Wednesday, August 31, 2022

A Sherlock Carol AEA NYC

A Sherlock Carol


EXPIRES:September 13, 2022 8:00 PM

Company

Fat Goose Limited Liability Company

Mark Shanahan, playwright-dir.; Claire Burke, casting dir.

Production Description

Seeking video submissions from Equity actors for roles in "A Sherlock Carol."

Roles

Collapse All Roles

Actors & Performers

Equity Actors: All Genders, 18+
Ethnicity: All Ethnicities

To apply, see the "Key Details" section below

Rehearsal and Production Dates & Locations

Rehearsals begin Nov. 1; runs Nov. 28 - Jan. 1, 2023 at New World Stages in NYC.

Compensation & Contract Details

All Roles
Additional: Pays $1217/wk. Equity Off Broadway Category E Contract.

Key Details

Seeking talent from:

New York, NY

Additional Instructions:

For consideration, submit a video audition at (https://forms.gle/ufvc1hism4v6Gjxt6).Video audition instructions: Prepare one or two sides at (https://www.dropbox.com/sh/86cqufqywudu16 x/AACBmPnHVvts_hVMVD9PfGb7a?dl=0). If a reader is not accessible, talent can tape a monologue of their choosing in the style of the show. Slate name and the role to be auditioned for. Camera focused on talent and have the reader stand or sit out of frame. Note: All stage managerial positions have been filled. Submission deadline is Sept. 13.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Additional Materials

Character Breakdown

Sherlock Holmes: 30s-50s; the World’s foremost consulting detective, in decline. This role is
on offer.

Ebenezer Scrooge: 60s-70s; formerly a miser, one Christmas, Scrooge transformed into as
good a man as the good old city ever knew.

Track One:
Dr. Timothy Cratchit: Tiny Tim, all grown up; now a doctor at St. Bernard's Hospital for Children; he speaks with a more refined accent than his sister.
Mr. Topper: the manager of the Cosmopolitan Hotel; a bit older, a bit pompous. Easily irritated; supposedly a friend of Fred, Scrooge's nephew.
Ralph Fezziwig: a nervous, wiry young man; the black sheep of a proud family. Engaged
to Fannie.
Constable Hopkins: a seemingly upstanding member of Scotland Yard. This role is on offer.

Track Two: 18+ to play various ages.
Emma Wiggins: a good, spirited, and brave 13-year-old; a former Baker Street Irregular.
Fan Gardner: Scrooge's granddaughter. A refined young woman, she works backstage at the theatre in the Cosmopolitan Hotel. Engaged to Ralph Fezziwig.
Inspector Lestrade: blustery, easily confounded member of Scotland Yard; has a grudging respect for Holmes.
Mrs. Windigate: a Scottish tavern keeper and member of the Goose Club; giggly, a whirlwind.

Track Three:
Dr. Watson: Sherlock Holmes' best and most loyal friend. The Boswell to Holmes' Johnson.
Mrs. Dilber: Mr. Scrooge's housekeeper of over 30 years. An emotional creature with
a connection to the spiritual realm.
Henry Burke: an Irish candle maker, an old friend of Mr. Scrooge.
Old Joe Brackenridge: the owner of "Old Joe's" in Covent Garden. Gruff, a born salesman. This role
is on offer.

Track Four:
Caroler: a cheerful person in the street; a woman in Restaurant and a London lady.
The Countess of Morcar: American; an old love of Holmes' who also goes by another name, Irene Adler.
Martha Cratchit: tough and a bit lower class than her brother; she is, in some ways, as smart as any
detective she might meet.
Mary Morstan: Watson's elegant and brave wife.
Abigail Fezziwig: runs a business fattening geese for market. She is no-nonsense and direct; a proud member of the hardworking Fezziwig family. This role is on offer.

Take Me Out, Broadway, Equity Video Submissions

Take Me Out, Broadway, Equity Video Submissions

EXPIRES:September 13, 2022 8:00 PM

Company

Barry & Fran Weissler, prod.; Scott Ellis, dir.; Richard Greenberg, playwright; RCI Theatricals, general manager; Jim Carnahan Casting, casting; Jason Thinger, CSA, casting dir.

Production Description

Casting Equity actors for roles in the Broadway return of "Take Me Out," starring Jesse Tyler Ferguson and Jesse Williams.

Actors & Performers

Biracial Black/White, 30s; Darren: identified as gifted practically from birth, he is handsome, charming, beloved in the city, the informal face of the game; his status has rendered him almost uncannily insulated from serious blowback in his life; he imagines anything he chooses to do will be received well and is gob smacked when it is not; biracial, which is perceived by many to be a near-allegory for the possibilities of social harmony. Davey is Darren’s lifelong best friend who is a star player on a less good baseball team; he is very verbal, very religious, and very much a family man; cares deeply about Darren; wants Darren to stop being so sly and reveal his ‘true self'; nudity required.
Ethnicity: Ethnically Ambiguous / Multiracial
Requires Nudity: Yes

To apply, see the "Key Details" section below

Mason/Skipper/Danzinger Cover: Male, 40-59
Mason is a crack business manager who has decided that that’s all life has to offer him and it’s plenty. Is not in the market for an awakening then baseball happens to him and he’s in rapture. Skipper is a wise, paternal, Torreesque figure, loved by his players. Danzinger is a suburban dad who considers himself a fine, progressive man but at a certain point gets confused.
Ethnicity: White / European Descent

To apply, see the "Key Details" section below

Rehearsal and Production Dates & Locations

Rehearsals begin on/about Oct. 7; runs Oct. 27, 2022-Feb. 5, 2023 at the Schoenfeld Theatre in NYC.

Compensation & Contract Details

All Roles
Additional: Pays $2323/wk. Equity Production (League) Agreement.

Key Details

Seeking talent from:

New York, NY

Additional Instructions:

Slate with your name. Prepare one of the sides at https://www.dropbox.com/sh/mtmwwk2wpyei5q4/AABBedd2JwvPk8cwoH_pkYfma?dl=0 . If a reader is not accessible to you, you may perform a monologue in the style of the show. Email your headshot/resume with your video audition. Subject line of the email should be Full Name – Character Name Submission. Submit by Sept. 12 to TakeMeOutEquityCalls@gmail.com. All stage managerial positions have been filled.

Shanghai Sonatas, Stage Manager NYC

Shanghai Sonatas, Stage Manager


EXPIRES:September 12, 2022 8:00 PM

Company

Showtown Theatricals

Chongren Fan, dir.; Asher Denburg, music dir.; Xiang Gao, music; Joyce Stoner, lyrics; Alan Goodson, libretto; ShowTown Theatricals), general mgr.; Alexandre Bleau, casting dir.


Production Description

Seeking stage managers for "Shanghai Sonatas."

Roles

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Creatives and Crew

Equity Stage Manager:

To apply, see the "Key Details" section below

Rehearsal and Production Dates & Locations

Rehearses TBD; runs Oct. 17-28 at the Showtown Theatricals, NYC.

Compensation & Contract Details

All Roles

Pays: $690.00/ Week

Total: $690.00 per week (Estimated duration: (Estimated duration: Not Provided))

Additional: Pays $690/wk. Equity Tier 1 Development Agreement.

Key Details

Seeking talent from:

New York, NY

Additional Instructions:

For consideration, submit a résumé to shanghaisonatascasting@gmail.com. Submissions deadline is Sept. 12. For more info, visit www.showtown.nyc

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Shanghai Sonatas AEA NYC

Shanghai Sonatas


EXPIRES:September 12, 2022 8:00 PM

Company

Showtown Theatricals

Chongren Fan, dir.; Asher Denburg, music dir.; Xiang Gao, music; Joyce Stoner, lyrics; Alan Goodson, libretto; ShowTown Theatricals), general mgr.; Alexandre Bleau, casting dir.

Production Description

Seeking video submissions from Equity actors for roles in "Shanghai Sonatas."

Roles

Collapse All Roles

Actors & Performers

Equity Actors: All Genders, 18+
Ethnicity: All Ethnicities
Required Media: Headshot/Photo, Video Reel

To apply, see the "Key Details" section below

Rehearsal and Production Dates & Locations

Rehearses TBD; runs Oct. 17-28 at the Showtown Theatricals, NYC.

Compensation & Contract Details

All Roles

Pays: $575.00/ Week

Total: $575.00 per week (Estimated duration: (Estimated duration: Not Provided))

Additional: Pays $575/wk. Equity Tier 1 Development Agreement.

Key Details

Seeking talent from:

New York, NY

Additional Instructions:

For consideration, submit a headshot/résumé and video to shanghaisonatascasting@gmail.com; slate with your name, role, and if you play the instrument(s) in the character description. Prepare a one-minute video
of either a musical theatre song of your choice or the song in this Dropbox: https://www.dropbox.com/sh/jgb94efbto8qag7/AABce0AjBf8x8wX5STTDL73-a?dl=0 . Submissions deadline is Sept. 12. For more info, visit www.showtown.nyc

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Additional Materials

Character Breakdown

Tan Hua: female, 40s; former Chinese Opera singer who no longer performs on the opera stage due to the Japanese occupation of Shanghai, but has now become a star of the nightclub scene. Ming-Kai's mother. A regal-looking consummate performer who had reached the pinnacle of perfection in her art, she now accepts her fate, though the compromises she has had to make weigh upon her. Scarred by tragedy, she has single-mindedly dedicated herself to her son and his life in music, teaming up with Rachel to try to get him to play the violin again. Suggested vocal range: Strong mezzo (soprano timbre).
Ming-kai (Kai Kai): male, mid-to-late-teens; Tan-Hua's son. A former violin prodigy who has given up the instrument and Western music in response to mistreatment by Western and Japanese occupiers. He is angry at his mother for giving up a great Chinese art form for Western popular music and defiantly vows to only learn classical Chinese music, like his late father used to play, from now on. But Tan Hua and Rachel manage to create a bond between him and Leo, which eventually brings him back to his love for the violin. Suggested vocal range: Tenor up to at least a high A (light youthful sound). Note: Violinists are encouraged to submit.
Rachel: female 40s or 50s; a Jewish refugee from Germany. A passionate musician with a warmhearted nature, but who can also be temperamental and volatile - a tendency exacerbated by her separation from, and anxiety about, her husband, Leo, who is being held in Dachau. When they are finally reunited in Shanghai, she is shocked by the person he has become and is determined to overcome the gulf his trauma has created between them, and between him and his music. Suggested vocal range: Mezzo (alto timbre). Note: Violinists are encouraged to submit.
Leo: male, 40s or 50s; a Jewish refugee from Germany. A kind, gentle, thoughtful man who has been deeply traumatized by his experiences in Dachau, where he was forced to play the violin for his captors in order to survive, and can now no longer bring himself to play. He eventually becomes MingKai's teacher, which begins his process of healing and recovery and leads to his rediscovering his love for music, and for Rachel. Suggested vocal range: Baritone to at least a G. Note: Violinists are encouraged to submit.
Eernst: male, 50s or 60s; a Jewish refugee from Austria. An elegant, upper-class Viennese musician who played with the Vienna Philharmonic. Highly cultured and quite arrogant, he also harbors prejudices against Chinese people and their music. But his wartime experiences in the Ghetto bring about a change of heart - he surprises everyone by deciding to remain in Shanghai after the war and teach music to repay the Chinese people for welcoming him and his fellow Jews and providing them with safe haven. Suggested vocal range: Baritone. Note: Violinists are encouraged to submit.
Sammy: male, 30s; a Jewish refugee from Germany. A streetwise jazz/classical musician, a denizen of nightclubs and bars, who has a breezy personality and easy-going demeanor. The most extroverted of the group of musicians, he enjoys a good joke and giving upper-class people like Ernst a hard time. Suggested vocal range: Tenor. Note: Actors who play a jazz/classical instrument are encouraged to submit.
Miri: female, 20s; a Jewish refugee from Germany. A fun-loving, enthusiastic young woman trying to enjoy life, despite the trauma of the Nazis' rise to power and her flight to Shanghai. She now works as a taxi dancer in a nightclub. She has a real sweetness and openness to her - the type of a person it's impossible not to love. Suggested vocal range: Soprano.
Hermann: male, 40s or 50s; a Jewish refugee from Austria. A gossipy street peddler, husband of Lotte; a resourceful pragmatist who can always figure out how to get by. Suggested vocal range: Tenor.
Lotte: female, 40s or 50s, Hermann's wife; a Jewish refugee from Austria. A gossipy street peddler, wife of Hermann. Loves Viennese operetta. Suggested vocal range: Low alto.
Lao Sun: male, 40s or 50s; a hard-working street peddler who accepts his lot in life with equanimity. Suggested vocal range: Baritone.
Wong Ma: female, 40s or 50s; proud and temperamental - she's not afraid to say what she's thinking and doesn't care much what others think. Suggested vocal range: Soprano.
Mei Mei: female, 20s; a taxi dancer. From a slightly more educated background than most of her fellow taxi dancers, she nevertheless accepts what she has to do to survive and tries to have fun. Suggested vocal range: Soprano.
Li Li: female, early 20s; a Taxi dancer. Having grown up in utter poverty, she's uneducated but streetwise. Resentful of being pushed around by foreigners, she's a no-nonsense survivor. Suggested vocal range: Alto.
Wu Ye: male, 40s; a tough guy you don't want to cross, but who can't help hiding his warm heart? He runs the nightclub and looks after his dancers and musicians with a paternalistic flair but a businessman's shrewdness.
Ghoya: male, 40s; a Japanese overseer of the Ghetto. An irrational, irascible, arrogant buffoon. A clown who can nevertheless be dangerous, he controls whether or not Jews can get a pass to leave the Ghetto for work, and he grants or denies these passes for absurd reasons. He loves music and fancies himself a violinist, though he plays terribly, and forces the Jewish refugees to listen to him play and praise him profusely. He demands the refugees call him "King of the Jews." Suggested vocal range: Baritone to high F. Note: Violinists are encouraged to submit.
Old Ming-Kai: male, 90s; Ming-Kai as an aged former violinist and music teacher, is now at the end of his life. Suggested vocal range: Baritone. Note: Violinists are encouraged to submit.

Tuesday, August 30, 2022

Argyle Theatre 2022-2023 Season, Equity Video Submissions (Chorus) AEA NY Babylon Long Island

Argyle Theatre 2022-2023 Season, Equity Video Submissions (Chorus)


EXPIRES:September 13, 2022 8:00 PM

Company

Argyle Entertainment LLC

Mark and Dylan Perlman, managing partners; Evan Pappas, artistic dir.; Eugenio Contenti, dir.-choreo.; Michael Cassara, CSA, casting dir.; Jonathan Brenner, music dir.

Production Description

Casting Equity actors for the Argyle Theatre's 2022-2023 Season. Season includes: "Disney’s Beauty And The Beast" (Linda Woolverton, book; Alan Menken, music; Howard Ashman and Tim Rice, lyrics; Evan Pappas, dir.; Debbie Roshe, choreo.; Jonathan Brenner, music dir.; Michael Cassara, CSA, casting dir. Rehearsals for Equity begin Oct. 24; runs Nov. 10-Jan. 1, 2023), "West Side Story" (Arthur Laurents, book; Leonard Bernstein, music; Stephen Sondheim, lyrics; Michael Cassara, CSA, casting dir. Rehearsals for Equity begin Jan. 30, 2023; runs Feb. 9-Apr. 2, 2023), "Rock Of Ages" (Chris D’Arienzo, book; Ethan Popp, music arrangements and orchestrations; Evan Pappas, dir.; Michael Cassara, CSA, casting dir. Rehearsals for Equity begin Apr. 10, 2023; runs Apr. 27-June 18, 2023), and "Grease" (Argyle Theatre, prod.; Evan Pappas, artistic dir.; Mark and Dylan Perlman, managing dirs.; Jim Jacobs and Warren Casey, book-music-lyrics; Eugenio Contenti, dir.-choreo.; Michael Cassara, CSA, casting dir. Rehearsals for Equity begin June 26, 2023; runs July 6-Aug. 27, 2023.)

Actors & Performers

Equity Singers/Dancers: Chorus / Ensemble, 18+

To apply, see the "Key Details" section below

Rehearsal and Production Dates & Locations

Season runs in Babylon, NY.

Compensation & Contract Details

All Roles
Additional: Pays $462/wk. plus health/pension/transportation. Equity LOA ref COST Agreement.

Key Details

Seeking talent from:

Suffolk County, NY

Additional Instructions:

Submit by Sept. 12 to https://form.jotform.com/222366169023150 . If you encounter any technical difficulties using our form, you may submit via e-mail to submissions@michaelcassara.net, but only use that if you are unable to use the form or have any questions. once you have submitted your materials here, we will not follow up unless we need anything further. For all-self tape auditions: feel free to submit supplementary footage (reels, dance footage, etc.) that you think may be of use as we go about casting the season. Dancers: Prepare the dance combination for Footloose as taught by Eugenio Contenti (who is directing and choreographing Grease in our upcoming season). Dance instruction videos and backing track can be found at https://www.youtube.com/playlist?list=PLEMc2civY7MJoO_jbiL7TRMnsztEZVJp . Although the production of Footloose referenced in this video has already taken place, we are using this same combination to audition Dancers for the diverse styles found within the four shows of our upcoming season. Alternatively, you are welcome to simply submit a dance reel or pre-existing footage. We are totally, 100% fine with that. Singers: Prepare a brief singing selection or two (brief, Chorus Call length cuts - 16-32 bars) in the style of any show in the season. You may submit multiple selections for consideration for multiple shows. Equity Required Accompaniment Tracks: In the event that a performer does not have access to audition accompaniment tracks of their own, the theatre has provided audition accompaniment cuts of Irving Berlin's "Always," now in the public domain, which you are welcome to use as a general singing audition. Per Equity rules, it has been provided in four separate keys (Soprano/Alto/Tenor/Bass) and tracks/sheet music can be obtained from: https://www.dropbox.com/sh/1a4ff2936tn2wcf/AAALsljpkIdBCzETdyi6ulVna?dl=0 - Do not feel obligated to sing this song, however. You are welcome to use any material of your choosing, but we do strongly prefer that you sing with accompaniment or an accompaniment track. Local actors encouraged to submit. The theatre is about an hour from midtown Manhattan via LIRR - all performers commute. LIRR transportation provided by theatre. Production rehearses in New York City until moving to Long Island for tech/performances. Once running, it is on a Thursday through Sunday schedule, with very occasional Wednesdays. The Argyle Theatre is 500-seat regional theatre located in Babylon, New York. Built in 1922 as a vaudeville house, it then became a movie theatre, and underwent a $3 million renovation before its 2018 reopening in a new state-of-the-art facility. Dedicated to bringing live theatre and more to residents of Suffolk County and beyond, theatre is about an hour from Penn Station/midtown Manhattan via LIRR. Callbacks will be held (via video self-tape and live virtual auditions) on an ongoing basis throughout the season (typically a month or two before the productions go into rehearsal.) Now in its 4th season, Argyle Theatre is located in Babylon, Long Island (about an hour from midtown Manhattan, via Long Island Railroad). Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Additional Materials

Breakdown Of MusicalsRoles
"Disney’s Beauty And The Beast" (Linda Woolverton, book; Alan Menken, music; Howard Ashman and Tim Rice, lyrics; Evan Pappas, dir.; Debbie Roshe, choreo.; Jonathan Brenner, music dir.; Michael Cassara, CSA, casting dir. Rehearsals for Equity begin Oct. 24; runs Nov. 10-Jan. 1, 2023)

[MONSIEUR D’ARQUE] male, any ethnicity/race, 30s-50s. The scheming proprietor of the local insane asylum. He is a dark, sinister villain who aides Gaston in his plot to marry Belle. Vocal range: D3 - A4.

[ENSEMBLE] 18+, all ethnicities, all gender identities. Characters include Wolves, Enchanted Objects, Young Prince, Enchantress, Book Seller, Doormat, Stunt Beast, Wolves (4), Salt & Pepper Specialty, Cheese-grater Specialty.


"West Side Story"

[DEISEL] male, 25-30, white. Second-in-command of the Jets, and leader after Riff's death. Baritone/Bass.

[GRAZIELLA] female, 25-35, white. Riff’s girlfriend. Has the dance ability to carry the Dance at the Gym with Riff.

Monday, August 29, 2022

Children Yoga teachers NY Long Island

 https://yogibeans.com/jobs

 

Model Servers Gig Events NYC

Model Servers


EXPIRES:October 5, 2022 7:59 PM

Company

Cutting Edge Elite

Cutting Edge Elite, Casting / Production

Production Description

Seeking servers with modeling experience who love to create positive guest experiences at events. Recognition and Respect is key at CEE. We value each and every member of our team and strive to reiterate that through everything we do."

Roles

Collapse All Roles

Actors & Performers

Model Server/Bartender: 18+
We’re looking for friendly & engaging model bartenders and model waitstaff to join our team for an amazing event in NYC!

Staff will be expected to bartend or serve while maintaining a positive and polished personal demeanor and environment for the guests. Serving/bartending experience is desired!

Interested? Apply HERE: https://bit.ly/3e4Tvf6

You will be required to submit photos and your sizes/measurements. Successful applicants will be interviewed by CEE and final decisions made by the client.

----

Beyond this event, additional job opportunities might be available with us! At Cutting Edge Elite, we assist with exciting events at stunning venues where we help facilitate smoothly-run shows to our wide variety of clientele. With our competitive pay and flexible working schedule, Cutting Edge Elite offers a unique work environment and the ability to be a part of the exciting event industry. We can’t wait to meet you!
Required Media: Headshot/Photo
Required Skills:
  • Culinary Arts: Bartender

Rehearsal and Production Dates & Locations

NYC

Compensation & Contract Details

All Roles

Pays: $29.00/ Hour

Total: $145.00 for an estimated 5 hours of work

Key Details

Seeking talent from:

Brooklyn, NY; New York, NY

Saturday, August 27, 2022

American Fast AEA Philadelphie PA

American Fast

EXPIRES:September 12, 2022 8:00 PM

Company

InterAct Theatre Company

Seth Rozin, artistic dir.-dir.

Production Description

Seeking video submissions from Equity actors for roles in "American Fast," by Kareem Fahmy.

Actors & Performers

Khady: Female, 18+
21; a brash and driven college basketball star.
Ethnicity: Middle Eastern

To apply, see the "Key Details" section below

Gabe: Male, 18+
20; a thoughtful college basketball player.
Ethnicity: Black / African Descent

To apply, see the "Key Details" section below

Coach: Female, 18+
40; college basketball coach, and former player.
Ethnicity: Black / African Descent

To apply, see the "Key Details" section below

Suzan: Female, 18+
is Egyptian; devoutly Muslim.
Ethnicity: Middle Eastern

To apply, see the "Key Details" section below

Rehearsal and Production Dates & Locations

Rehearsals begin May 9, 2023; first preview runs Jun. 2, 2023; runs Jun. 8-25, 2023.

Compensation & Contract Details

All Roles

Pays: $579.00estimatedPay.paysDuration

Total: $579.00 estimatedPay.frequency (Estimated duration: (Estimated duration: Not Provided))

Additional: $579/wk. Equity STP Tier 7 Contract.

Key Details

Seeking talent from:

Philadelphia, PA

Additional Instructions:

For consideration, submit a headshot, resume, and video audition to auditions@interacttheatre.org. Video audition instructions: Prepare one contemporary monologue up to 2 minutes in length. Submission deadline is Sept. 12. For more information, go to http://www.interacttheatre.org/

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Argyle Theatre 2022-2023 Season, Stage Manager AEA NYC

Argyle Theatre 2022-2023 Season, Stage Manager


EXPIRES:September 7, 2022 8:00 PM

Company

Argyle Entertainment LLC

Michael Cassara, casting dir.


Production Description

Seeking submissions from Equity stage managers for Argyle Theatre 2022-2023 Season. Season includes: "Disney’s Beauty and the Beast" (Linda Woolverton, book; Alan Menken, music; Howard Ashman, Tim Rice, music; Evan Pappas, dir.; Debbie Roshe, choreo.; Jonathan Brenner, music dir.; rehearsals begin Oct. 20 for non-Equity and Oct. 24 for Equity performers; runs Nov. 10-Jan. 1, 2023), "West Side Story" ( Arthur Laurents, book; Leonard Bernstein, music; Stephen Sondheim, lyrics; rehearsals begin Jan. 26, 2023, for non-AEA, and Jan 30, 2023, for AEA; runs Febr. 9-April 2, 2023), "Rock of Ages"( Chris D’Arienzo, book; Ethan Popp, music arrangements and orchestrations; Evan Pappas, dir.; rehearsals begin April 6, 2023, for non-AEA, and April 10 for AEA; runs April 27-June 18, 2023) and "Grease" (Evan Pappas, artistic dir.; Mark and Dylan Perlman, managing dirs.; Jim Jacobs, Warren Casey, book-music-lyrics; Eugenio Contenti, dir.-choreo.; rehearsals begin June 22, 2023, for non-AEA, and June 26 for AEA; runs July 6-Aug. 27, 2023)

Creatives and Crew

Stage Manager:

To apply, see the "Key Details" section below

Rehearsal and Production Dates & Locations

Rehearses and runs in Babylon, NY.

Compensation & Contract Details

All Roles

Pays: $551.00 - $551.00/ Week

Total: $551.00 per week (Estimated duration: (Estimated duration: Not Provided))

Additional: Pays $551/wk. Equity LOA COST Contract plus health/pension/transportation.

Key Details

Seeking talent from:

New York, NY

Additional Instructions:

Submission instructions: Email your resume toargyleproduction@gmail.com, with "Stage Manager" in the subject line for consideration. Per the theatre’s request, do not use this address for anything related to casting/performance opportunities. Submissions deadline is Sept. 8. Local stage managers are encouraged to submit.

The theatre is about an hour from midtown Manhattan via LIRR, and all performers commute. LIRR transportation is provided by the theatre. Production rehearses in New York City until moving to Long Island for tech/performances. Once running, it is on a Thursday through Sunday schedule, with very occasional Wednesdays. The Argyle Theatre is a 500-seat regional theatre located in Babylon, New York. Built in 1922 as a vaudeville house, it then became a movie theatre, and underwent a $3 million renovation before its 2018 reopening in a new state-of-the-art facility. Dedicated to bringing live theatre and more to residents of Suffolk County and beyond, theatre is about an hour from Penn Station/midtown Manhattan via LIRR. Now in its 4th season, Argyle Theatre is located in Babylon, Long Island (about an hour from midtown Manhattan, via Long Island Railroad).

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Argyle Theatre 2022-2023 Season AEA NYC

Argyle Theatre 2022-2023 Season

EXPIRES:September 7, 2022 8:00 PM

Company

Argyle Entertainment LLC

Michael Cassara, casting dir.

Production Description

Seeking video submissions from Equity actors for roles in Argyle Theatre 2022-2023 Season. Season includes: "Disney’s Beauty and the Beast" (Linda Woolverton, book; Alan Menken, music; Howard Ashman, Tim Rice, music; Evan Pappas, dir.; Debbie Roshe, choreo.; Jonathan Brenner, music dir.; rehearsals begin Oct. 20 for non-Equity and Oct. 24 for Equity performers; runs Nov. 10-Jan. 1, 2023), "West Side Story" ( Arthur Laurents, book; Leonard Bernstein, music; Stephen Sondheim, lyrics; rehearsals begin Jan. 26, 2023, for non-AEA, and Jan 30, 2023, for AEA; runs Febr. 9-April 2, 2023), "Rock of Ages"( Chris D’Arienzo, book; Ethan Popp, music arrangements and orchestrations; Evan Pappas, dir.; rehearsals begin April 6, 2023, for non-AEA, and April 10 for AEA; runs April 27-June 18, 2023) and "Grease" (Evan Pappas, artistic dir.; Mark and Dylan Perlman, managing dirs.; Jim Jacobs, Warren Casey, book-music-lyrics; Eugenio Contenti, dir.-choreo.; rehearsals begin June 22, 2023, for non-AEA, and June 26 for AEA; runs July 6-Aug. 27, 2023)

Actors & Performers

Equity Actors: 18+

To apply, see the "Key Details" section below

Rehearsal and Production Dates & Locations

Rehearses and runs in Babylon, NY.

Compensation & Contract Details

All Roles

Pays: $462.00 - $462.00/ Week

Total: $462.00 per week (Estimated duration: (Estimated duration: Not Provided))

Additional: Pays $462/wk. Equity LOA COST Contract plus health/pension/transportation.

Key Details

Seeking talent from:

New York, NY

Additional Instructions:

Preparation instructions: Prepare a brief singing selection or two (ideally each about a minute long) in the style of any show in the season. You may submit multiple selections for consideration for multiple shows.

Equity Required Accompaniment Tracks: In the event that a performer does not have access to audition accompaniment tracks of their own, the theatre has provided audition accompaniment cuts of Irving Berlin's "Always," now in the public domain, which you are welcome to use as a general singing audition. Per Equity rules, it has been provided in 4 separate keys (Soprano/Alto/Tenor/Bass) and tracks/sheet music can be obtained from: https://www.dropbox.com/sh/1a4ff2936tn2wcf/AAALsljpkIdBCzETdyi6ulVna?dl=0 - do not feel obligated to sing this song, however, you are welcome to use any material of your choosing, but we do strongly prefer that you sing with accompaniment or an accompaniment track. For all self-tape auditions: feel free to submit supplementary footage (reels, dance footage, etc.) that you think may be of use as we go about casting the season.

Submission instructions: 

Submit at https://form.jotform.com/222365622941152. If you encounter any technical difficulties using our form, you may 

submit via e-mail to submissions@michaelcassara.net but only use that if you are unable to use the form or have any questions. Local actors are encouraged to submit. Submissions deadline is Sept. 8.

The theatre is about an hour from midtown Manhattan via LIRR, and all performers commute. LIRR transportation is provided by the theatre. Production rehearses in New York City until moving to Long Island for tech/performances. Once running, it is on a Thursday through Sunday schedule, with very occasional Wednesdays. The Argyle Theatre is a 500-seat regional theatre located in Babylon, New York. Built in 1922 as a vaudeville house, it then became a movie theatre, and underwent a $3 million renovation before its 2018 reopening in a new state-of-the-art facility. Dedicated to bringing live theatre and more to residents of Suffolk County and beyond, theatre is about an hour from Penn Station/midtown Manhattan via LIRR. Now in its 4th season, Argyle Theatre is located in Babylon, Long Island (about an hour from midtown Manhattan, via Long Island Railroad).

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Additional Materials

Season Breakdown
"Disney’s Beauty and the Beast"

Belle: female, any ethnicity/race, early 20s. Vibrant and intelligent; she wants more out of life than an ordinary existence. She is optimistic, fun-loving, caring, and eager to experience life. Strong singer; vocal range: E3 - F5.

Beast: male, any ethnicity/race, 30s. A Prince transformed into a terrifying beast for his lack of compassion. He is hot-tempered and commanding, but has a warm, loving heart buried far beneath his gruff exterior. Strong baritone vocal range: A2 - F4.

Gaston: male, any ethnicity/race, 30s. The egotistical, ultra-masculine villain determined to marry Belle. He is manipulative yet charming and earnest. Strong baritone; vocal range: A2 - E4.

Maurice: male, any ethnicity/race, 50s-60s. Belle's loving and eccentric father. A child at heart and inventor in his own world. Character singer; vocal range: Db2 - Db4.

Mrs. Potts: female, any ethnicity/race, 40s-50s. A warm-hearted, maternal enchanted teapot. She is loyal, caring, and playful. Sings the title song. Vocal range: F#3 - G5

Lumiere: male, any ethnicity/race, 30s-50s. A suave, debonair enchanted candelabra. He is a loyal and steadfast servant. Vocal range: F#2 - F#4.

Friday, August 26, 2022

The Marvelous Mrs. Maisel Jack Paar Audience

The Marvelous Mrs. Maisel Jack Paar Audience

Company

Grant Wilfley Casting

Jackie B, casting dir.; Sammy Jo, casting assoc.

Seeking Jack Paar talent showcase audience members on "The Marvelous Mrs. Maisel."

Actors & Performers

1960s Jack Paar Talent Showcase Audience: Background / Extra, All Genders, 18+
Ethnicity: All Ethnicities
Required Media: Headshot/Photo

Rehearsal and Production Dates & Locations

Shoots Sept. 29 in NYC.
Covid Testing for Shoot Date: 9/27 & 9/28
Costume Fitting - 8/30
Covid Testing for Fitting - 8/29
*All Dates Tentative*

Compensation & Contract Details

All Roles

Pays: $210.00 (Flat Rate)

Total: $210.00 for an estimated 12 hours of work

Additional: Pays a non union rate $210/12 hours for shoot date. Covid tests are $60 stipend. SAG rates apply to SAG members.

Key Details

Seeking talent from:

New York, NY

Additional Instructions:

If available and interested, Email tmmm@gwcnyc.com with the following information:
Subject line should say "Backstage Jack Paar Audience, Fitting 8/30"

Include your name, phone number, are you a member in good standing with SAG-AFTRA Available for Sept. 29 shoot date? Available for  Aug. 29, Sept. 27-28 covid testing? Available for Sept. 30 costume fitting? All wardrobe sizes (Men: height, weight, jacket, neck, sleeve, waist, inseam, shoe. Women: height, weight, dress, bust x waist x hips, shoe.). Men: Are you okay getting a period appropriate haircut if needed Men: are you okay being clean shaven on the shoot date? Women: what is the current length of your hair?Women: does your hair touch your shoulders? Women: if your hair touches your shoulders, are you okay having it cut by our hair dept? Women: do you have any highlights, undercuts, weaves, extensions, braids, balayage or color in your hair? Or do you wear a wig? If you wear glasses or have earrings are you okay working without them? Have you worked on the show before? If so when and as what? Are you local to the NY tri-state area? Have you read the vaccine requirement for this show?
Confirm you are 18 years old or older. Do you have any tattoos (this includes, hands, feet, ankles, back of neck, behind the ear)? Attach multiple current, candid photos. Need to see current hair style and length. One photo should be full body.

Covid testing and fittings take place in Brooklyn.

TRU 2022 Combined Virtual Audition Event

TRU 2022 Combined Virtual Audition Event

EXPIRES:September 9, 2022 8:00 PM

Company

Theater Resources Unlimited (TRU)

Bob Ost, exec. dir. and event producer; Jay Chacon, actor coord./administrative assistant; Connor Mckenna, staff asistant; co-producer Sandy Silverberg. Technical co-producers Tamra Pica, John Lant and Write Act Repertory.

Seeking actors of all types, ages, and ethnicities for the annual TRU Audition Event, which will be attended by more than 60 NY area (and beyond) Equity and non-Equity producing companies, directors, and producers, and other individuals, including casting directors and agents. Casting will be for both current virtual productions and presentations as well as anticipated live productions.

Company states: "Be seen by as many as 60 theater companies, casting directors and agents in the New York area in a single audition. $10 discount with Backstage code BS-10 thru Aug. 28."

Roles

Collapse All Roles

Actors & Performers

Actors: 5+Work from Home
all ages and all types.

To apply, see the "Key Details" section below

Rehearsal and Production Dates & Locations

Event runs remotely (10 a.m.-6 p.m. EST) on the weekend of Sept. 17-18.
Note: Musical auditions will be Sunday, Sept. 18, non-musical/dramatic on Saturday Sept.17. Note: This year we cannot accommodate singers on the non-musical day or non-singers on the musical day due to the technical requirements of setting up for maximum sound quality on zoom.

Compensation & Contract Details

All Roles
Not Paid
Additional: The first 80 applicants will be automatically accepted; after that priority is given to TRU members and AEA members, and others will be notified of acceptance after the Sept. 9 deadline. The registration fee is $60 ($45 for AEA) if you register before Aug. 28 (postmark); the fee is $95 ($80 for AEA) if you register after Aug. 28. There is an additional early bird discount of $10 with code BS-10 before Aug. 28. Submissions close Sept. 9. The pay situations and Equity/non-Equity and SAG/Aftra contracts will vary depending upon the productions that are casting.

Key Details

Seeking talent:

Worldwide

Additional Instructions:

You will be given two minutes to perform two contrasting monologues or a monologue and a song. For more info and an application packet, visit https://truonline.org/events/virtual-audition-2022/

Apply online at https://forms.gle/m18B2LTsXJy4tGc56

For questions, email TRUActors@gmail.com. The first 80 applicants will be automatically accepted; after that priority is given to TRU members and Equity members, and others will be notified of acceptance after the Sept. 9 deadline.

Additional Materials

Companies & Industry Confirmed for 2022

Be seen by as many as 60 theater companies, casting directors and agents in the New York area - and beyond - in a single audition: The 2022 TRU NYC Combined Virtual Audition Weekend. $10 discount with Backstage code BS-10 thru Aug. 28.

COVID really stopped the show. We’d like to help get it started again! Theater Resources Unlimited (TRU) is presenting our annual TRU NYC Audition Weekend, reconceived virtually for the sake of safety. It will be attended by more than 50 NY-area Equity and non-Equity producing companies, directors, and producers, and other individuals, including casting directors and agents. Over 40 are already confirmed – see below. The TRU Voices Reading Series will also be cast at this event. Attendees will be casting for live performance as well as film and virtual projects. We’re happy to welcome back BackStage as a sponsor of this annual event.

Confirmed companies (as of 8/12/22): American Renaissance Theatre Co, American Theater of Actors, Antonia Arts, Break a Leg Productions, Blake Avenue Productions, Cooper Jordon Entertainment, CreateTheatre Play Festival, Creative Equilibrium, Cross-Eyed Bear Productions, En Avant Productions, Face to Face Films/ALM Entertainment, Felice Lesser Dance Theater, Filmus Inc., From Now on Productions, Goodlight Productions, HME Productions, Killing Kompany Dinner Theater, Mind the Gap Productions, Mixing It Up Productions, New Tune Entertainment, New York New Works Theatre Festival, Next Act 2 Follow, Nickel City Opera, NSR Productions, NYLon Fusion Theatre Co, Osparations, Peculiar Works Project, Pulse Ensemble Theatre, Rhymes Over Beats, Ripple Effect Artists, Sacred Ground Productions, Sam Affoumado, Sanford Silver Productions, Shoestring Virtual Theatre, Spoken Word Entertainment, Stageplays Theater Company, Triangle Theatre, TRU Voices New Plays Reading Series, ViOp Productions, vMHF Theatricals, Wildly Productive Productions, Write Act Repertory.

Confirmed Industry (as of 8/12/22): agent Valerie Adami (SW Artists); casting directors Robin Carus (Robin Carus Casting), Helene Galek (Helene Galek Casting), Bob Kale (MKA Casting), Sara Koch (Sara Koch Casting), Scott Powers (Scott Powers Casting); managers Deborah Dotoli of AAG Talent, Susan Campochiaro Confrey of CBU Management, Inc.

Past Invitees

Companies who attended in past years (and are invited back): 103rd Street Productions, 4th Wall Productions, Abingdon Theatre Co, Acclaim Theatricals, The Actors Project NYC, American Bard Theater Co, Artistic Stamp, August Strindberg Repertory Theatre, Brazen Light Theater Co., Chatillion Stage Company, Dirty Laundry Theatre Co., Dragon Productions Theatre Co., Harlem Shakespeare Theatre, Houses on the Moon, Hudson River Repertory, Hungary Live Theatre, More Than Broadway, MouseMuse Productions, Moving Arts Communications, New City Music Theatre, NY Artists Unlimited, NY Theatre Barn, Once Upon a Reality Productions, Philadelphia Theatre Co., Phoenicia Playhouse, The Players Theatre Short Play Festival, Planet Connections Festivity/Zoomfest, The Players, RolyPoly Productions, TAPT, Speranza Theater Co., Summerfest, Sundog Theatre Company, The Wild Whatever, Twice on Saturday Productions, West of Center Productions.

Industry who attended in past years (and are invited back): agent Albert Bramante (BE Artists), Charlie Wright of Wright Talent Management; casting directors Angela Citrola (Citrola Casting), Wayne Chang (Wayne Chang Casting), Jamibeth Margolis Casting; managers Evelyn Franciso and Lorna Rainey of The Talent Express, Bobby Holder of Bright Artists Management (BAM) and Bob Luke of Bob Luke Studios.

New York, New York, Equity Video Submissions (Principal/Chorus), Broadway

New York, New York, Equity Video Submissions (Principal/Chorus), Broadway


EXPIRES:September 9, 2022 8:00 PM

Company

Sonia Friedman, Tom Kirdahy, prods.; Susan Stroman, dir.-choreo.; John Kander & Fred Ebb, music-lyrics; David Thompson, writer; Sharon Washington, co-writer; Lin Manuel Miranda, additional lyrics by: Sam Davis, music supervision and arrangements; Daryl Waters, Sam Davis, orchestrations; David Loud, vocal arrangements; Alvin Hough, Jr., music dir.; Foresight Theatrical, general management; Jim Carnahan Casting, casting; Jason Thinger, CSA, casting dir.

Production Description

Casting Equity actors for principal and chorus roles in "New York, New York."

Roles

Collapse All Roles

Actors & Performers

Jesse Webb: Male, 30-39
plays the trumpet brilliantly and is just waiting to catch his first break; a strong singer. Note: Actors do not need to be able to play the trumpet.
Ethnicity: Black / African Descent

To apply, see the "Key Details" section below

Mateo Diaz: Male, 22
just moved to New York from Cuba; a drummer/percussionist; he is fearless and flamboyant; a strong singer/dancer and comfortable speaking Spanish; has great rhythm and is able to learn drums/percussion.
Ethnicity: Latino / Hispanic

To apply, see the "Key Details" section below

Gordon Kendrick: Male, 50-59
is a successful British theater producer; this role does not sing.
Ethnicity: White / European Descent

To apply, see the "Key Details" section below

Standby For Francine Evans: Female, 25
is an attractive and charismatic singer; has a very strong belt.
Ethnicity: Black / African Descent

To apply, see the "Key Details" section below

Standby For Jimmy Doyle/Alex Mann: Male, 20-30
is from an Irish background; determined to get a break in the music business; tenor voice and plays piano; a strong singer. Alex is a Polish violin virtuoso. Note: Actors do not need to be able to play the violin.
Ethnicity: White / European Descent

To apply, see the "Key Details" section below

Rehearsal and Production Dates & Locations

Rehearsals begin January 2023; run begins March 2023; opening April 2023 on Broadway in NYC.

Compensation & Contract Details

All Roles
Additional: Pays $2323/wk. Equity Production (League) Agreement.

Key Details

Seeking talent from:

New York, NY

Additional Instructions:

Slate with your name. Prepare a brief cut of a song with accompaniment in the style of the show or prepare one of the music cuts at https://www.dropbox.com/sh/7hy464oj1rdn445/AAAG_75O_OBKENx4PYHDJR6Ya?dl=0 . Email your video submission along with your headshot/resume with the subject line, "Full Name – Character Name Submission." Upload your tape to YouTube or Google Drive (do not invite us to the file, send a direct link to file). Submit by Sept. 8 to NYNYEquityCalls@gmail.com. All stage managerial positions have been filled. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Regretfully, So The Birds Are, Stage Manager Submissions AEA NYC

 

Regretfully, So The Birds Are, Stage Manager Submissions


EXPIRES:September 7, 2022 8:00 PM

Company

Jenny Koons, dir.; Alaine Alldaffer, casting dir.; Lisa Donadio, associate casting dir.

Production Description

Seeking submissions from Equity stage managers for "Regretfully, So The Birds Are," by Julia Izumi.

Actors & Performers

Stage Manager: 18+

To apply, see the "Key Details" section below

Rehearsal and Production Dates & Locations

First Rehearsal: Feb. 21, 23 Tech: March 15 - 21, 23 runs: Wed. March 22 - April 30, 23 Maximum Extension: Sun. May 21, 23 in Playwrights Horizons Inc. in NYC.

Compensation & Contract Details

All Roles

Pays: $1,082.00estimatedPay.paysDuration

Total: $1,082.00 estimatedPay.frequency (Estimated duration: (Estimated duration: Not Provided))

Additional: SM $1,082 Equity Contract weekly minimum (Off-Broadway BB) - ASM

Key Details

Seeking talent from:

New York, NY

Additional Instructions:

For consideration submit your resume to submit to smresumes@phnyc.org deadline of Sept. 7.

Note: Full vaccination and booster are required.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Regretfully, So The Birds Are, AEA Actor Submissions NYC

 

Regretfully, So The Birds Are, AEA Actor Submissions

EXPIRES:September 7, 2022 8:00 PM

Company

Jenny Koons, dir.; Alaine Alldaffer, casting dir.; Lisa Donadio, associate casting dir.

Seeking video submissions from Equity actors for roles in "Regretfully, So The Birds Are," by Julia Izumi.

Actors & Performers

Equity Actors: 18+

To apply, see the "Key Details" section below

Rehearsal and Production Dates & Locations

First Rehearsal: Feb. 21, 23 Tech: March 15 - 21, 23 runs: Wed. March 22 - April 30, 23 Maximum Extension: Sun. May 21, 23 in Playwrights Horizons Inc. in NYC.

Compensation & Contract Details

All Roles

Pays: $929.00estimatedPay.paysDuration

Total: $929.00 estimatedPay.frequency (Estimated duration: (Estimated duration: Not Provided))

Additional: SM $929 Equity Contract weekly minimum (Off-Broadway BB) - ASM.

Key Details

Seeking talent from:

New York, NY

Additional Instructions:

For consideration prepare a monologue of choice (personal introduction optional) total video not to exceed five minutes. Submit tapes (Vimeo or Unlisted YouTube format), a headshot, and a resume, preferably as a PDF. State your union status in the subject line
of the email. deadline of Sept. 7. Submit to phcastingsubmissions@phnyc.org.

Note: Full vaccination and booster are required.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Additional Materials

Character Breakdown

Co-produced with WP Theater
SEEKING:
ILLY: 20s. mixed-race, East, South, or Southeast Asian descent. Female-identifying. The youngest
and the most impressive, stubborn and self-assured, she has big dreams that are hampered by being
the only responsible one in her messy family. Musical ability a plus.
NEEL: 20s, mixed-race, East, South, or Southeast Asian descent. Male-identifying. Classic middle
child, anxious and naive, he learns something new about himself that leaves him completely
unmoored, but underneath a lot of self-doubt is a strong moral conscience. Musical ability a plus.
MORA: Late 20s-early 30s, East or Southeast Asian descent. Female-identifying. The oldest and the
messiest, she lives and feels everything at a ten, which sometimes leads to rash decisions, like going
to find her birth mother with no real leads. Musical ability a plus.
ELINORE: Mid-40s-60s, white, female-identifying. Mother of three adoptees, she loves a lot but
not always well. A recovering Vicodin addict, the damage of which has left her a little unpredictable
and strange, although perhaps she was always like that, it's hard to tell. Doubles as a panicked BIRD.
Musical ability a plus.
CAM: 50s-60s, white, male-identifying. A mostly dry and (ironically) warm snowman, the fragments of
a father who was a professor of Asian History, though not a particularly good one, maybe even
arguably a pretty terrible one. Doubles as an enticing COWMAN. Musical ability a plus.
SREY: 40s-60s. Cambodian descent, female-identifying. An excellent storyteller and a natural
caretaker, appears mysterious but she is actually just living in the moment, like we all claim we want to
be. Musical ability a plus.

Thursday, August 25, 2022

Fitness Instructor Online

 

Fitness Instructor

CATEGORY:Other Digital Media: Multimedia (Other)
TAGS:PaidWork from HomeNonunion
EXPIRES:September 24, 2022 7:59 PM

Company

funandmoving.com

Peggy Skaggs, Producer


Production Description

Seeking fitness professionals that feel very comfortable creating video on demand workouts.

Actors & Performers

Fitness Instructor: Lead, All Genders, 45-70Work from Home
Big Personality, Enthusiastic, Encouraging, and Kind Fitness Instructors over 50 years of age.
Ethnicity: Asian, Black / African Descent, Ethnically Ambiguous / Multiracial, Indigenous Peoples, Latino / Hispanic, Middle Eastern, South Asian / Indian, Southeast Asian / Pacific Islander
Required Media: Headshot/Photo, Video Reel
Required Skills:
  • Sports/Fitness

Rehearsal and Production Dates & Locations

Self filming in your own space.

Compensation & Contract Details

All Roles

Pays: $200.00/ Week

Total: $8,000.00 for an estimated 40 weeks of work

Additional: Pays $20/hour and $60 per completed approved video.

Key Details

Seeking talent:

Worldwide

Additional Instructions:

Please send a self-taped video of less than 3 minutes of a low impact workout set to music. Also include in your cover letter any group fitness instruction experience you may have. Feel free to go to www.funandmoving.com to see the content that has already been created to give you a feel for your audition self tape.