Ogunquit Playhouse 2023 Season, Equity NYC EPA, Musicals
Company
Bradford T. Kenney, exec. artistic dir.; Binder Casting, casting; Brian J. Swasey, producing dir.; Adam Cole Klepper, Season music advisor; Chad Eric Murnane, CSA, casting dir.; Jarrett Reiche, casting assoc.
Casting Equity actors for roles in Ogunquit Playhouse's 2023 Season, Musicals. Season includes: "Million Dollar Quartet" (Hunter Foster, dir.; Nat Zegree, musical dir. Rehearsals begin Mar. 13 in Maine; runs Mar. 24-Apr. 9), "Beautiful: The Carole King Musical" (David Ruttura, dir.; Joyce Chittick, choreo.; Nick Williams, musical dir. Rehearsals begin May 1 in Maine; runs May 13-June 10), "Singin' In The Rain" (Rehearsals begin May 29 in NYC; runs June 17-July 15), "The Da Vinci Code" (US Premiere. Rehearsals begin July 31 in NYC; runs Aug. 26-Sept. 23), and "Tootsie" (Regional Premiere. Rehearsals begin Sept. 11 in NYC; runs Sept. 30-Oct. 29.)
To apply, see the "Key Details" section below
Rehearsal and Production Dates & Locations
Season runs in Ogunquit, ME.
Compensation & Contract Details
All Roles
Key Details
- Feb 1, 2023: 10:00 AM to 6:00 PM EDT
- Feb 3, 2023: 10:00 AM to 6:00 PM EST
- by appointment; break 1:30-2:30 p.m.
New York City, NY
Additional Instructions:
An Equity Monitor will not be provided. The producer will run all aspects of this audition. Prepare a brief song. Bring sheet music in the correct key and a stapled headshot and resume. An accompanist will be provided. Sign-up at for an appointment at: https://www.signupgenius.com/go/10c0948abac2ea1fcc61-ogunquit#/ . Alternate List: If all appointments are taken, an Alternate List for Equity members will be started the morning of the appointment. Members will be required to show proof of membership in order to add their name to the Alternate List. Equity members on the Alternate List will be seen if time permits. No unofficial lists will be accepted. Sign-ups for the Alternate List will begin at 9 a.m. More info at http://www.ogunquitplayhouse.org/. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit. Always bring your Equity Membership card to auditions.
Additional Materials
"Million Dollar Quartet"
[CARL
PERKINS] Male identifying, early 20s to early 30s. Excellent singer and
lead guitar player. Perkins was the American pioneer of rockabilly
music and best known for his song "Blue Suede Shoes". Resembles and
sounds like Carl Perkins without being an impersonator. D3-C6.
[ELVIS
PRESLEY] Male identifying, early 20s to early 30s. Must be familiar
with his music and style (vocal and movement), able to play guitar and
sing. Presley is often referred to as ‘The King of Rock and Roll”. Looks
and sounds somewhat like Elvis without being an impersonator. A3-C6.
[JERRY
LEE LEWIS] CAST Male identifying, early 20s to early 30s. A superb
pianist and vocalist and able to play like Jerry Lee; he was rock &
roll’s legendary piano prodigy and celebrated “Last Man Standing.” He is
fun, energetic and witty. D4-C6.
[JOHNNY CASH] Male identifying,
early 20s to early 30s, 6’ or taller. An excellent singer and guitar
player; Looks and sounds like Johnny Cash without being an impersonator.
D3-E5.
[SAM PHILLIPS] Male identifying, early 30s to early 40s.
Speaking role. Both towering and charismatic, he was considered the
father of rock and roll. He was the founder of Sun Records, discovered
Jerry Lee Lewis, Elvis Presley, Johnny Cash, Carl Perkins, and many
others.
[DYANNE] Female identifying, early to late 20s. A
powerful pop/rock belt vocalist. An aspiring singer and Elvis’
girlfriend; she is quiet, but friendly with all the musicians. Her sex
appeal gives Elvis a run for his money. A3-Eb5.
[FLUKE] Male
identifying, early to late 20s. Carl Perkins’ drummer; loyal, but not
interested in the politics of the business. Non-Speaking/Singing role.
[BROTHER
JAY] Male identifying, early to late 20s. Carl Perkins’ brother and
bassist; similar to Fluke, he is also loyal but unwilling to get
involved in the politics of the industry. Extremely skilled bass player.
Non-Speaking/Singing role.
"Beautiful: The Carole King Musical"
[CAROLE
KING] Female Identifying, 18+ to play ages 16-29. An aspiring
singer/songwriter with a powerful, distinctive voice. A unique,
appealing, funny, and vulnerable girl from a Jewish family in Brooklyn.
Talented, good natured, unassuming, and often the peacemaker in
difficult situations. A reluctant star with no pretense and a passion
for music. Mezzo/Soprano belt.
[GERRY GOFFIN] Male Identifying,
18+ to play late teens-late 20s. Carole’s boyfriend, songwriting
partner, and eventual husband. He is smoldering, dark, and handsome with
a rebel vibe. Although sexy, he is innately sympathetic, wounded, and
tortured. An ambitious artist always striving for more. Sings well.
Baritone/tenor.
[CYNTHIA WEIL] Female Identifying, 18+ to play
late teens-late 20s. A songwriter who becomes romantically involved with
Barry. Carole’s best friend. She is sophisticated, smart & chic
with a quick wit. Although self-confident and sarcastic, she is also
extremely likeable. Strong comedic timing. Mezzo-Soprano belt.
[BARRY
MANN] Male Identifying, 18+ to play late teens-late 20s. A songwriter
who becomes romantically involved with Cynthia. He is good natured,
appealing, and neurotic. Ambitious, but likeable. High pop/rock tenor.
[DON
KIRSCHNER] Male Identifying, 30s-40s. An influential music publisher
and producer. He is a fast talking, energetic, force of nature.
Powerful, direct, and sometimes intimidating, but he has a real affinity
for his writers and artists. A hit maker.
[GENIE] Female
Identifying, 40s-50s. Carole’s Jewish mother. Once an aspiring
playwright, she has been broken down by life and her husband’s
infidelity. Protective of Carole and unforgiving of her husband’s
mistakes.
"Singin' In The Rain"
[DON LOCKWOOD] Male
identifying, mid 20s-late 30s. A famous movie star; handsome romantic
lead who is charismatic and charming. An extremely strong tap dancer
with outstanding ballet technique as well. G2-Ab4
[COSMO BROWN]
Male identifying, mid 20s-late 30s. Don’s best friend and former dance
partner. Wacky and playful with high energy. Very athletic comedian; An
extremely strong tap dancer. Tumbling, acrobatic ability, and basic
piano skills are a plus.C3-Ab4
[KATHY SELDEN] Female identifying,
early to late 20s. She is charming, forthright, witty, honest,
beautiful, strong-willed, and smart. An extremely strong tap dancer with
outstanding ballet technique as well. G3-F5
[ROSCOE DEXTER] Male
identifying, mid 40s to mid 50s. High strung film director for
Monumental Pictures, doesn’t deal with stress well. Strong
character/comedian. Non-singing role.
[R.F. SIMPSON] Male
identifying, mid 50s to mid 60s. A successful, magnanimous film
producer; he leads the other characters into creating a movie musical.
Non-singing role.
[LINA LAMONT] Female identifying, 20s to 30s.
Don’s leading lady on screen (but not off); air-headed starlet with a
big ego, and the famous annoying voice. A great comedienne/character
actress. C4-Eb5.
"Tootsie"
[MICHAEL DORSEY/DOROTHY
MICHAELS] Male identifying, 30s-40s. A failing actor, Michael is a
nightmare to work with—abrasive, stubborn, outspoken, yet talented. In
desperation to achieve his dreams, he reinvents himself as Dorothy
Michaels, who is playful, loveable, and humorous. An extremely strong
comedic actor. Sings and moves very well, with a high falsetto. A2-Bb4.
[JULIE
NICHOLS] Female identifying, 30s. Current Broadway star who is
self-assured and focused. Knows exactly what she wants at every step of
her life (to a fault). Longs for connection, but masks her vulnerability
with heartfelt humor. Has a strong belt voice. E3-Eb5.
[SANDY
LESTER] Female identifying, mid to late 30s. Out-of-work actor;
pessimistic, neurotic, and self-deprecating, but with a big heart. A
strong comedian with excellent patter skills. A3-E5.
[MAX VAN
HORN] Male identifying, mid 20s to late 30s. Self-obsessed, dim-witted,
and superficial reality star, now Broadway actor. Believes himself to be
extremely sexy and hugely successful. Sings and moves very well. C3-G4.
[JEFF
SLATER] Male identifying, 30s to 40s. An unsuccessful playwright, Jeff
is Michael’s roommate and best friend; he is a bit lazy and lacks
ambition. The voice of reason in Michael’s life. Sings. Baritone, Tenor,
with a bit of falsetto.
[RITA MARSHALL] Female identifying,
early 50s to late 60s. Broadway producer; remains levelheaded and sane
during moments of pure chaos and panic. Always one step ahead, she is
sarcastic and very likeable. Sings. Alto, Mezzo-Soprano.
[RON
CARLISLE] Male identifying, early 40s to early 50s. Broadway director
and choreographer; though determined, he is argumentative, impatient,
and arrogant (despite his self-proclaimed humility). Sings. Baritone.
[STAN
FIELDS] Male identifying, 50s. Michael’s overworked agent; he is
frustrated by Michael and his career choices. Very knowledgeable and
experienced, but exhausted. Speaking Role.
Equity encourages
everyone participating in the auditions to wear a two-ply cloth face
mask, surgical mask, singer’s mask or respirator (N95, KN95 or KF94).
Single-ply face masks, gaiters and bandanas are not recommended.
Singer’s masks can be found at www.broadwayreliefproject.com/singersmask.
Equity encourages members to prepare for their audition prior to
arriving at the audition venue, to the extent that they can (e.g., get
dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing
rooms.
Holding/Audition room information:
2/1/23 - Pearl (519)
The maximum capacity in the holding room is: 35
The maximum capacity in the audition room is: 20
2/3/23 - Pearl (500)
The maximum capacity in the holding room is: 35
The maximum capacity in the audition room is: 26
