28th
Location: Boro Park, Brooklyn
Seeking Talent From: NEW YORK
Click here to DirectSubmit yourself :
https://www.nycastings.com/castings/?Qc=Film/TV/Video&Qn=106300
2 MIDDLE AGED | Male or Female | Any Ethnicity | Age: 45 - 54
Seeking 1 middle aged man and 1 middle aged woman. Models with acting experience. CNN debate type of vibe and the tone will be charismatic but have a concerning attitude.
Pro Bono; famous play for good cause.
for
The Laramie Project
WHEN
Wednesday, January 3, and Thursday, January 4, starting at 6:30 pm. (You only have to come on one of these nights.) There are no appointments -- just show up.
Signup begins at 6:30 pm. You must sign in by 8:30 pm to ensure being seen.
Callbacks, if needed, will take place by invitation on Monday, January 8, at 6:30 pm.
WHERE:
AMDA Studios, 244-250 West 54th Street, between Broadway and 8th Ave, Room 1014.
ABOUT THE SHOW
The Laramie Project is a highly acclaimed drama based on an unforgettable event. In October 1998, Matthew Shepard, an openly gay college student in Laramie, Wyoming, was the victim of a vicious hate crime from which he ultimately died. After his death, the members of a New York theatrical company travelled to Laramie to interview its residents. This play is a compilation of those interviews, journal entries and found texts. It reflects the breadth of reactions to this horrific crime as well as the hopes, aspirations and compassion of a town trying to heal itself.
The Laramie Project is an ensemble play consisting primarily of interviews presented by 15 members of a theatrical company. Most of the actors in this production will play multiple characters of varying ages (and possibly genders). Each of those actors will portray a member of the theatrical company and/or some of the interviewees.
Since our cast has been increased from the original cast of eight, each actor will play fewer characters than in the original production.
People of all ages, genders, races, and physical abilities are encouraged to audition.
Non-Equity, no pay, no membership fee.
WHAT TO DO NOW
Review the Character Breakdown.
Download the Audition form, which has fillable fields. Fill in as much of it as you can ahead of time.
Print the filled-in Audition form and bring it to the audition.
Familiarize yourself with the Audition Sides. You do not have to memorize these. They are posted to allow you to familiarize yourself with the sides before the auditions and to select characters in which you may be interested.
WHAT TO BRING TO THE AUDITION
We are no longer requiring proof of vaccination against Covid-19. However, we encourage all cast and staff members to be vaccinated.
Headshot and resume. (If you don't have a headshot, please bring a photo of yourself.)
Your printed and filled-out Audition form. (We will have extra blank copies, in case you don’t have access to a printer, but please look at it and have your answers ready.)
AT THE AUDITION
You will be asked to read at least one selection from the sides that are posted via the link above. The audition panel will ask you to read some sides for those characters that interest you, and possibly additional sides that they feel are appropriate for their casting needs.
If we need to see you for a callback audition on January 8, we will let you know by noon on Saturday, January 6. (If you do not receive an invitation to the callbacks, it does not mean you are not being considered for the show. It just means we have seen all that we need to see from you to make a decision.)
REHEARSALS
The first rehearsal will be on Tuesday, January 30.
Rehearsals will take place on selected weeknights and weekend days at rehearsal studios in midtown Manhattan and at the Director's apartment in Greenwich Village.
You can expect to rehearse 3-5 times per week until tech week.
We will do our best to tailor the rehearsal schedule to everyone’s conflicts.
Tech Week will begin on Monday March 11 at the theatre, and you are expected to be at all tech week rehearsals. We will be scheduling rehearsals each day that week leading up to opening night.
PERFORMANCES
Performances will take place March 15-17 and March 22-24 at the Theater at St. Jean's on East 76 Street.
ANY QUESTIONS?
Email us at director@stjeansplayers.org