Tuesday, January 30, 2024

RI Wakefield Theatre by the Sea 2024 Season

Theatre by the Sea 2024 Season

Seeking talent from New York City, NY

About the project

COMPANY DETAILS
Matunuck Live Theatre, Inc.

Bill Hanney, owner-prod.; Karen Gail Kessler, general mgr.; Kevin P Hill, producing artistic dir.; Thom Warren, assoc. prod.; Matthew Chappell, casting dir.; Robbie Cowan, accompanist


PROJECT DESCRIPTION

Seeking experienced Equity actors, singers, and dancers for Principal and Chorus tracks in the Theatre by the Sea 2024 season.

Season includes: "A Chorus Line" (Josh Walden, dir.-choreo.; Alex Tirrell, music dir. Rehearsals begin May 14; runs May 31-June 22); "Tootsie" (Richard J Hinds, dir.-choreo.; Elyn Collier, assist. dir.-choreo.; Tommy Iafrate, music dir. Rehearsals begin June 11; runs June 28-July 20); "The Sound of Music" (Michael D. Jablonski, dir.-choreo.; Nathan Urdangen, music dir. Rehearsals begin July 9; runs July 26-Aug. 17); and "42nd Street" (Jessica Wockenfuss, dir.-choreo.; Milton Granger, music dir. Rehearsals begin Aug. 6; runs Aug. 23-Sept. 15).

OTHERS
Equity Actors, Singers, and Dancers
N/A. 18+

To apply, see the "Key Details" section below.

Dates & Locations

Runs in Wakefield, RI.

Compensation & Contract

Additional: Pays $652/wk. Equity LOA ref COST Contract.

Key Details

Auditions:
Ripley-Grier Studios (520), 520 8th Ave, New York City, NY, 10018-6507
Equity Principal Audition
  • Feb 5, 2024: 9:30 AM to 5:30 PM EST
break, 1-2 p.m.
Seeking talent from New York City, NY
Additional Instructions:

Holding room is at Studio 16FG. EPA Procedures are in effect for this audition. An Equity Monitor will be provided. Prepare a brief cut from a song of your choice in the style of the show you are interested in. Bring a current headshot/resume and your book. An accompanist will be provided.

For more info, visit www.theatrebythesea.com. All ethnicities, gender identities, and backgrounds are encouraged to attend. All must be fully vaccinated and boosted against Covid-19.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Additional Materials

Season Breakdown

"A Chorus Line"

Cassie Ferguson: Female, 30 - 35 - A gifted star, stand-out dancer with a reputation for featured roles in two Broadway shows. Complicated romantic history with Zach. A triple threat. Sings "The Music and the Mirror."

Diana Morales: Female, Hispanic/Latinx/Latine, 20 - 30 - Determined and athletic dancer from the Bronx. Funny, charming, and vulnerable. Sings “Nothing” and carries the company into "What I Did for Love."

Judy Turner: Female, 25 – 30 - Funny, gawky, nervous. Warm and hopeful. Awkward except when she’s dancing.

Val Clark: Female, Late 20s - Sassy, funny. Excellent dancer who underwent plastic surgery due to industry pressure. A brazen, direct, attention-seeker from Vermont. Sings "Dance 10, Looks 3."

Bebe Benzenheimer: Female, Mid 20s - Covers her irrational insecurity through attempted humor. Quiet and vulnerable. Sings middle harmony in "At the Ballet."

Connie Wong: Female, Asian/Asian American/Pacific Islander, 25 – 35 - Experienced dancer, married. A "mother hen" with a great sense of humor. Born in Chinatown, New York. Plays 4’10”.

Kristine Urich: Female, 18 - 25 - Al’s wife who can’t sing, but dances outrageously well. She is awkward, anxious, and hilarious. She "speaks" the song "Sing," but does sing in the ensemble numbers.

Maggie Winslow: Female, 20s - A dreamer and the "little sister" of the group. Fairly experienced dancer from a troubled home in California. Seeking a warm voice with a mix belt up to E natural for the climax of "At the Ballet."

Sheila Bryant: Female, 30s - Oldest dancer on the line. Confident, brassy, humorous, and sophisticated. Sings the low harmony in "At the Ballet."

Zach: Male, 30s – early 40s - Charismatic, controlling, manipulative, calculated but brilliant Broadway director/choreographer. He seems to be in complete control, even when facing his personal relationship with Cassie. Traditionally non-singing role but should have solid movement/dance ability.

Larry: Male, 20s – early 30s - Zach’s long-time assistant. Bright, helpful, confident, and a superb dancer.

Bobby Mills: Male, 20s - Zestful, witty, and sharp-tongued. Covers everything with a joke. Had an unusual upbringing in upstate New York.

Mark Anthony: Male, 18 – early 20s - Optimistic, naïve, charming, and a great dancer.

Mike Costa: Male, 20s – early 30s - Determined, flirtatious, cocky, sure of himself, but likable. He’s worked with Zach before. From New Jersey. A strong tapper or has strong gymnastic skills.

Richie Walters: Male, Black, 20s – early 30s - From Missouri. Enthusiastic, cool, and very funny. Likeable and laid back. Strong dancer, dynamic falsetto.

Al Deluca: Male, 20s – early 30s - From the Bronx. Kristine’s husband. From a working-class background. Strong singer.

Paul San Marco: Male, Hispanic/Latinx/Latine, Mid-late 20s - Introverted and slightly insecure but loves to perform. From Spanish Harlem. Friends with Diana. Delivers a raw and vulnerable monologue about coming out to his parents.

Don Kerr: Male, 20’s – early 30s - Married and into cars, money, and women. Very sure of himself. Cocky because he has worked with Zach before. From Kansas City.

Gregory Gardener: Male, 20s – early 30s - A sassy, droll smart-aleck. Has worked with Zach before. Very East Side New York.

Ensemble: Any gender, 20s – early 30s - To portray “cut” dancers and other various Chorus parts, offstage singers, and to understudy Principals.

"Tootsie"

Michael Dorsey/Dorothy Michaels: Male, 30 – 40 - Michael is an actor’s actor. A focused perfectionist, outspoken, stubborn, abrasive and frustrated at where his career hasn’t taken him. Highly intelligent and desperate to do the one thing he loves more than life itself… act. Dorothy Michaels is strong-willed, understanding, and humorous. Slightly coy, slightly vain, and completely lovable. Vocal range: Top – D5, Bottom – A2

Julie Nichols: Female, 30 – 40 - An actor at a crossroad in her life. Focused, self-aware and selfassured. She masks her pain and longs to connect. Vocal range: Top - G5, Bottom - E3

Sandy Lester: Female, 30 – 40 - Michael's ex-girlfriend, now a friend. She’s neurotic, pessimistic, self-deprecating, childish, and easily flummoxed. She makes her anxieties known incredibly loudly and just wants to be happy. Vocal range: Top – E5, Bottom – G#3

Max Van Horn: Male, 25 – 35 - A self-obsessed actor with a limited wit. A firm believer in his own hype who can’t imagine anyone not being attracted to him. Vocal range: Top – G4

Jeff Slater: Male, 30 – 45 - Michael's roommate. A sardonic realist who lacks the ambition and drive to live up to his potential. The voice of reason swirls just outside the eye of Michael's chaos. Jeff sees the humor of situations and has no reluctance to point out people’s flaws – even his own. Vocal range: Top – D5, Bottom – B2

Rita Marshall: Female, 50 – 65 - A levelheaded producer. Experienced and the voice of sanity and reason in a swirling pool of crazy. She is always a beat ahead of everyone and is very New York. Vocal range: Top – B4, Bottom - F3

Stan Fields: Male - Michael’s overworked agent. Always to the point, he plays the game, but hates it.

Ron Carlisle: Male, 40 – 55 - An incredibly successful director. He demands respect and is often disrespectful in return. Vocal range: Top – B4, Bottom – F#2

Stuart: Male - The composer of Juliet's Curse. Ensemble. Vocal range: Top – G4, Bottom – Eb3

Suzie: Female - The lyricist of Juliet's Curse. Ensemble. Vocal range: Top – Bb4, Bottom – Bb3

Ensemble: Any gender, 20 – 50 - Exceptional Singers/Actors who dance for various Chorus tracks and to understudy Principals

"The Sound of Music"

Maria Rainer: Female, early 20s – early 30s - Filled with self-doubt, yet spirited, caring, and committed. Chest mix with strong head voice

Captain von Trapp: Male, late 30s to 50 - Commanding presence – retired naval officer and proud Austrian; Some guitar ability a plus. Baritone

Mother Abbess: Female, mid 40s – 50 - Wise, kind, and strong. Powerful Mezzo (B to A-flat)

Elsa Schrader: Female, mid 30s – early 40s - Wealthy, sophisticated, charming. Legit-Mezzo range (A to E below high C)

Max Detweiller: Male, 40s – 50s - Witty and rascally impresario. Strong character with a good sense of comedy, Baritone

Liesl von Trapp: Female, 18+ to play 16 - Girl on the verge of womanhood. Chest mix with a head voice (low G to F#); Dance/Moves well

Rolf Gruber: Male, 18+ to play 17 - Epitome of clean cut, athletic German youth. Lyric Baritone moves well

Franz: Male, mid 30s to 50s - Distant and efficient butler

Frau Schmidt: Female, mid 30s to 50s - Efficient yet caring housekeeper, Legit voice

Herr Zeller: Male, late 20s – 40s - A staunch Nazi sympathizer and eventually a leader in the Nazi regime

Ensemble: 18+, Any ethnicity, Any gender - Experienced Actors who sing well, to portray various Ensemble characters and to understudy Principals.

Young Actors: All must sing well. Dance/movement ability a plus

Friedrich von Trapp (Age 14, Male) Tough exterior, very much trying to be "the man" of the family.

Louisa von Trapp: (Age 13, Female) Rebellious attitude.

Kurt von Trapp (Age 10, Male, Strong falsetto) Gentle and mischievous.

Brigitta von Trapp (Age 9, Female) Smart, reads a lot.

Marta von Trapp (Age 7, Female) Very sweet and gentle.

Gretl von Trapp (Age 6, Female) Has the cute factor.

"42nd Street"

Peggy Sawyer: Female, 20s - Extraordinary tap dancer with Broadway, leading lady vocal quality and genuine ingenue presence. Mezz/Belt

Julian Marsh: Male, 30 - 40 - Powerful and charismatic, a successful Broadway director. Baritone/Tenor up to an Ab

Dorothy Brock: Female, 40 - 50 - A genuine Broadway star; very elegant; moves well and possesses a strong sense of comic timing; Belt/Alto to low Eb

Billy Lawlor: Male, 20 - 30s - Exceptional tap dancer with star power and soaring Tenor vocal quality. Able to play "the juvenile" believably

Maggie Jones: Female, 40 - 50s - Half of the writing duo; sings and moves well; able to play comedy with great warmth and charm; character Alto/Belt

Bert Barry: Male, 40s - 50s - Half of the writing duo; sings and moves well; able to play comedy with vaudeville timing; character Baritone

Abner Dillion: Male, 40s - 60s - Character role; the stars "sugar daddy" from Oklahoma; ability to sing helpful but not necessary. Bass/Baritone

Anytime Annie: Female, 20s - 30s - One of the girls in the "chorus;" a first rate tap dancer and natural comedienne; Big belt with Alto

Pat Denning: Male, 40 - 50 - A handsome vaudeville performer down on his luck; Dorothy Brock's true love; Baritone

Andy Lee: Male, 20s - 40s - Dance director of the show; a first rate tap dancer; Bari-tenor

Ensemble: Any gender, 18 – 30 - Young, energetic, and charismatic tap dancers with broad vocal range, to portray various Chorus/Supporting roles and to understudy Principals