Wednesday, January 31, 2024

NJ Newark F Model Music Video

https://www.instagram.com/dvcasting/

NYC Mad Hatter'ECC Dancers AZ run

Copy of Mad Hatter'ECC Dancers

Seeking talent from New York City, NY

About the project

COMPANY DETAILS

Mad Hatter Musical International

Mad Hatter the Musical International LLC, prod.; Hillel Friedman, Evan Bernardin Productions, general mgmnt.; Vincent Connor, Michael J. Polo, Victor Valdez, book-music-lyrics; Joe Barros, dir.-choreo.; Harmony Harris, assist. dir.; Luis Villabon, assist. choreo.; Charlie Reuter, music consultant; Duncan Stewart, casting dir.; Amber Snead, CSA, Jarrett Reiche, Patrick Maravilla, casting associates

Casting Equity chorus dancers for "Mad Hatter."

Roles in this project

Ensemble Dancers

Chorus / Ensemble. 18+

Wonderlandonians! Ensemble characters sometimes act as “greek chorus” to narrate the show while other times they are embedded in the drama, depicting locals of Wonderland. Vibrant characters with varying voice types. Members of the ensemble are required to dance and sing in harmony. A diverse company of singers (who move very well) of varying bodies, abilities, training, racial backgrounds, ethnic backgrounds, gender identities, gender expressions, and experiences.

To apply, see the "Key Details" section below.

Dates & Locations

Rehearsals begin April 1; previews May 1; runs May 4-19 (with a possible extension) at Herberger Theater Center in Pheonix, AZ.

Compensation & Contract

Additional: Pays $800/wk. Equity LOA ref. LORT D Contract.

Key Details

Auditions:

Pearl Studios (500), 500 8th Ave, Studio 309 - Sign In; Studio 315- Audition Room, New York City, NY, 10018-6504

Equity Chorus Call

Feb 12, 2024: 10:00 AM EST

Lunch 1:30-2:30 p.m. Male characters

Equity Chorus Call

Feb 12, 2024: 2:30 PM EST

Female characters

Seeking talent from New York City, NY

Additional Instructions:

Bring a headshot and resume stapled together. Wear any style of dance shoe that makes you happy (jazz, character, heels, etc.) Some may be asked to sing, so also prepare a brief cut of a song (with sheet music in the correct key). Note: Principal roles and possibly a couple of others will be understudied. All stage manager positions have been filled.

ECC Procedures are in effect for this audition. An Equity Monitor will be provided. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to audition.

Additional Materials

Character Breakdown

"Mad Hatter"

Franklin: male-identifying. 30 years old. English. The “Mad Hatter”. Stubborn, depressed, angry, curious husband and father of two, who finds his identity in Wonderland. He undergoes deep psychological changes as he journeys through Wonderland, unrooting and facing traumas from his past. Bari-tenor crossover. Principal role.

Marybeth/Yola: Marybeth, female-identifying. 30 years old. English. Wife of Franklin. Positive, caring, compassionate, who loves her husband and will do anything for her children. Former ballet dancer, lower-middle class. Yola, Head Cheshire Cat, protector of the crystal. Exotic sphinxlike creature, seductive, sassy. She unexpectedly falls in love with Franklin and is betrayed by him. Marybeth plays the character of Yola, Franklin’s love interest in Wonderland. Mezzo-soprano, belter/lyrical. Principal role.

Bartholomew/Franklin’s Father: Bartholomew, male-identifying. 40 years old. Bearded gentleman. Soulful, holly, wise. Smokes a pipe and owns a clock shop. Franklin’s Father, male-identifying. 40 years old. The Mad Hatter’s father, senile. Grungy, hatter, stoic, angry, drunk. Baritone. Secondary principal role.

Bola/Textile Sister 2: Bola, Cheshire Cat, Yola’s right hand. Sensual, sassy, but stern and proud. Textile Sister 2, female-identifying. 30 years old. Helper in her sister’s shop in London. Sensual, sassy, but stern and proud. Bola plays Textile Sister 2 in the opening sequence. Mezzo-soprano. Secondary principal role.

Caterpillar: Old-looking. Eclectic, beatnik, somber. Known for wisdom and transformation, he is a Wonderland staple and is always smoking his pipe. He is pivotal in Franklin’s enlightenment as he journeys through Wonderland. Baritone. Secondary principal role.

Primrose/Young Marybeth: Primrose, female-identifying. 10 years old. Daughter of Franklin and Marybeth. Pre-teen. Daddy’s girl, cute as a button, has a doll named Alice, fights with her brother constantly. Witty, charismatic, smart. Young Marybeth, female-identifying. 10 years old. Witty, passionate, caring, just. Comes to Franklin’s aid when he is being bullied. Primrose plays Young Marybeth in the opening sequence. Soprano. Secondary principal role.

The Queen of Hearts/Mercury: The Queen of Hearts. 25-45 years old. Ageless look. Classic, Victorian, dramatic ruler. Shallow, seductive, ruthless tyrant who takes pleasure in showing her power. Mercury. Alluring, feminine, demonic silhouette, wearing a large top hat. She is poison personified, and responsible for every hatter’s demise. The Queen of Hearts may double as Mercury. Soprano. Secondary principal role.

Rola/Textile Sister 1: Rola, Cheshire Cat, idolizes Yola, her shadow. Flighty, sassy, sensual. Textile Sister 1, female-identifying. 30 years old. Helper in her sister’s shop in London. Flighty, sassy, sensual. Rola plays Textile Sister 1 in the opening sequence. Soprano. Secondary principal role.

Rose/Mother Rose: Rose. 35 years old. Sweet, caring, nurturing, ballerina. Franklin’s mother. She loves her son and wishes for him to follow his heart, until that dream is stifled by her mad husband and a premature death. Mother Rose, the most beautiful red rose in the Wonderland garden. Caring, regal, and the first encounter Franklin has in Wonderland. Rose plays The Mother Rose in Wonderland. Mezzo-soprano. Secondary principal role.

Philip/Young Franklin/Bailey: Philip, male-identifying. 14 years old. Son of Franklin and Marybeth, momma’s boy, picks on his sister and has a complicated relationship with his father. Lonely. Young Franklin, male-identifying. 10 years old. Sweet, delicate, with a passion for dance. Momma’s boy. He is mistreated by his father when he refuses to follow his footsteps as a Hatter. Bailey, The Field Mouse, The Time Keeper of Wonderland. Works for the Queen until he inspires the revolution. Cartoon-like character. PHILIP PLAYS Young Franklin in The Opening Sequence, as Well as Bailey, the Field Mouse, in Wonderland. Tenor. Secondary Principal Role.

Ensemble: Wonderlandonians! Ensemble characters sometimes act as “greek chorus” to narrate the show while other times they are embedded in the drama, depicting locals of Wonderland. Vibrant characters with varying voice types. Members of the ensemble are required to dance and sing in harmony. We are looking for a diverse company of dancers and singers who move very well of varying bodies, abilities, training, racial and ethnic backgrounds, gender identities and expressions, and experiences

NYC Harry Potter and the Cursed Child' BroadWay, Stage Manager AEA

Harry Potter and the Cursed Child' BroadWay, Stage Manager

Seeking talent from New York, NY

Roles paying up to $2,814.43 - $3,645.43 / week (estimated duration: not provided)

About the project

COMPANY DETAILS

Train Times Broadway LP

Sonia Friedman Productions, Colin Callendar, and Harry Potter Theatrical Productions, prods.; J.K. Rowling, Jack Thorne and John Tiffany, original story by; Jack Thorne, playwright; John Tiffany, dir.; Steven Hoggett, movement dir.; Jim Carnahan and Alexandre Bleau, casting dirs.

Member since Jul 12, 2013

Seeking Equity stage managers who wish to be considered for future stage manager and assistant stage manager positions.

Equity Stage Manager

N/A. 18-99

Required Media: Cover Letter

To apply, see the "Key Details" section below.

Dates & Locations

Currently running at the Lyric Theatre on Broadway.

Compensation & Contract

Rate: $2,814.43 - $3,645.43 / week (estimated duration: not provided)

Additional: Pays $2,814.43-$3,645.43/wk. Equity Production League Contract.

Key Details

Seeking talent from New York, NY

Roles paying up to $2,814.43 - $3,645.43 / week (estimated duration: not provided)

Additional Instructions:

For future stage manager and assistant stage manager positions, email a cover letter and resume to hpcc.nycasting@gmail.com . Submission deadline Feb. 13.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

NYC AUD AZ RUN Mad Hatter ECC Singers

Mad Hatter ECC Singers

Seeking talent from New York City, NY

About the project

COMPANY DETAILS

Mad Hatter Musical International

Member since Jul 12, 2013

Casting Equity chorus singers for "Mad Hatter."

Ensemble Singers

Chorus / Ensemble. 18+

To apply, see the "Key Details" section below.

Dates & Locations

Rehearsals begin April 1; previews May 1; runs May 4-19 (with a possible extension) at Herberger Theater Center in Pheonix, AZ.

Compensation & Contract

Additional: Pays $800/wk. Equity LOA ref. LORT D Contract.

Key Details

Auditions:

Pearl Studios (500), 500 8th Ave, Studio 301 - Sign In; Studio 306 Audition Room, New York City, NY, 10018-6504

Equity Chorus Call

Feb 13, 2024: 10:00 AM EST

Lunch 1:00-2:00 p.m. Male characters

Equity Chorus Call

Feb 13, 2024: 2:00 PM EST

Female characters

Seeking talent from New York City, NY

Additional Instructions:

Bring a headshot and resume stapled together. Prepare a short contemporary musical theatre song. Bring sheet music in correct key. Accompanist provided. Note: Principal roles and possibly a couple of others will be understudied. All stage manager positions have been filled.

ECC Procedures are in effect for this audition. An Equity Monitor will be provided. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to audition.

Additional Materials

Character Breakdown

Tuesday, January 30, 2024

RI Wakefield Theatre by the Sea 2024 Season

Theatre by the Sea 2024 Season

Seeking talent from New York City, NY

About the project

COMPANY DETAILS

Matunuck Live Theatre, Inc.

Bill Hanney, owner-prod.; Karen Gail Kessler, general mgr.; Kevin P Hill, producing artistic dir.; Thom Warren, assoc. prod.; Matthew Chappell, casting dir.; Robbie Cowan, accompanist

PROJECT DESCRIPTION

Seeking experienced Equity actors, singers, and dancers for Principal and Chorus tracks in the Theatre by the Sea 2024 season.

Season includes: "A Chorus Line" (Josh Walden, dir.-choreo.; Alex Tirrell, music dir. Rehearsals begin May 14; runs May 31-June 22); "Tootsie" (Richard J Hinds, dir.-choreo.; Elyn Collier, assist. dir.-choreo.; Tommy Iafrate, music dir. Rehearsals begin June 11; runs June 28-July 20); "The Sound of Music" (Michael D. Jablonski, dir.-choreo.; Nathan Urdangen, music dir. Rehearsals begin July 9; runs July 26-Aug. 17); and "42nd Street" (Jessica Wockenfuss, dir.-choreo.; Milton Granger, music dir. Rehearsals begin Aug. 6; runs Aug. 23-Sept. 15).

OTHERS

Equity Actors, Singers, and Dancers

N/A. 18+

To apply, see the "Key Details" section below.

Dates & Locations

Runs in Wakefield, RI.

Compensation & Contract

Additional: Pays $652/wk. Equity LOA ref COST Contract.

Key Details

Auditions:

Ripley-Grier Studios (520), 520 8th Ave, New York City, NY, 10018-6507

Equity Principal Audition

Feb 5, 2024: 9:30 AM to 5:30 PM EST

break, 1-2 p.m.

Seeking talent from New York City, NY

Additional Instructions:

Holding room is at Studio 16FG. EPA Procedures are in effect for this audition. An Equity Monitor will be provided. Prepare a brief cut from a song of your choice in the style of the show you are interested in. Bring a current headshot/resume and your book. An accompanist will be provided.

For more info, visit www.theatrebythesea.com. All ethnicities, gender identities, and backgrounds are encouraged to attend. All must be fully vaccinated and boosted against Covid-19.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Additional Materials

Season Breakdown

"A Chorus Line"

Cassie Ferguson: Female, 30 - 35 - A gifted star, stand-out dancer with a reputation for featured roles in two Broadway shows. Complicated romantic history with Zach. A triple threat. Sings "The Music and the Mirror."

Diana Morales: Female, Hispanic/Latinx/Latine, 20 - 30 - Determined and athletic dancer from the Bronx. Funny, charming, and vulnerable. Sings “Nothing” and carries the company into "What I Did for Love."

Judy Turner: Female, 25 – 30 - Funny, gawky, nervous. Warm and hopeful. Awkward except when she’s dancing.

Val Clark: Female, Late 20s - Sassy, funny. Excellent dancer who underwent plastic surgery due to industry pressure. A brazen, direct, attention-seeker from Vermont. Sings "Dance 10, Looks 3."

Bebe Benzenheimer: Female, Mid 20s - Covers her irrational insecurity through attempted humor. Quiet and vulnerable. Sings middle harmony in "At the Ballet."

Connie Wong: Female, Asian/Asian American/Pacific Islander, 25 – 35 - Experienced dancer, married. A "mother hen" with a great sense of humor. Born in Chinatown, New York. Plays 4’10”.

Kristine Urich: Female, 18 - 25 - Al’s wife who can’t sing, but dances outrageously well. She is awkward, anxious, and hilarious. She "speaks" the song "Sing," but does sing in the ensemble numbers.

Maggie Winslow: Female, 20s - A dreamer and the "little sister" of the group. Fairly experienced dancer from a troubled home in California. Seeking a warm voice with a mix belt up to E natural for the climax of "At the Ballet."

Sheila Bryant: Female, 30s - Oldest dancer on the line. Confident, brassy, humorous, and sophisticated. Sings the low harmony in "At the Ballet."

Zach: Male, 30s – early 40s - Charismatic, controlling, manipulative, calculated but brilliant Broadway director/choreographer. He seems to be in complete control, even when facing his personal relationship with Cassie. Traditionally non-singing role but should have solid movement/dance ability.

Larry: Male, 20s – early 30s - Zach’s long-time assistant. Bright, helpful, confident, and a superb dancer.

Bobby Mills: Male, 20s - Zestful, witty, and sharp-tongued. Covers everything with a joke. Had an unusual upbringing in upstate New York.

Mark Anthony: Male, 18 – early 20s - Optimistic, naïve, charming, and a great dancer.

Mike Costa: Male, 20s – early 30s - Determined, flirtatious, cocky, sure of himself, but likable. He’s worked with Zach before. From New Jersey. A strong tapper or has strong gymnastic skills.

Richie Walters: Male, Black, 20s – early 30s - From Missouri. Enthusiastic, cool, and very funny. Likeable and laid back. Strong dancer, dynamic falsetto.

Al Deluca: Male, 20s – early 30s - From the Bronx. Kristine’s husband. From a working-class background. Strong singer.

Paul San Marco: Male, Hispanic/Latinx/Latine, Mid-late 20s - Introverted and slightly insecure but loves to perform. From Spanish Harlem. Friends with Diana. Delivers a raw and vulnerable monologue about coming out to his parents.

Don Kerr: Male, 20’s – early 30s - Married and into cars, money, and women. Very sure of himself. Cocky because he has worked with Zach before. From Kansas City.

Gregory Gardener: Male, 20s – early 30s - A sassy, droll smart-aleck. Has worked with Zach before. Very East Side New York.

Ensemble: Any gender, 20s – early 30s - To portray “cut” dancers and other various Chorus parts, offstage singers, and to understudy Principals.

"Tootsie"

Michael Dorsey/Dorothy Michaels: Male, 30 – 40 - Michael is an actor’s actor. A focused perfectionist, outspoken, stubborn, abrasive and frustrated at where his career hasn’t taken him. Highly intelligent and desperate to do the one thing he loves more than life itself… act. Dorothy Michaels is strong-willed, understanding, and humorous. Slightly coy, slightly vain, and completely lovable. Vocal range: Top – D5, Bottom – A2

Julie Nichols: Female, 30 – 40 - An actor at a crossroad in her life. Focused, self-aware and selfassured. She masks her pain and longs to connect. Vocal range: Top - G5, Bottom - E3

Sandy Lester: Female, 30 – 40 - Michael's ex-girlfriend, now a friend. She’s neurotic, pessimistic, self-deprecating, childish, and easily flummoxed. She makes her anxieties known incredibly loudly and just wants to be happy. Vocal range: Top – E5, Bottom – G#3

Max Van Horn: Male, 25 – 35 - A self-obsessed actor with a limited wit. A firm believer in his own hype who can’t imagine anyone not being attracted to him. Vocal range: Top – G4

Jeff Slater: Male, 30 – 45 - Michael's roommate. A sardonic realist who lacks the ambition and drive to live up to his potential. The voice of reason swirls just outside the eye of Michael's chaos. Jeff sees the humor of situations and has no reluctance to point out people’s flaws – even his own. Vocal range: Top – D5, Bottom – B2

Rita Marshall: Female, 50 – 65 - A levelheaded producer. Experienced and the voice of sanity and reason in a swirling pool of crazy. She is always a beat ahead of everyone and is very New York. Vocal range: Top – B4, Bottom - F3

Stan Fields: Male - Michael’s overworked agent. Always to the point, he plays the game, but hates it.

Ron Carlisle: Male, 40 – 55 - An incredibly successful director. He demands respect and is often disrespectful in return. Vocal range: Top – B4, Bottom – F#2

Stuart: Male - The composer of Juliet's Curse. Ensemble. Vocal range: Top – G4, Bottom – Eb3

Suzie: Female - The lyricist of Juliet's Curse. Ensemble. Vocal range: Top – Bb4, Bottom – Bb3

Ensemble: Any gender, 20 – 50 - Exceptional Singers/Actors who dance for various Chorus tracks and to understudy Principals

"The Sound of Music"

Maria Rainer: Female, early 20s – early 30s - Filled with self-doubt, yet spirited, caring, and committed. Chest mix with strong head voice

Captain von Trapp: Male, late 30s to 50 - Commanding presence – retired naval officer and proud Austrian; Some guitar ability a plus. Baritone

Mother Abbess: Female, mid 40s – 50 - Wise, kind, and strong. Powerful Mezzo (B to A-flat)

Elsa Schrader: Female, mid 30s – early 40s - Wealthy, sophisticated, charming. Legit-Mezzo range (A to E below high C)

Max Detweiller: Male, 40s – 50s - Witty and rascally impresario. Strong character with a good sense of comedy, Baritone

Liesl von Trapp: Female, 18+ to play 16 - Girl on the verge of womanhood. Chest mix with a head voice (low G to F#); Dance/Moves well

Rolf Gruber: Male, 18+ to play 17 - Epitome of clean cut, athletic German youth. Lyric Baritone moves well

Franz: Male, mid 30s to 50s - Distant and efficient butler

Frau Schmidt: Female, mid 30s to 50s - Efficient yet caring housekeeper, Legit voice

Herr Zeller: Male, late 20s – 40s - A staunch Nazi sympathizer and eventually a leader in the Nazi regime

Ensemble: 18+, Any ethnicity, Any gender - Experienced Actors who sing well, to portray various Ensemble characters and to understudy Principals.

Young Actors: All must sing well. Dance/movement ability a plus

Friedrich von Trapp (Age 14, Male) Tough exterior, very much trying to be "the man" of the family.

Louisa von Trapp: (Age 13, Female) Rebellious attitude.

Kurt von Trapp (Age 10, Male, Strong falsetto) Gentle and mischievous.

Brigitta von Trapp (Age 9, Female) Smart, reads a lot.

Marta von Trapp (Age 7, Female) Very sweet and gentle.

Gretl von Trapp (Age 6, Female) Has the cute factor.

"42nd Street"

Peggy Sawyer: Female, 20s - Extraordinary tap dancer with Broadway, leading lady vocal quality and genuine ingenue presence. Mezz/Belt

Julian Marsh: Male, 30 - 40 - Powerful and charismatic, a successful Broadway director. Baritone/Tenor up to an Ab

Dorothy Brock: Female, 40 - 50 - A genuine Broadway star; very elegant; moves well and possesses a strong sense of comic timing; Belt/Alto to low Eb

Billy Lawlor: Male, 20 - 30s - Exceptional tap dancer with star power and soaring Tenor vocal quality. Able to play "the juvenile" believably

Maggie Jones: Female, 40 - 50s - Half of the writing duo; sings and moves well; able to play comedy with great warmth and charm; character Alto/Belt

Bert Barry: Male, 40s - 50s - Half of the writing duo; sings and moves well; able to play comedy with vaudeville timing; character Baritone

Abner Dillion: Male, 40s - 60s - Character role; the stars "sugar daddy" from Oklahoma; ability to sing helpful but not necessary. Bass/Baritone

Anytime Annie: Female, 20s - 30s - One of the girls in the "chorus;" a first rate tap dancer and natural comedienne; Big belt with Alto

Pat Denning: Male, 40 - 50 - A handsome vaudeville performer down on his luck; Dorothy Brock's true love; Baritone

Andy Lee: Male, 20s - 40s - Dance director of the show; a first rate tap dancer; Bari-tenor

Ensemble: Any gender, 18 – 30 - Young, energetic, and charismatic tap dancers with broad vocal range, to portray various Chorus/Supporting roles and to understudy Principals

NYC Mad Hatter Musical AEA actors

Mad Hatter

Seeking talent from New York City, NY

About the project

COMPANY DETAILS

Mad Hatter Musical International

Casting Equity actors for "Mad Hatter."

Lead. 18+

To apply, see the "Key Details" section below.

Dates & Locations

Rehearsals begin April 1; previews May 1; runs May 4-19 (with a possible extension) at Herberger Theater Center in Pheonix, AZ.

Compensation & Contract

Additional: Pays $800/wk. Equity LOA ref. LORT D Contract.

Key Details

Auditions:

Pearl Studios (500), 500 8th Ave, Studio 309 - Sign In; Studio 315 Audition Room, New York City, NY, 10018-6504

Equity Principal Audition

Feb 9, 2024: 10:00 AM to 6:00 PM EST

Lunch 1:00-2:00 p.m.

Seeking talent from New York City, NY

Additional Instructions:

Bring a headshot and resume stapled together. Prepare a short contemporary musical theatre song. Bring sheet music in correct key. Accompanist provided. Note: Principal roles and possibly a couple of others will be understudied. All stage manager positions have been filled.

EPA Procedures are in effect for this audition. An Equity Monitor will be provided. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to audition.

Additional Materials

Character Breakdown

Monday, January 29, 2024

Greenpoint Queens border sublet

https://www.instagram.com/iangeorgeschultz/

BK Greenpoint ROOM share apt

https://www.instagram.com/angeldesfrancs/

BK Bushwick Room rental March

https://www.instagram.com/skystmarx/

NYC Tiffany Real Mother Daughter

https://www.instagram.com/castingdbl/

Group 20240129

Sunday, January 28, 2024

Manhattan sublet start Feb end

https://www.instagram.com/nicorbrunstein/

Pittsburgh Civic Light Opera RMTA 2024 Season, NYC ECC Dancers and Singers

Pittsburgh Civic Light Opera RMTA 2024 Season, ECC Dancers and Singers

Seeking talent from New York City, NY

About the project

COMPANY DETAILS

Pittsburgh Civic Light Opera

Baayork Lee, Christopher D. Betts, Michael Heitzman, and Sara Edwards, dirs.; Tislarm Bouie, Mara Newbery Greer, and Robbie Roby, choreos.; Billy Mason, assoc. prod.; Anna Hanson, producing assist.; Davis Wayne, dance assist.

Casting Equity dancers and singers for the Pittsburgh Civic Light Opera's RMTA 2024 season. Season includes: "West Side Story" (Baayork Lee, dir.; rehearsals begin June 3; tech June 10; runs June 11-16); "The Color Purple" (Christopher D. Betts, dir.; Tislarm Bouie, choreo.; rehearsals begin June 17; tech June 24; runs June 25-30); "The Music Man" (Sara Edwards, dir.; Mara Newbery Greer, choreo.; rehearsals begin July 1; tech July 8; runs July 9-14); and "Seussical the Musical" (Michael Heitzman, dir.; Robbie Roby, choreo.; rehearsals begin July 22; tech July 29; runs July 30-Aug. 4).

Roles in this project

Collapse All Roles

ACTORS & PERFORMERS

Dancers and Singers

Chorus / Ensemble. All Genders. 18-99

To apply, see the "Key Details" section below.

Dates & Locations

Rehearsals and performs at the Pittsburgh Civic Light Opera, in Pittsburgh, PA.

Compensation & Contract

Additional: Pays $1239/wk. Equity RMTA Contract.

Key Details

Auditions:

Pearl Studios (500), 500 8th Ave, New York City, NY, 10018-6504

Equity Chorus Call

Feb 5, 2024: 9:30 AM EST

female dancers, holding room studio 409, lunch 1:30 p.m.-2:30 p.m.

Equity Chorus Call

Feb 5, 2024: 2:30 PM EST

male dancers, holding room studio 409

Equity Chorus Call

Feb 6, 2024: 9:30 AM EST

male singers, holding room studio 412, lunch 1:30 p.m.-2:30 p.m.

Equity Chorus Call

Feb 6, 2024: 2:30 PM EST

female singers, holding room studio 412

Seeking talent from New York City, NY

Additional Instructions:

Studio 409 (dancers) and 412 (singers) Holding Room; Pearl Studios (500) Audition Room. For singers prepare a brief traditional musical theater selection and prepare a contracting piece if asked. Also, bring a headshot and resume stapled together. For dancers, come prepared to dance, bring character/jazz and ballet shoes. Also, bring a headshot and resume stapled together. For more info visit: (https://www.pittsburghclo.org/). ECC Procedures are in effect for this audition.

An Equity Monitor will be provided. Equity contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions.

Saturday, January 27, 2024

Asian film F20 M50

Email:

manjhafilms@gmail.com <manjhafilms@gmail.com>

NH Barnstormers Theatre Summer 2024 Season, EPA NYC aud

Barnstormers Theatre Summer 2024 Season, EPA

Seeking talent from Manhattan, NY

About the project

COMPANY DETAILS

Barnstormers Inc.

Doug Shapiro, holding room monitor; Ana Prillaman, administrative coord.; Sarah Rozene, artistic dir-dir.-casting; Blair Hundertmark, dir.; David John Madore, accompanist

Casting Equity actors for Barnstormers Theatre Summer 2024 Season. Season includes "Camelot" (Lerner and Loewe, playwright; Clayton Phillips, dir. Rehearses June 17-27; runs June 27-July 6), "Educating Rita" (Willy Russell, playwright; Dori Robinson, dir. Rehearses July 1-11; runs July 11-20), "Into the Breeches" (George Brant, playwright; Sarah Rozene, dir. Rehearses July 15-25; runs July 25-Aug. 3), "Go Back for Murder" (Agatha Christie, playwright; Jordan Reeves, dir. Rehearses July 29-Aug. 8; runs Aug. 8-17), and "Pride and Prejudice" (Kate Hamill, playwright; Jane Austen, novel; Blair Hundertmark, dir. Rehearses Aug. 12-22; runs Aug. 22-31).

Equity Actors

Lead. 18+

To apply, see the "Key Details" section below.

Dates & Locations

Rehearses and runs in Tamworth, NH.

Compensation & Contract

Additional: Pays $746/wk. Equity CORST Tier ZZ Contract.

Key Details

Auditions:

Ripley-Grier Studios (305), 305 W 38th St, Holding room - Studio 207, Manhattan, NY, 10018

Equity Principal Audition

Feb 8, 2024: 10:00 AM to 6:00 PM EST

Feb 9, 2024: 10:00 AM to 6:00 PM EST

Lunch: 1:00-2:00 p.m.

Seeking talent from Manhattan, NY

Additional Instructions:

Prepare 1 or 2 (contrasting) monologue(s) not to exceed three minutes or a short musical selection that demonstrates how you might best fit into the 2024 productions. Have additional selections, ready upon request. Bring your headshot and resume stapled together. An accompanist will be available at all audition times. Note: People of all races, ethnicities, physical capabilities, and genders are encouraged to audition and will be considered for all shows unless specifically noted by the script requirements listed below.

Company states: "The Barnstormers are committed to dismantling structures that may prevent all people from applying for employment with us. The Barnstormers Theatre celebrates the richness of our world by cultivating Equity, Diversity and Inclusivity as they inspire the creativity that nurtures great art,
artists and audiences. We are committed to continuing to prioritize our journey as an anti-racist and fully inclusive organization, and we strongly encourage candidates from historically underrepresented groups to apply. The Barnstormers Theatre is an equal opportunity employer and as such, we consider individuals for employment according to their abilities and performance."

EPA Procedures are in effect for this audition. An Equity Monitor will be provided. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions.

Additional Materials

Season Breakdown

"Camelot"

Reveler #1, Plays Squire Dap, Mordred, Vocal range top: D4, Vocal range bottom: A2 - Mordred is the illegitimate son of King Arthur. A truly evil young man who was sired by Arthur when he was young and naive. Fascinatingly unlikeable. Squire Dap is Lancelot’s squire.

Reveler #2, Plays Dinadan, Vocal range top: G4, Vocal range bottom: B2 - One of Arthur’s Knights, devoted to Guenevere, challenges Lancelot.

Reveler #3, Plays Sagramore, Vocal range top: G4, Vocal range bottom: B2 - One of Arthur’s Knights, devoted to Guenevere, challenges Lancelot.

Reveler #4, Plays Lionel, Vocal range top: G4, Vocal range bottom: B2 - One of Arthur’s Knights, devoted to Guenevere, challenges Lancelot.

Reveler #5, Plays Tom, Vocal range top: G4, Vocal range bottom: B2 - An idealistic young man who wants to join the Round Table. Sent to England by King Arthur to pass on his ideals of chivalry and Camelot.

Reveler #6, Plays Arthur, Gender: male, Vocal range top: F4, Vocal range bottom: Bb2 - A rich and complex character. Arthur is generous, compassionate, unsure of himself, yet an inspiration to others.

Reveler #7, Plays Guenevere, Gender: female, Vocal range top: A5, Vocal range bottom: A3 - A spirited woman quite caught up in chivalry and the exciting possibilities of a promised life. She loves Arthur but is in love with Lancelot.

Reveler #8, Plays Lancelot, Gender: male, Vocal range top: G#4, Vocal range bottom: A2 - Abundantly self-assured Knight from France, who is a passionate disciple of Arthur and his roundtable. "The Greatest Knight in the world", whose only weakness is his love for Guenevere.

"Educating Rita"

Frank: 50s/60s- A professor who takes on Rita as a student. Frank used to be a little-known but well-respected poet, but he stopped writing when his wife left him. In the years since, he has started drinking heavily and doubting the value of his role as an educator.

Rita: mid-late 20s to early 30s - A hairdresser who signs up for tutoring lessons with Frank, a professor at a nearby university. Rita is fiercely intelligent but has little in the way of a formal education.

"Into the Breeches"

Maggie Dalton: This role has been cast.

Celeste Fielding: Perceived white female in her 50s, the diva, plays Henry Fifth and Fourth.

Ellsworth Snow: Perceived white male in his 60s, the conservative Board President of the Oberon Play House.

Winifred Snow: Perceived white female in her 50s, untalented but enthusiastic socialite, plays Falstaff.

Stuart Lasker: Perceived white male in his 40s, the quip-ready Stage Manager, plays Mistress Quickly.

Ida Green: African-American female in her 30s, the imaginative costume designer, plays Hotspur.

June Bennett: Perceived white female in her late teens/early 20s, the ingenue, plays the Kates.

Grace Richards: Perceived white female in her late 20s/early 30s, a raw talent, plays Henry. Fourth and Fifth

"Go Back for Murder"

Carla Le Marchant/Caroline Crale: Daughter/mother, 30s/40s - Carla is the daughter of Amyas and Caroline Crale. After the death of her father and imprisonment of her mother, she was brought up in Canada. Caroline is the wife of Amyas, half-sister of Angela Warren. She was put on trial for the murder of her husband, found guilty and imprisoned. One actress will play both mother and daughter.

Amyas Craven: 40s - Amyas Craven is a renowned artist. Attractive, charming, funny, charismatic man in his early 40s. He loves his wife Caroline but he is a lady’s man. His current crush is young Elsa. Elsa seduced him to paint her portrait and it appears that she could be the one to steal him away from Caroline.

Meredith Blake: ages 42-58 older brother to Philip - Meredith Blake is a wealthy man, successful and respected man in his late 40s. Meredith is calm, composed, and highly intelligent, kind. Secretly was in love with Elsa. He is an amateur botanist and has a laboratory in his house. He wants to help Carla find the truth but thinks Caroline was guilty.

Philip Blake: ages 40-56 younger brother to Meredith - Very successful, wealthy solicitor. Good looking, grey at the temples. Self-important with traces of nervous irritability. Amyas was one of his oldest and closest friends. He loved Caroline and asked her to marry him but she married Amyas instead. He saw Caroline as “wicked temper; cold blooded, calculating devil”. He thinks Caroline was Guilty.

Angela Warren: ages 14 to 30 Angela is Carolines’s younger half-sister. - She’s distinguished, good sense of humor, worldy, well dressed as an adult and successful. As a young girl, was a tom-boy climbing trees and playing truant. She was a trickster—put valerian in his beer and a hedgehog in Amyas bed. She’s playful, observant, outspoken and affectionate. She knew Caroline could not have killed Amyas.

Justin Fogg: 30s - Attractive, dry sense of humor and a sharp intellect. Likeable. Justin Fogg is the family solicitor and a loyal friend to the Cravens. His father worked for the defense of Caroline and was 18 at the time of the trial and became infatuated with Caroline. He decides to help Carla in her search for the truth. His level-headed approach to the investigation, brings a touch of comic relief to the Play.

turnball: 70s - An elderly clerk working for Justin and was present at the trial against Caroline Carle. “A Dicken’s type character.”

Miss Williams: ages 55-70 - Intelligent, clear annunciation, wise, observant, pedagogic manner. She took care of Angela, Carla’s younger half-sister. She did not like Amyas and thought Caroline had to put up with a great deal. “I could kill Amyas for his infidelities”. Miss Williams loved Caroline despite the fact she positively knew Caroline was guilty.

Jeff Rogers: 30s - Jeff is in his early 30s, handsome, arrogant, intelligent, engaged to Carla. Thought of breaking up after hearing about Carla’s mother. “You can’t do any cattle breeding without realizing that certain strains repeat themselves” but decided Carla was a fine girl. He doesn’t want Justin to take Carla’s case. “. . . Raking up the past is morbid.”

Lady Elsa Melksham: 19 ages to 35-ish - As an adult she is beautiful, smart, and bitter. As a young girl, she’s very attractive and could have any man she wanted. She fell for Amyas instantly and was not an “innocent little girl.” She seduced Amyas’s into painting her portrait. She flaunts her relationship in front of Caroline. What others say about her: Meredith was secretly in love with her, Philip found her to be stupid. Angela thought she was a bore. Caroline wanted to “take a hatchet” for trying to steal her husband.

"Pride and Prejudice"

Track 1: This actor doubles) Jane- late 20s-early 30s. The eldest and most beautiful Bennet daughter. Kind, idealistic, diffident. Always tries to do the right thing. Miss de Bourgh- Lady Catharine’s daughter; a gremlin. Probably allergic to sun. Underneath all her veils, she may be covered in scales.

Track 2: (no doubling) Lizzy- A year or two younger than Jane. Clever, spirited; can be sharptongued. Gets flustered, which makes her klutzy. Prides herself on good judgment. Not especially beautiful. Very very scared of marriage, after absorbing the lessons of her parents’ marriage.

Track 3: Lydia- 14, The youngest Bennet. Lively, prone to imitating others’ behavior and eavesdropping. Lady Catherine de Bourgh- Patrician Caesar-meets-drill sergeant.

Track 4: (no doubling) Mr. Darcy- late 30s-early 40s. One of the richest men in England. Too proper for his own good; awkward in most social contexts. Prides himself on self-control and good judgement.

Track 5: Mr. Collins- A pedantic, obtuse man. The original mansplainer. Rector to Lady Catharine. Wickham- An unfairly handsome and charming gentleman. Probably a sociopath. Raised with Darcy. Miss Bingley- A very rich, very beautiful young woman. Fancies herself witty.

Track 6: Mr. Bingley- Late 30s-early 40s. Loves the world and the world loves him. Mr. Darcy’s particular friend. Almost literally a dog. Mary- The third Bennet girl. Violent and dark undertones; prone to pedanticism and sulking. A dark goth Bronte character trapped in an Austen world. Coughs to get attention, or to make a point; may fancy that she is dying.

Track 7: Charlotte Lucas- Same age as Lizzy. A practical girl with a good sense of humor. Mr. Bennet- The patriarch of the Bennet family. Finds amusement in absurdity; often looks for respectable escape from the chaos of his family life. Can be somewhat apathetic; probably a bit depressed, under everything. Enjoys antagonizing. Disappointed in marriage.

Track 8: Mrs. Bennet- The matriarch of the Bennet family. Mostly a silly woman, of mean understanding and variable temper. Hypochondriac; when she’s upset, she fancies that she’s dying. The business of her life is to get her daughters married. She traumatizes her family with some regularity. Doubles as Servants

CT Swingtime Canteen NYC auds

Swingtime Canteen

Seeking talent from New York City, NY

About the project

COMPANY DETAILS

Ivoryton Playhouse Foundation, Inc.

Jacqueline Hubbard, exec. dir.; Ben Hope, exec. dir.; Krista May, managing dir.; Amy Jones, dir.-choreo.-music dir.

Casting Equity actors for "Swingtime Canteen."

Topeka Abotelli

N/A. Female. 25-40

(F3-Eb5). A roughedged housewife and mom. A super-patriot who works as a riveter in a war plant. A zany, warmhearted woman with an antic energy. (Must be highly proficient on piano, both reading and ‘comping’. Strong mover)

To apply, see the "Key Details" section below.

Marian Ames

Lead. 18-99

This role has been cast: Eb3-Eb5. A lovely, classic leading lady of the silver screen who is slightly past her prime. Elegant, gracious, and maternal, Marian is a strong leader with a healthy dose of wry humor.

To apply, see the "Key Details" section below.

Jo Sterling

Lead. 18-99

This role has been cast: F3-C4. A good-natured gal and everyone's best friend. She's warm, sensitive, brainy, and ready with a snappy wisecrack on every occasion. (Must play drums).

To apply, see the "Key Details" section below.

Dates & Locations

Rehearsals begin April 30; runs May 16-June 9 in Ivoryton, CT. Performance schedule: Wednesdays 2 p.m. and 7:30 p.m., Thursdays 7:30 p.m., Fridays and Saturdays 8 p.m., and Sundays 2 p.m.

Compensation & Contract

All Roles

Additional: Pays $650/wk. Equity SPT 6 Contract.

Key Details

Auditions:

Pearl Studios (500), 500 8th Ave, Auditions studio 415, New York City, NY, 10018-6504

Equity Principal Audition

Feb 7, 2024: 9:00 AM to 5:00 PM EST

Lunch noon-1:00 p.m.

Seeking talent from New York City, NY

Additional Instructions:

Prepare a short song excerpt in the style of the show. Prepare a short selection showing proficiency on your instrument. Note: All roles are actor/musicians, and must play a relevant instrument at the audition. Bring a picture and resume stapled together. Questions may be directed by email to ben@ivorytonplayhouse.org,

Company states: "Ivoryton Playhouse is an Equal Opportunity Employer. The Ivoryton Playhouse aims to ensure that our productions and production teams reflect a multi-racial society that includes actors and stage managers with disabilities. Our casting process includes a flexible and imaginative casting policy to increase employment for actors and stage managers of color, women, seniors, and actors and stage managers with disabilities."

An Equity Monitor will be provided. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions.

CO Rocky Mountain Repertory Theatre 2024 Season NYC auds AEA

Rocky Mountain Repertory Theatre 2024 Season

Seeking talent from Denver, CO; New York City, NY

About the project

COMPANY DETAILS

Rocky Mountain Repertory Theatre

Michael Querio, exec. artistic dir.-musical dir.; Jeff Duke, assoc. artistic dir.; Suzanna Champion, casting assoc.

Seeking Equity actors for Rocky Mountain Repertory Theatre's 2024 Season.

Summer repertory includes "Kinky Boots," "Music Man," and "Come From Away" (Rehearsals begin May 20; closes Aug. 26). Fall repertory includes "I Left My Heart" (Rehearsals begin Aug. 19; closes Sept. 29).

Roles in this project

Collapse All Roles

ACTORS & PERFORMERS

Equity Actors

Lead. All Genders. 18+

Ethnicity: All Ethnicities

To apply, see the "Key Details" section below.

Dates & Locations

Rehearses and runs in Grand Lake, CO.

Compensation & Contract

Additional: Pays $576/wk. Equity SPT 6 Contract; Pays $414/wk. Equity SPT 3 Contract.

Key Details

Auditions:

Denver Performing Arts Complex's Denver Center for Performing Arts, 1101 13th St., Denver, CO, 80204-5319

Equity Principal Audition

Feb 8, 2024: 12:00 PM to 7:30 PM MST

Break: 4-5 p.m.

Equity Principal Audition

Feb 9, 2024: 10:00 AM to 6:00 PM MST

Break: 1-2 p.m.

Ripley-Grier Studios (520), 520 8th Ave., New York City, NY, 10018-6507

Equity Principal Audition

Feb 16, 2024: 9:30 AM to 5:30 PM EST

Lunch: 1-2 p.m.

Seeking talent from Denver, CO; New York City, NY

Additional Instructions:

To schedule an audition, Equity actors auditioning in Denver must e-mail DenverAuditions@rockymountainrep.com with the times that they are available. To audition, Equity actors must prepare two brief cuts of music that are appropriate for the season slate of shows. Bring music in their key and readable for the pianist. Bring a picture and resume stapled together as well.

An Equity Monitor will not be provided. The producer will run all aspects of the Denver audition. For New York auditions, EPA Procedures are in effect. An Equity Monitor will be provided. Always bring your Equity Membership card to auditions.

Rocky Mountain Rep. encourages actors of all Ethnicities, Nationalities and Gender Identities to audition for their productions.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Additional Materials

Season Breakdown

A professional repertory company of singer/actor/dancer/mover artists of all types to perform in all of our 3-summer repertory shows: “Kinky Boots,” “The Music Man,” and “Come from Away.” All cast actors participate in all 3 shows with an onstage part or as an understudy. This is a 14-week contract. Also seeking singer/actors of all types for our 6-week fall show contract; “I Left My Heart,” a tribute to Tony Bennett. This is a separate contract from the summer repertory shows.

RMRT will be hiring one repertory ensemble to appear in all of our summer season shows. All roles - leading, supporting, and ensemble - will be cast from the one repertory ensemble. These are the characters to be cast:

“Kinky Boots”
Note that the entire cast should be comfortable with a pop/rock style of singing and British accent.
- Charlie Price: Male. Sings C3–B4. A leading man, just out of university. He is privileged, but likeable - his father owns the shoe factory. He is handsome and loveable but there is a temper right under the skin. A bit confused, a bit unfocused, a hero hiding under a victim’s mantle. Has a great singing voice, ability to move.
- Lola: Male. Sings C3–B4 (with one top C). An emotionally and physically challenging role that requires the body of a boxer with the soul of a Diva, a la Whitney Houston. Has star presence and feels comfortable wearing everything from full glamour as a scene-stealing drag performer to nothing but boxing trunks. Has a killer voice with power blues and gospel chops. This role is written as a non- Caucasian (generally African heritage) male.
- Lauren: Female. Sings B?3–F?5. Beautiful, but quirky (not glamourous like Nicola) working class girl who works in the shoe factory. Funny and smart but has had bad luck with men.
- Nicola: Female. Sings B?3–F?5. Charlie’s girlfriend since school. Sophisticated looks. She is a social climber, driven and uncompromising. She knows what she wants and goes for it.
- Don: Male. Sings C3–F4. Lola’s nemesis. Burly hyper-masculine bear of a factory worker. Has a menacing physicality. Least likely to be seen on a runway in kinky boots.
- George: Male. Sings C3–F4. Factory Manager, keeping up traditions. Reserved and tightly wound.
- The Angels: Male. These are the 4-6 drag performers who perform with Lola. Versatile and terrific singers and dancers (required to dance in heels). Physical fitness is crucial. Tumbling and acro skills a plus. Three Angels sing to C?5 and three sing to A4. May cover Lola.
- Trish, Pat, Mr. Price, Harry: to be cast from the ensemble.
- Ensemble: Males and Females. The men and women of the ensemble must be excellent singers. They will cover Principal and Featured ensemble roles as well as play factory workers, pub patrons etc. Factory workers should look like real, everyday people and be able to move well. All must be very strong singers. Some must be terrific dancers, have great pop voices and be comfortable in drag in order to cover Angels. May cover Lola.
Children’s Roles:
- Young Charlie: the lead as a 7-year-old boy. Lost, quiet, reflective. He appears in the opening and closing sequences.
- Young Simon/Lola: This is Lola as a 10-year-old boy, who already knows he’s destined to wear high heels. Non-Caucasian, to be cast after our adult Simon/Lola is cast.

“The Music Man”

- Harold Hill: The protagonist. A con man, traveling under the auspices of a salesman, he eventually falls in love with Marian Paroo. Charismatic and charming.
- Marian Paroo: The stuffy town librarian and music teacher. She is an attractive young lady who eventually falls in love with Harold Hill. Has an effortless soprano voice. My White Knight. (Note: Vocal range and style will be more like the original Broadway-style and range - not like the most recent revival. Original keys, more soprano - less belt.)
- Mrs. Paroo: Cheerful and always plotting. An Irish widow and mother to Marian and Winthrop.
- Eulalie Mackecknie Shinn: Mayor Shinn's peacock wife. A serial gossiper and snob, she has trouble keeping her opinions to herself.
- Marcellus Washburn: Harold's chummy old friend and former con man. He now lives in River City and is trying to settle down.
- Jacey, Ewart, Oliver, Olin: Barbershop Quartet. Have clear-as-a-bell singing voices and excellent harmony-singing skills.
- Mayor Shinn: A blustery politician who is all too "self-important." Begrudgingly married to Eulalie, he is skeptical of the town rumor mill.
- Tommy Djilas: An attractive, young man from the wrong side of town. He is secretly courting Zaneeta.
- Charlie Cowell, Zaneeta Shinn, Gracie Shinn, Alma Hix, Maud Dunlop, Ethel Toffelmier, Mrs. Squires, Townspeople: to be cast from the ensemble.
Children’s Roles:
- Winthrop Paroo: Marian's baby brother, he is very shy because of a noticeable lisp. Embraces Harold Hill and the idea of a children?s marching band. Harold Hill brings him out of his shell. Solo Songs: The Wells Fargo Wagon & Gary, Indiana
- Amaryllis: A slightly bratty, and overly sensitive, piano student of Marian Paroo. Good singing voice.
- Kids of River City Ensemble: seeking children of every shape and size, with great singing voices and great energy, who move well and can take direction. Preferable size - smaller (shorter) than “adult” appearing (meaning some high school students might be too big for this “kids” ensemble.)

“Come From Away”
All performers play multiple characters. Casting a 12-person ensemble. Other company members will be understudies/swings.

- Claude: The gregarious and well-liked Mayor of Gander, Newfoundland, Claude loves his work, the townspeople and his daily traditions, but he's never had to deal with a crisis of this magnitude before. Gender: Male; Age: mature; Vocal range top: G4
- Bonnie: A no-nonsense mother of three, Bonnie is the head of the Gander area SPCA. When she discovers animals are trapped on the planes, she stops at nothing to ensure their safety - but in frustration, she often lashes out at those around her. Gender: Female; Age: middle aged; Vocal range top: B4
- Beulah: The head of the Gander Legion, with a firefighter son, who walks Hannah to her church and prays with her. Gender: Female; Age: middle aged
- Oz: The quirky constable in the two-person Gander police force. When the town's population suddenly doubles, Oz helps out in unexpected ways. Gender: Male; Age: middle aged; Vocal range top: G4
- Janice: Eager new local TV reporter, Janice is thrown into the deep end on her 1st day. Initially naive about the world, she must face the pain and confusion around her. Gender: Female; Age: young adult; Vocal range top: E5
- Beverly: The first female captain for American Airlines Pilot, Beverly Bass has always loved flying, when her world suddenly changes. Also plays “Annette” A local teacher at the Gander Academy and mother to a lot of children. Gender: Female; Age: middle aged; Vocal range top: C#5
- Diane: A traditional divorcee from Texas, who is terrified that her son may have been flying at the time of the attacks. When she finds out that he's safe, she's given a new lease on life and discovers a wilder more carefree side of herself. Gender: Female; Age: mature; Vocal range bottom: D5
- Nick: An English oil engineer who is focused on his work, Nick's life is turned upside down when he falls for Diane. Also plays “Doug,” An Air Traffic Controller, married to Bonnie, who tries to help his wife and the animals. Gender: Male; Age: mature; Vocal range top: E4
- Kevin T.: The head of an environmental energy company in Los Angeles, Kevin was on vacation with his boyfriend (and secretary, also named Kevin), when they are stranded in Gander. Inspired by the town's generosity, Kevin creates the Pay It Forward Foundation. Also plays “Garth”-head of the local union, representing the Bus Drivers. Gender: Male; Age: middle aged; Vocal range top: G4
- Kevin J.: Kevin's boyfriend and secretary. Sarcastic and unhappy, he wants to leave as soon as possible. Also plays “Ali.” Gender: Male; Age: middle aged
- Bob: A hardened New Yorker, Bob is suspicious of where he's landed, fearing that it's World War 3, that someone is going to shoot him and steal his wallet - but instead, he ends up losing his New York jadedness. Gender: Male; Age: young adult
- Hannah: The mother of a firefighter in Manhattan, Hannah waits for news about her son and is comforted by Beulah. Gender: Female; Age: mature; Vocal range top: E5

RMRT’s Fall Season: “I Left My Heart”
Seeking 3 male singer/actor performers who can move well. All 3 singers need to be tenors, with effortless, thrilling high notes. All 3 should be comfortable singing in a jazz style, and should be good harmony singers. All performers portray aspects of Tony Bennet throughout the show - no single Tony Bennett lookalike/sound-alikes are needed or desired. This production is in no way an imitation or impersonation of Tony Bennett.

Wednesday, January 31, 2024

About the project

Roles in this project

Ensemble Dancers

Dates & Locations

Compensation & Contract

Key Details

Additional Materials

About the project

Equity Stage Manager

Dates & Locations

Compensation & Contract

Key Details

About the project

Ensemble Singers

Dates & Locations

Compensation & Contract

Key Details

Additional Materials

Tuesday, January 30, 2024

About the project

Equity Actors, Singers, and Dancers

Dates & Locations

Compensation & Contract

Key Details

Additional Materials

About the project

Dates & Locations

Compensation & Contract

Key Details

Additional Materials

Monday, January 29, 2024

Sunday, January 28, 2024

About the project

Roles in this project

Dancers and Singers

Dates & Locations

Compensation & Contract

Key Details

Saturday, January 27, 2024

About the project

Equity Actors

Dates & Locations

Compensation & Contract

Key Details

Additional Materials

Swingtime Canteen

About the project

Topeka Abotelli

Marian Ames

Jo Sterling

Dates & Locations

Compensation & Contract

Key Details

About the project

Roles in this project

Equity Actors

Dates & Locations

Compensation & Contract

Key Details

Additional Materials

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