Casting Live Event Hosts and Emcees in various cities
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Italian Immigrant Actors,Writers and projects relating to the same type of humans. Established 1937. Created as Italian Actors Union for Italian Speaking performers
Casting Live Event Hosts and Emcees in various cities
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MODELS NEEDED - Athleisure Brand - All Ages - No Exp
Reese Rico, Casting Director
A Man Of No Importance, Equity Video Submissions
Classic Stage Company, prod.; John Doyle, artistic dir.; Zuhdi Boueri, producing artistic assoc.; Toni Marie Davis, general mngr.; Terrance McNally, book; Stephen Flaherty, music; Lynn Ahrens, lyrics; John Doyle, dir.; The Telsey Office/Craig Burns, CSA, casting
Casting Equity actors and stage manager for "A Man Of No Importance."
To apply, see the "Key Details" section below
New York, NY
Email the video as a file, along with your headshot and resume. In the subject line, please type: [Your full name] - [The role for which you’d like to be considered] by May 10 to casting@classicstage.org. If you are using an iPhone, be sure to film horizontally and in a well-lit space (not backlit). At the top of the video, please slate your name and height. Prepare a brief musical theatre song in the style of Ahrens and Flaherty. Provide your own accompaniment. As an alternative to singing a song of choice, you may sing a song from A Man Of No Importance at https://www.dropbox.com/sh/ko7fzib3qc2oc5a/AABkmJ3h93ZCGBtcjhifGAn0a?dl=0 . Soprano: “Princess” – Measures 1 through 66. Alto: “The Burden of Life” – Measures 11 through 44. Tenor: “The Streets of Dublin” – Measures 36 through 74. Baritone: “Adele and Alfie (Underscore)” – Measure 40; into “Love Who You Love” – Measures 1 through 77. Everyone must be fully vaccinated as defined by CDC. All Equity COVID Safety Protocols are followed, including testing requirements. Note: Rehearsals and performances will be indoors. These will be live performances with an audience.
[ALFIE
BYRNE] Character is male (cis or transgender), 45, any ethnicity. A
Dublin bus driver and the director of St. Imelda's Players, a community
theatre troupe. He enjoys theatre, poetry, and cooking. A closeted
homosexual, Alfie fears he will be banned from his Irish Catholic
community. Baritone.
[LILY BYRNE] Character is female (cis or
transgender), 50, any ethnicity. A conservative, Lily is the
strong-willed sister of Alfie Byrne. Mezzo-Soprano.
[ROBBIE FAY]
Character is male (cis or transgender), 25, any ethnicity. A charming
and likeable friend of Alfie Byrne. Robbie has a secret love affair with
Mrs. Patrick. Tenor.
[ADELE RICE] Character is female (cis or
transgender), 20, any ethnicity. New to Dublin, Adele is kind, shy, and
wise beyond her years. Soprano.
[MR. CARNEY] Character is male
(cis or transgender), 50, any ethnicity. The local butcher and “leading
man” in the troupe. Tenor.
[BALDY O’SHEA] Character is male (cis
or transgender), 60, any ethnicity. A retired tenderhearted bartender
and the stage manager of the St. Imelda’s Players. Ensemble singer and
one solo. Tenor.
[FATHER KENNY] Character is male (cis or
transgender), 35—55, any ethnicity. Well-intentioned priest of the local
Perish. Ensemble singer. Baritone.
[ERNIE LALLY] Character is
male (cis or transgender), 40, any ethnicity. Both the prop master and
an actor for the troupe. While not a natural performer, Ernie loves the
theatre earnestly. Strong comedic skills. Ensemble singer. Tenor.
[MRS.
GRACE] Character is female (cis or transgender), 60—70, any ethnicity.
The grande dame of the troupe. Ensemble singer. Mezzo-Soprano.
[MISS
OONA CROWE] Character is female (cis or transgender), 40—50, any
ethnicity. The spinster of the troupe. Ensemble singer. Soprano.
[MRS.
PATRICK] Character is female (cis or transgender), 40, any ethnicity.
Sees herself as glamorous, she has a secret love affair with Robbie.
Ensemble singer. Mezzo-Soprano.
[MRS. CURTIN] Character is female
(cis or transgender), 40—45, any ethnicity. Previously a child star,
Mrs. Curtin is an actor and tap dance choreographer for the troupe.
Ensemble singer and strong dancer. Mezzo-Soprano.
Ella
Steven Scarduzio and John Hart, prods.; Foresight Theatrical, general mgr.; Anna Deavere Smith, book; Philip Wm. McKinley, dir.; Ellenore Scott, choreo.; Tara Rubin Casting, casting; Tara Rubin, CSA, casting dir.
Seeking video submissions from Equity actors for roles in the work session of "Ella," an American musical based on the life of Ella Fitzgerald.
To apply, see the "Key Details" section below
Works Aug. 29-Sept. 25 in NYC.
New York, NY
For consideration, fill out the following form to submit your tape:
https://tinyurl.com/EllaEPAForm2022.
Submit one link. Submissions deadline is May 10 (6 p.m. EDT).
Submission
instructions: Slate with your name and the material you’ll be singing.
Film your audition from your waist up in front of a clean background,
with no backlighting and with as much limit of ambient noise as
possible. Prepare a video performing a jazz standard or a song from the
American Songbook or the song, “Always” at https://tinyurl.com/ELLA-SONG-AUD-MATERIAL.
Equity’s
contracts prohibit discrimination. Equity is committed to diversity and
encourages all its employers to engage in a policy of equal employment
opportunity designed to promote a positive model of inclusion. As such,
Equity encourages performers of all ethnicities, gender identities, and
ages, as well as performers with disabilities, to submit.
Ella/Ghost
- (Black, female identifying, 60's-70's, singer) Ella after her death
at age 76. A ghost reviewing her life. Sings in the style of Miss
Fitzgerald and has the ability to scat jazz composition. She is elegant,
funny, and powerful.
Ella - (Black, female identifying, 30s-40s,
ages from 13 to 76, singer) Ella from a child to her death. Sings in the
several styles of Miss Fitzgerald including swing, bebop, and jazz. Has
strong jazz scatting skills. Miss Fitzgerald's emotional arc - is
dramatic and comedic.
Teddy - (Biracial, female identifying, age
10–12, singer) – A young girl who lives next door to and has befriended
Miss Fitzgerald. Extremely smart and well educated, wise beyond her
years. Although she is a child, she has the thinking process and the
vocabulary of an adult without being precocious in an annoying way.
Butch
- (Black, male identifying, age 14- 20, singer) Ella’s best friend in
childhood and spirit guide to Ella/Ghost. Even though Butch is a
teenager, he is a man-child who is street wise and lives on his survival
instincts. Possesses (or capable of learning) circus skills such as
juggling and/or acrobats. Ability to play instruments is a plus but not
required.
Female Track #1 – Dr. Adrienne Cesaire (Black, female
identifying, 20s-30s, singer) Dr. Adrienne Cesaire has been sent by the
Smithsonian to pack up Ella’s home for the institution. She has an
impressive demeanor and worldliness. She is the archeologist of Ella’s
life. May double as additional roles.
Female Track #2 – Sudsy, Matron
Morse, Sophia Loren (Female identifying/white, early 30s,
singer/dancer) Several roles including Sudsy the neighbor who lived
across the street from Miss Fitzgerald. Sudsy is the Mary Tyler Moore,
Marlo Thomas, Jennifer Anniston of Ella’s Beverly Hills
On Your Feet
Alexander Dinelaris, book Gloria & Emilio Estefan, music & lyrics Dana Iannuzzi, director Erika R. Gamez, musical director Sandalio Alverez, choreographer Wojcik Casting Team
Seeking video submissions from Equity actors for principal roles in "On Your Feet."
To apply, see the "Key Details" section below
Rehearsals begin June 27; runs July 14-Aug. 28, possible extension Sep. 4 at Harborside Productions in Northport, NY.
Estimated Payment: $476.00 Flat Rate (Estimated duration: Not Provided)
Northport, NY
For consideration, submit a video audition, headshot, and resume as an attachment (no downloads) to engemanepa@gmail.com labeled with your name. Video audition instructions: Prepare the track that best suits your voice at (https://wojcasting.com/on-your-feet-
engeman-theater/), or a song of your own choosing. Material should be
at least one minute in length. In your recording, slate your name and
height. Submissions deadline is May 9.
The Engeman Theater and
Wojcik Casting Team encourages artists of all identities to submit to be
part of this production that strives to be inclusive and authentic to
the Latine community. Equity’s contracts prohibit discrimination. Equity
is committed to diversity and encourages all its employers to engage in
a policy of equal employment opportunity designed to promote a positive
model of inclusion. As such, Equity encourages performers of all
ethnicities, gender identities, and ages, as well as performers with
disabilities, to submit.
Hi everyone,
Courtney Scarpelli
https://kasstinginc.com/now-casting.php
Spitfire Grill Savannah EPA
James Valcq, music-book; Fred Alley, lyrics-book; Lee David Zlotoff, based on the film by; Pamela Sears, dir.; Erik Bishop, stage mngr.; Ryan McCurdy, music dir.; Jennifer Bishop, managing dir.-casting dir.
Casting Equity actors/musicians for roles in "Spitfire Grill," the musical. Synopsis: Percy Talbot has just been released from a five-year prison sentence for manslaughter. She is trying to find a place for a fresh start and based on a page from an old travel book, travels to the small town of Gilead, Wisconsin. The local sheriff, Joe Sutter, who is also Percy’s parole officer, finds her a job at Hannah’s Spitfire Grill – the only eatery in this struggling town. The Spitfire Grill is for sale. But with no interested buyers, Hannah decides to raffle it off. Entry fees are one hundred dollars and the best essay on why you want the grill wins. Soon, mail is arriving by the wheelbarrow full and things are definitely getting hot at the Spitfire Grill. This musical triumph is an inspiring celebration of fresh starts and the power of what one person can do. Note: This is an actor-musician presentation of this material. The recommended instruments are listed for each character below. If you don’t play the listed instrument for the role you are interested in we still encourage you to audition and play what you are comfortable with. If you play multiple instruments please list them on your resume.
To apply, see the "Key Details" section below
To apply, see the "Key Details" section below
To apply, see the "Key Details" section below
To apply, see the "Key Details" section below
To apply, see the "Key Details" section below
Rehearsals begin June 13; runs June 30-July 10 or 24 (Thursday, Friday, Saturday at 8 p.m. and Sunday at 3 p.m.) in Savannah, GA.
Savannah, GA
An Equity Monitor will not be provided. The producer will run all aspects of this audition. Email Jennifer Bishop at casting@savannahrep.org for an appointment. Prepare two brief cuts of contrasting songs in the style and musical genre of the show. If you are auditioning for a role that plays an instrument we ask you to accompany yourself on one of the two songs. Piano accompanist will be provided. Bring sheet music of both songs being performed as well as an 8x10 headshot with an up to date resume cut to size and stapled to your headshot. No background tracks. Audition material should not exceed three minutes. Songs should be in style of show; No legit classic musical theatre or operetta. Note on parking: The parking lot is small and off of a busy main street. If you do not find parking in the lot you will need to park on a nearby side street like Barnard or Jefferson. Look for the building with pink trim. Performers of all gender identities and ethnic/racial backgrounds are encouraged to attend. If you are unable, or do not wish to attend the in-person auditions, you may submit a video performing a song in the style of the show to casting@savannahrep.org as either a YouTube or Vimeo link along with a digital headshot/resume (as PDF attachments). Google Drives, WeTransfers, Dropbox etc will not be opened. More info at savannahrep.org.
Requirement
for proof of vaccination/negative test. Everyone entering the audition
venue (i.e., venue employees, Equity members, non-members, casting
personnel, creatives, producers, musicians, COVID Safety Managers, etc.)
will be required to undergo a symptom check and provide one of the
following prior to entry into the venue: - Proof of full vaccination.
“Fully vaccinated,” as defined by the CDC, is more than 14 calendar days
following receipt of a final dose of an FDA or World Health
Organization authorized or approved vaccine. Two-ply cloth face masks,
surgical masks, singer’s masks and respirators (N95, KN95 or KF94) will
be allowed for face coverings. Single-ply face masks, gaiters and
bandanas are not acceptable face coverings. Everyone in the holding room
and audition room will always wear a face covering as described above,
except for the actor when they are actively auditioning. The time spent
unmasked should be as minimal as possible. Face coverings must be worn
correctly (covering the nose and mouth). Singer’s masks can be found at www.broadwayreliefproject.com/singersmask.
If the risk level for Savannah, GA is trending upwards and may rise to
High (Red) we will contact members with appointments at least 24 hours
before the first audition appointment time to let them know there is a
chance that the auditions may need to be postponed or cancelled. All
members with appointments will be notified if the auditions must be
postponed or cancelled. We encourage members to prepare for their
audition at home, to the extent that they can (e.g., get dressed,
hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms.
Additional information required in notice:
Holding/Audition room information:
The audition room is 1,419 square feet and can accommodate no more than 14 individuals at a time.
Review Products from Home, Content Creator
A. Napolitano, coord.
Seeking Tiktokers. Company states: "Seeking local TikTok creators to join our in-house team and create a TikTok product review videos. We send you options of products to give a product review for and we will send the product to you and you get to keep the product. Make content from the comfort of your own home, keep the product, and get paid to do it."
Shoots TBD remotely.
Estimated Payment: $20.00 - $200.00 Flat Rate (Estimated duration: Not Provided)
Nationwide (United States)
TikTok editing experience required.
Print Casting for Hair Styling Tools
Kristie Raymond, Casting Director Marissa Spinale, Casting Producer
Casting for men/women/nonbinary that use hair styling tools: blowdryers, diffusers, curling irons, straighteners. Project is a print shoot to take place in Boston. No experience necessary. Open to ALL hair textures, lengths, colors.
Images must be submitted by Monday May 2nd. Exact fitting and shoot dates are TBC, but likely will begin the week of May 9th.
Estimated Payment: $750.00 - $1,200.00 Flat Rate (Estimated duration: 6 Hours)
Boston, MA
Please provide multiple head shots of your hair styled in all the ways you love to style it! Please include your social media handles too!
The Curious Curiosity Shop
Tangled
Dance Company are looking for 1 Female contemporary Dancer & 1 Male
Actor to join the team for 2022 creation (ACE funded) in Greater
Manchester.
The roles involve being part of a new
creation, an adaptable, site sensitive production with a whimsical
narrative and working with a cast of dancers & actors. The
production is being created with a view to touring museums, galleries,
libraries and heritage buildings in the North West (anticipated
2022-2023).
Artists ideally based in Greater Manchester; must be northern based
Applicants MUST be available for the following dates:
11th May 2022 (Audition)
26th & 27th May 2022
14th - 17th June 2022
24th & 25th June 2022
Manchester, England, United Kingdom
To apply: Please email a cover letter, CV, Headshot & promo video/footage (max 5 mins) to tangleddancecompany@gmail.com
The deadline to apply is Thursday 28th April 2022 by 5pm.
Audition is by invitation only. Successful and non-successful applicants will receive a notification e-mail.
Airness, Equity Video Submissions
Brendan Burke, dir.-artistic dir.
Casting Equity actors for "Airness."
To apply, see the "Key Details" section below
To apply, see the "Key Details" section below
To apply, see the "Key Details" section below
To apply, see the "Key Details" section below
To apply, see the "Key Details" section below
To apply, see the "Key Details" section below
To apply, see the "Key Details" section below
Rehearsals begin May 17; runs June 3-19 in Ellenville, NY.
Ellenville, NY
Prepare a brief monologue plus an 'air guitar' performance of one-minute or less. Submit your video submission along with your headshot/resume by May 6 to casting@shadowlandstages.org. More info at www.shadowlandstages.org.
Lantern Theater Company 2022-2023 Season, Equity Video Submissions
Charles McMahon, artistic dir.-dir.; Hannah Spear, artistic assoc.-dir.
Casting Equity actors for roles in Lantern Theater Company's 2022-2023 Season. Season includes: "Travesties" (Tom Stoppard, playwright. Rehearsals begin Aug. 16; runs Sept. 8-Oct. 9), "The Royale" (Marco Ramirez. Rehearsals Oct. 18; runs Nov. 10-Dec. 11), "The Lifespan Of A Fact" ((Jeremy Kareken, David Murrell, and Gordon Farrell, playwrights. Rehearsals Jan. 10, 2023; runs Feb. 9-Mar. 5, 2023), "Twelfth Night" (William Shakespeare, playwright. Rehearsals Apr. 25, 2023; May 18-June 18, 2023.)
Season runs in Philadelphia, PA.
Philadelphia, PA
Perform one monologue or two contrasting monologues – up to three minutes total. Feel free to begin with your monologue (s); no introductions are necessary. Upload your video to YouTube, Vimeo, Dropbox, or other third-party platform; do not send your audition video as a file attachment. Email the link to your audition video along with a current picture/resume with “EPAs 2022/2023” in the subject line. Deadline: May 6 to hspear@lanterntheater.org.
When Playwrights Kill
Matthew Lombardo, playwright; Noah Himmelstein, dir.; Nick Peciaro, casting dir.; ShowTown Theatricals, general management; Nathan Gehan, Jamison Scott, and Laura Z. Barket in association with ShowTown Productions, prods.
Seeking
video submissions from Equity actors for roles in "When Playwrights
Kill." Synopsis: A zany, backstage comedy about what happens when a
writer's dream of bringing his Broadway play to life is maligned by a
very difficult leading lady.
Production states: "Equity
performers of all racial and ethnic backgrounds, gender identities and
expressions, and performers living with disabilities are encouraged to
audition. 'When Playwrights Kill' is an Equal Opportunity Employer who
celebrates diversity and does not discriminate based on race, religion,
color, national origin, sex, sexual orientation, age, veteran status,
disability status, or any other applicable characteristics protected by
law. We are committed to providing access, equal opportunity, and
accommodation for individuals with visible and/or invisible disabilities
in employment, its services, programs, and activities."
Rehearsals begin June 27 in NYC; tech runs July 20 in Hartford; runs July 27-Aug. 7 at The Bushnell/Belding Theater.
New York, NY
For
consideration, prepare a brief contemporary comedic monologue. Begin
your tape by slating your name, height, current physical location as
well as the city/area in which you are professionally based i.e. where
you are a local hire. Send one take only. Email your video audition in a
downloadable format to wpkauditions@gmail.com. Tapes received after the deadline will not be viewed. Submissions deadline is May 2.
For
the health and safety of all individuals in "When Playwrights Kill,"
all cast and crew must be fully vaccinated against COVID-19 prior to
beginning work. This applies to anyone who is 5 years old or older.
“Vaccinated” means fully vaccinated against COVID-19, as defined by the
CDC (i.e., more than 14 calendar days following receipt of a final dose
of an FDA or World Health Organization authorized or approved vaccine).
Equity’s
contracts prohibit discrimination. Equity is committed to diversity and
encourages all its employers to engage in a policy of equal employment
opportunity designed to promote a positive model of inclusion. As such,
Equity encourages performers of all ethnicities, gender identities, and
ages, as well as performers with disabilities, to submit.
The
Producer: male, 50s, white. ‘Freddie Carlton’. A down-on-his-luck
opportunist and fast-talking salesman lacking a moral compass. Dealings
of the backroom, backdoor, and wayward variety whose bottom line is the
bottom line. Though miserly, shady, and manipulative, there’s a glimmer
of the dream still alive deep down. Has excellent, fast-paced comic
timing.
The Prompter: male, 40s, BIPOC. ‘Tobias Deschanel’.
Flamboyant, ferocious, and clever crossdressing “entrepreneur”. Quippy
and blasé but direct. Will do anything to make a buck and suffers no
fools while doing so. His lengthy rap sheet is glittered with every
illegal activity imaginable. You want it done—he’s your guy… or gal. Has
excellent, fast paced comic timing.
The Stage Manager: female,
mid-30s-40s, BIPOC. ‘Liz Jennings’. A well-organized, levelheaded,
unflappable professional. No funny business here. Dry, deadpan, and used
to wrangling rooms of crazies—aka Artists. Has excellent, fast-paced
comic timing.
Understudy: The Playwright/The Prompter: male, late 30s-early 40s, any ethnicity. Has excellent, fast-paced comic timing.
Understudy: The Actress/The Stage Manager: female, 40s-50s, any ethnicity. Has excellent, fast-paced comic timing.
Understudy: The Director/The Producer: male, 50s-60s, any ethnicity. Has excellent, fast-paced comic timing.
Happy Days
Kurtis Overby, assoc. artistic prod.
Seeking video submissions for "Happy Days," a musical.
Rehearses and performs Aug. 6-Sept. 26 in Peoria, AZ Compensation & Contract Details
Professional Pay
Estimated Payment: $400.00 - $525.00 per Week (Estimated duration: 7 Weeks)
Nationwide (United States)
For immediate consideration, submit a headshot and resume in PDF format, and audition materials linked below, or vocal reel along with dance reel directly to auditions@azbroadway.org by May 4. In the subject line of the email, include the name of the role(s) and show(s) in which you are interested. Candidates will receive a response if additional information or materials are needed.
Link to available sides: https://bit.ly/AzBTSides
Greeters for Luxury Brand in NYC
https://www.matrixprostaffing.com/apply/
New York Video Production
click to enlarge
Noor Ahmed, co-founder-prod.
Casting five roles in a video production project in New York. Production states: "We require a male actor aged 40-60 years old to play the character of a CEO, 2 female actors aged between 35-55 years old to play the character of a Trade Analyst and 2 male actors aged between 35-55 years old to play the character of a Trade Analyst."
Shoots TBD in NYC.
Estimated Payment: $200.00 - $400.00 Flat Rate (Estimated duration: Not Provided)
New York, NY
For consideration, include headshots with submission and state your day rate and availability.
HAIRSPRAY AUSTRALIAN TOUR
PERSONEL Director: Jack O’Brien Choreographer: Jerry Mitchell Music: Marc Shaiman Lyrics: Scott Wittman, Marc Shaiman Book: Mark O'Donnell, Thomas Meehan Choreographer: Jerry Mitchell Casting Director: Benton Whitley, CSA of Stewart/Whitley Casting Assistant: Micah Johnson-Levy
CONTRACT:
NON JURISDICTIONAL OVERSEAS CONTRACT. AEA MEMBERS ARE ENCOURAGED TO SUBMIT.
OTHER
All
touring employees must adhere to strict protocols and guidelines and
will be required to be fully vaccinated for COVID-19 prior to any
on-site work for production (including any in-person callbacks).
Equity’s
contracts prohibit discrimination. Equity is committed to diversity and
encourages all its employers to engage in a policy of equal employment
opportunity designed to promote a positive model of inclusion. As such,
Equity encourages performers of all ethnicities, gender identities, and
ages, as well as performers with disabilities, to submit
*Must have a valid US Passport*
SEEKING
Seeking performers for Seaweed and MotorMouth Students for the Australian Tour
SUBMISSION INSTRUCTIONS:
Please
submit your picture/resume and any websites, reels, etc, that show your
skillset in a downloadable format (e.g. Dropbox, Google Drive or
Vimeo). WeTransfer is not suggested for this submission.
Deadline: 05/02/2022
SUBMIT TO
hairspraytourauds@gmail.com
Contract One
Rehearsals – Melbourne (Rehearsal Room)
on/about Monday 4 July 2022 – Saturday 30 July 2022
Melbourne Season – Regent Theatre
Cast on Stage on/about Tuesday 2 August 2022
1st Preview on/about Sunday 7 August 2022
Proposed Close on/about Sunday 30 October 2022
(7 week layover)
Contract Two
2nd City
Cast on Stage on/about Thursday 22 December 2022
1st Preview on/about Tuesday 27 December 2022
Proposed Close on/about Saturday 28 January 2023
3rd City
Cast on Stage on/about Friday 3 February 2023
1st Preview on/about Sunday 5 February 2023
Proposed Close on/about Saturday 29 April 2023
OTHER DATES
Audition Date(s): Auditions at Pearl Studios NYC: May 4, 2022
Rehearsal Date(s): July 4, 2022
Closing Date(s): April 2023