Alabama Shakespeare Festival 2025-26 Season, NYC EPA
About the project
James Evans, casting assist.
Casting Equity actors for roles in Alabama Shakespeare Festival's 2025-26 Season. Season includes "Agatha Christie’s Murder on the Orient Express" (Festival Stage. Quin Gresham, dir. Rehearsals begin Sep. 9; runs Oct. 2-26); "Disney’s Frozen" (Festival Stage. Quin Gresham, dir.; Sam Hay, choreo. Rehearsals begin Nov. 4; runs Nov. 26, 2025-Jan. 4, 2026); "The Lehman Trilogy" (Octagon Stage. Rehearsals begin Dec. 30, 2025; runs Jan. 28-Feb. 15, 2026; possible extension through Feb. 22, 2026); "Much Ado About Nothing" (Festival Stage. Bruce Longworth, dir. Rehearsals begin Feb. 17, 2026; runs March 19-April 5, 2026); "ReCON$ruXion" (Octagon Stage. Tiffany Nichole Greene, dir. Rehearsals begin March 31 or 24, 2026; runs April 23-May 3, 2026); "Chicken & Biscuits" (Octagon Stage. Ron Himes, dir. Rehearsals begin May 12, 2026; runs June 4-21, 2026).
Roles in this project
Collapse All RolesDates & Locations
Rehearses and runs in Montgomery, AL.
Compensation & Contract
Key Details
- Jun 16, 2025: 9:30 AM to 5:30 PM EDT
EPA Procedures are in effect for this audition. An Equity Monitor will be provided.
Prepare
either two contrasting monologues or one monologue and one song not
exceeding two minutes in length. An accompanist will be provided. Bring
your headshot and resume stapled together.
Equity’s contracts
prohibit discrimination. Equity is committed to diversity and encourages
all its employers to engage in a policy of equal employment opportunity
designed to promote a positive model of inclusion. As such, Equity
encourages performers of all ethnicities, gender identities, and ages,
as well as performers with disabilities, to submit. Always bring your
Equity Membership card to auditions.
Additional Materials
Agatha Christie’s Murder on the Orient Express
SYNOPSIS: Just after midnight, a snowdrift stops the Orient Express in its tracks. The luxurious train
is surprisingly full for the time of the year, but by the morning it is one passenger fewer. An American
businessman lies dead in his compartment, his door locked from the inside. Isolated and with a killer in
their midst, detective Hercule Poirot must identify the murderer – in case they decide to strike again.
Book your passage now for the fast-moving, powerfully theatrical locomotive that is the new stage
adaptation of Agatha Christie’s Murder on the Orient Express.
SEEKING:
Hercule Poirot (Male, 50s–60s) Any ethnicity. Renowned Belgian detective with a meticulous nature
and sharp wit. Highly intelligent, observant, and eccentric, with a strong sense of justice. Must carry
the show—charisma and precision are key. Accent: Belgian/French
Monsieur Bouc (Male, 40s–60s) Any ethnicity. Director of the Wagon Lit company and old friend of
Poirot. Jovial, affable, and perhaps a bit fond of hearing his own voice. Often serves as comic relief but
also has moments of seriousness. Accent: French/Belgian
Mary Debenham (Female, 20s–30s) Any ethnicity. An English governess—poised, intelligent, and
emotionally restrained. Beneath her calm exterior lies a deep emotional intensity and secret. Accent:
British (RP)
Colonel Arbuthnot (Male, 30s–40s) Any ethnicity. A Scottish army officer—stoic, strong-willed, and
deeply loyal. Holds himself with a military bearing. Will understudy Ratchett. Accent: Scottish
Princess Dragomiroff (Female, 60s–70s) Any ethnicity. An aging Russian aristocrat with a
commanding presence. Sharp, sophisticated, and unapologetically proud of her status. Accent:
Russian
Hector MacQueen (Male, 20s–30s) Any ethnicity. Secretary to the victim. Nervous, slightly awkward,
but earnest. Loyal and emotionally driven. Accent: American
Countess Andrenyi (Female, 20s–30s) Any ethnicity. Beautiful and refined Hungarian noblewoman
with a mysterious past. Intelligent, elegant, and emotionally guarded. Accent: Eastern European
(Hungarian preferred)
Ratchett (Male, 40s–60s) Any ethnicity. The murder victim. A wealthy American businessman with a
sinister past. Must appear both charismatic and menacing. Will understudy Arbuthnot.
Greta Ohlsson (Female, 30s–50s) Any ethnicity. A Swedish missionary and nurse. Kind-hearted,
emotional, and very religious. Tends to be anxious and nervous under pressure. Accent: Swedish
HELEN HUBBARD (50s–60s) A loud, brassy American woman with a flair for drama and gossip.
Flirtatious, nosy, and unapologetically outspoken, but hiding more than she lets on.
Michel (Male, 40s–60s) Any ethnicity. The conductor of the train. Polite, discreet, and professional. A
supporting role with key dramatic moments. Will understudy the Head Waiter. Accent: French
Headwaiter / Ensemble (30s-60s) Any ethnicity. A fussy, know-it-all waiter who will also understudy
MacQueen, Michel, Bouc, and Poirot. Accent: Turkish, French, or RP
Disney’s Frozen
For the first time in forever, the beloved Disney film comes to life as a breathtaking theatrical
experience. In the beautiful mountainous kingdom of Arendelle, Princesses Anna and Elsa grow up
sheltered inside their castle, isolated from the world and increasingly distant from each other. When
Elsa is crowned queen, the magical powers she’s desperately tried to conceal from her sister take
control, and she flees into the mountains. With stunning visuals and unforgettable music and heart,
Frozen is a magical tale of love, courage, and a bond that can melt even the coldest heart
SEEKING:
ELSA (Female identifying, Mid 20s-Early30s, Any Ethnicity, Soprano with high belt, F#3 to D5) The
older of the two princesses and next in line for the throne. She was born with magical powers that she
is still learning to control. In the past she has unwittingly harmed loved ones with them. Fearful of
hurting anyone, especially her beloved sister, Anna, Elsa becomes anxious and withdrawn.
Eventually she learns to take control, and become confident in both her powers and as a leader.
ANNA (Female identifying, Early 20s- mid 30s, Any Ethnicity, Soprano, G3 to D5) The younger of the
two princesses, she is imbued with a tremendous amount of light, energy, and love. She is a hopeless
optimist and extreme extrovert. She longs for connection with others, especially her sister, Elsa. Must
be a strong singer with great comic timing.
KRISTOFF (Male identifying, 20s-30s, Any Ethnicity, Baritone, G2 to A3) A hardworking ice harvester
who has a sarcastic sense of humor and a rough-around-the-edges exterior that hides his big heart.
Taken in by the Hidden Folk when he was young, he loves them dearly, but is a bit of a loner. Sven, a
reindeer is his best friend and trusted confidant.
HANS (Male identifying, mid 20s-30s, Any Ethnicity, Tenor, G2 to B3) An ambitious Prince of the
Southern Isles and overlooked thirteenth son of a king. He boasts an exceedingly charming façade.
Acts as a typical Prince Charming, but in reality is self-serving and out for personal gain at any cost.
Has no value for other people except for how they may benefit him.
OLAF (Any Gender, 20s-40s, Any Ethnicity, Tenor, F#2 to D4) A magical snowman created by Elsa
when she and Anna were young. Olaf is endearingly delighted by everything - especially the idea of
summer. Goofy and sweet, Olaf should possess a childlike innocence. Actor must have excellent
comic timing.
SVEN (Any Gender, Any Age, Any Etnicity) A reindeer, who happens to be Kristoffs best friend and
companion. Fiercely loyal, though stubborn at times.
PABBIE (Male identifying, 20s-30s, Any Ethnicity, Baritone) The mystical leader of the Hidden Folk
who has a soft spot for "strays." Along with Bulda, is a parental figure to Kristoff, and always has his
and the rest of the Hidden Folks best interests at heart, even if they are a bit misguided in their efforts.
BULDA (Female identifying, 20s-30s, Any Ethnicity, Any vocal range) One of the Hidden Folk who has
a soft spot for "strays." Along with Pabbie, is a parental figure to Kristoff, and always has his and the
rest of the Hidden Folks best interests at heart, even if they are a bit misguided in their efforts.
WESELTON (Male identifying, 30s on up, Any Ethnicity, Baritione, F#2 to D4) A visiting duke with a
huge inferiority complex. A bombastic, overbearing sycophant, Weselton's sole purpose is to hobnob
with influencers and royalty.
BISHOP (Male identifying, 2’s-30s, Any Ethnicity) Officiates the coronation and passing of the crown
to Elsa. (Can come from Ensemble)
KING AGNARR (Male identifying, 20s-30s, Any Ethnicity, Baritone) The warm-hearted ruler of
Arendelle who is committed to protecting both his family and the Townspeople. (can come from
Ensemble)
QUEEN IDUNA (Female identifying, 20s-30s, Any Ethnicity, Mezzo-Soprano) The queen who
possesses a sense of rightness and kindness that guides her in her protection of her two young girls.
A daughter of the Northern Nomads, this queen can communicate with the Hidden Folk of the
mountains and therefore understands Elsa's powers deeply. (Can come from the Ensemble)
OAKEN (Male identifying, 20s-30s, Any Ethnicity, Baritione) An exceedingly cheerful and convivial
wandering salesperson and ardent devotee to all things cozy and comfortable. Actor must be adept
with humor. (Can come from Ensemble)
ENSEMBLE (All Genders and Ethnicities, Any Age, Any vocal range) Seeking strong singers and
dancers to play townspeople, hidden folk, snow dancers, and other various parts in the show. Tapping
a plus.
The Lehman Trilogy
On a chilly September morning in 1844, a young man from Bavaria steps onto a New York dock full of
dreams and determination. Soon, he’s joined by his two brothers, and their journey takes them not to
Wall Street, but first to Montgomery, Alabama—where the seeds of a financial empire are sown in the
heart of the American South. From those humble beginnings, the Lehman brothers rise to
unimaginable heights, building a firm that would shape—and later shake—the very foundation of
global finance. 163 years later, their legacy collapses into bankruptcy, igniting the largest financial
crisis in modern history. The Lehman Trilogy is a sweeping theatrical epic, tracing the rise and fall of a
single immigrant family and the capitalist machine they helped create. It’s the story of ambition,
identity, and the price of unchecked success—told through the lens of the American dream from
Alabama to the world stage.
SEEKING:
Henry Lehman – The eldest of the Lehman brothers. A German-Jewish immigrant from Bavaria and
the first to arrive in America. The son of a cattle merchant, he is intelligent, driven, and deeply proud of
the business he is building from the ground up. Practical and tenacious, Henry lays the foundation for
what the Lehman enterprise will become. Also plays: Philip Lehman, Pete Peterson, and others
Emmanuel Lehman – The middle brother and second to immigrate from Bavaria. Fiery, passionate,
and sharp-witted, Emmanuel brings ambition and bold ideas to the family venture. He frequently
clashes with Henry over the direction of the business but ultimately pushes the firm into new territory,
relocating it from the South to New York. A lover of luxury and refinement—his motto: “always more,
always better.” Also plays: Herbert Lehman, Lewis Glucksman, and others.
Mayer
Lehman – The youngest brother and the last to arrive in America. Calm,
thoughtful, and eventempered, Mayer often acts as the peacemaker between
his older siblings. He is warm, persuasive,
and quietly ambitious, helping to guide the family's growing legacy with charm and care. Also plays:
Bobby Lehman and others.
Much Ado About Nothing
SYNOPSIS: The war is over, but the real battle is just beginning—between the sharp tongues and
stubborn hearts of Beatrice and Benedick. Armed with wit as their weapon of choice, these two rivals
spar with relentless charm, unaware that love is quietly taking aim. As friends plot to bring them
together and secrets threaten to tear others apart, Shakespeare’s Much Ado About Nothing delivers a
whirlwind of romance, deception, and laugh-out-loud mischief. A sparkling comedy where hearts are
won, masks are dropped, and love triumphs—though not without a fight.
BEATRICE – (Female Identifying, 20s-40s, Any Ethnicity) Witty, intelligent, fiercely independent. She
masks vulnerability with sarcasm and brilliance. Her verbal sparring with Benedick hides a deep
capacity for love. Requires strong command of language and comedic timing.
BENEDICK – (Male Identifying, 20’s-40’s, Any Ethnicity) Charming, clever, and proud. He swears
never to marry but slowly reveals a tender heart beneath the bravado. His journey from cynicism to
sincerity is central to the play. Strong comedic skills and chemistry with Beatrice essential.
HERO – (Female Identifying, Late Teens- 30s, Any Ethnicity) Gentle, kind, and modest. Hero is deeply
wronged and remains graceful in adversity. She has strength in her quietude.
CLAUDIO – (Male Identifying, 20s-30s, Any Ethnicity) Young soldier, honorable but naive. Easily
influenced, his love for Hero is genuine, but his rashness leads to heartbreak.
DON PEDRO – (Male Identifying, 30s-50s, Any Ethnicity) A nobleman and soldier. Wise, respected,
and generous, though occasionally blind to nuance. Enjoys matchmaking and mischief.
DON JOHN – (Male Identifying, 20s-40s, Any Ethnicity) The villain. Bitter, resentful, and jealous. He
sows discord with subtlety and calculated malice.
LEONATO –(Male Identifying, 40s-60s, Any Ethnicity) Hero’s father and governor of Messina.
Dignified and proud, but prone to outbursts. Has a deep sense of family honor.
DOGBERRY – (Male Identifying, Any Age, Any Ethnicty) The bumbling constable. Overconfident,
verbose, and hilarious. A master of malapropisms. Comic gold.
Requires physical comedy and strong character work.
VERGES / THE WATCH – (Any Gender, Any Age, Any Ethnicty) Sidekick to Dogberry and members
of the comically inept Watch. Great roles for character actors with physical comedy instincts.
MARGARET – (Female Identifying, 20s-40s. Any Ethnicity) Hero’s witty and sharp-tongued waiting
woman. Unwittingly caught in Don John’s scheme.
URSULA – (Female Identifying, Any Age, Any Ethnicity) Another of Hero’s attendants. Loyal and
warm. A confidante.
ReCON$ruXion
SYNOPSIS: Pulitzer Prize and Tony Award-winning playwright Robert Schenkkan’s ReCON$truXion,
commissioned by the Alabama Shakespeare Festival for its New Southern Canon, plunges into the
searing aftermath of the Civil War where the fight for a new America is anything but over. At the center
stands Congressman John Lynch—a real-life trailblazer and one of the first Black men elected to the
U.S. House of Representatives—who dares to challenge the broken promises of Reconstruction. As
power shifts, alliances fray, and justice teeters on a razor’s edge, this bold new work exposes the
brutal truths of a nation struggling to redefine itself. ReCON$truXion is not just a story of history—it’s a
thunderous call to confront the past that shaped our present.
John Lynch – 20-60s Black
Catherine White/others: 20s Black
Patrick Lynch- 20s White - Lynch’s father
Mayor William Sturgis/others- 30s-60s White
Gov. Adelbert Ames/others- 40s White
Rep. James Garfield/others: mid 40s, White
President U.S. Grant Late 40s-early 50s. White
LQC Lamarr/others 30s to mid 40’s White
James Wormley/others 50s Black
Robert Elliott/others 30s Black
Chicken & Biscuits
SYNOPSIS: Laughter and chaos collide as the Jenkins family gathers to lay their beloved patriarch to
rest— only to have the service turn into a feast of family drama when a shocking revelation bursts into
the room. As past wounds resurface and tempers flare, this uproarious Broadway comedy dares to
ask: what happens when the truth shows up uninvited? With biting humor and a whole lot of heart,
Chicken & Biscuits serves up a deliciously messy feast of Black joy, forgiveness, and the fierce love
that holds us together—even when everything’s falling apart.
BANEATTA MABRY Black woman, late 40s to mid-50s. A dignified, devout Christian matriarch.
Mother to Kenny and Simone, wife to Reginald. Baneatta is loving—sometimes to a fault—but rigid in
her faith and traditional values. She means well, but often leads with judgment instead of grace.
Balances emotional control with moments of vulnerability and humor.
REGINALD MABRY Black man, 50s. Baneatta’s loyal husband and the newly appointed pastor of
their home church. A warm, affable peacekeeper with a steady presence and a knack for corny Dad
jokes. The heart of the family, he radiates patience and love. Grounded with strong comedic warmth.
KENNY MABRY Black man, mid to late 20s. The youngest child of Baneatta and Reginald. Kenny is
openly queer and confident—except around his mother, whose disapproval still deeply affects him.
Sensitive, quick-witted, and deeply yearning to be seen and accepted. Possesses emotional depth,
comedic timing, and nuance.
LOGAN LEIBOWITZ White man, mid to late 20s. Kenny’s high-strung, overly analytical Jewish
boyfriend of four years. Full of nervous energy, Logan is eager to make a good impression and
struggles to stay calm under pressure—often turning to his weed pen for comfort. Brings neurotic
charm, sharp timing, and heart.
BEVERLY JENKINS Black woman, 40s–50s. Baneatta’s younger sister. Loud, lively, and always
dressed to impress. The self-proclaimed “fun aunt” who’d rather party than parent. Beverly is brash,
unapologetic, and the life of every room—until real feelings sneak through. Possesses big comedic
energy with emotional grounding beneath the surface.
LA’TRICE FRANKLIN Black female-identifying actor, age 16 (or able to play teen). Beverly’s
daughter. Bold, nosy, and always in the middle of adults’ business. A Gen Z firecracker with a sharp
tongue and no filter—but it’s all out of love.
SIMONE MABRY Black woman, 30s. Kenny’s older sister. Polished, poised, and Baneatta’s pride and
joy. Simone appears put-together but is privately unraveling after a failed engagement. She's sharp,
slightly shady, and fiercely guarded.
BRIANNA JENKINSBlack woman, 40s–50s. The half-sister no one expected. Daughter of the
deceased, born from an affair. Sweet, grounded, and emotionally open. She arrives at the funeral not
to stir drama, but to find peace and connection.
SYNOPSIS: Before she was Carole King, she was Carole Klein—just a Brooklyn girl with a piano, a
dream, and a sound all her own. Beautiful tells the extraordinary true story of a young woman who
transformed heartbreak into hit records and found her voice in the process. King wrote chart-toppers
for music’s biggest stars and eventually become one herself. Her rise to fame is as powerful as the
songs that defined a generation. Packed with over two dozen timeless hits—including “You’ve Got a
Friend,” “Will You Love Me Tomorrow,” “Natural Woman,” and more—this unforgettable musical
celebration takes you from the songwriting rooms of the Brill Building to the Rock & Roll Hall of Fame.
Beautiful isn’t just the soundtrack of an era—it’s the story of a woman who changed music forever.
CAROLE KING (20s–30s) – Humble, brilliant, and emotionally open. Grows from shy songwriter to
iconic solo artist. Plays piano. Mezzo with strong mix/belt.
GERRY GOFFIN (20s–30s) – Charismatic, passionate, and troubled. Carole’s lyricist and first
husband. Bari-tenor.
CYNTHIA WEIL (20s–30s) – Stylish, sharp, and confident. Carole’s best friend and songwriting
peer. Mezzo with belt.
BARRY MANN (20s–30s) – Goofy, lovable, and neurotic. Cynthia’s partner and future
husband. Tenor with falsetto
Beautiful: The Carol King Musical
DON KIRSHNER (40s–50s) – Supportive music producer. Believes in talent and success. Baritone;
minimal singing.
GENIE KLEIN (50s) – Carole’s tough but loving mother. Mezzo; minimal singing.
ENSEMBLE – Plays iconic groups (The Drifters, The Shirelles, etc.) and various roles. Strong
singers/dancers with R&B, soul, and pop style.
