Thursday, June 5, 2025

AEA NYC EPA TX run theatre under Stars

 https://www.backstage.com/casting/theatre-under-the-stars-2025-26-season-2967115/equity-actors-5273046/

Equity Actors

$1,436 / week (no duration provided)
Lead
All Genders
18+
Union
Musical
Location: New York City, NY
Rate: $1,436 / week (no duration provided)
Ethnicity: All Ethnicities

To apply, see the "Key Details" section below.

About the project

Theatre Under the Stars 2025-26 Season
Seeking talent from New York City, NY
COMPANY DETAILS
Theatre Under the Stars

Laura Peete, TUTS associate artistic dir.; Miloš Veljković, accompanist.

Member since Jul 12, 2013
13764 Jobs posted
PROJECT DESCRIPTION

Casting Equity actors for roles in Theatre Under the Stars 2025-26 Season. ... view more

Other roles in this project

This project has no other roles
View Full Listing Details

Dates & Locations

Season rehearses and runs in Houston, TX.

Compensation & Contract

Rate: $1,436 / week (no duration provided)
Additional: Pays $1436/wk. minimum Equity WCLO Contract

Key Details

Auditions:
Pearl Studios (519), 519 8th Ave, 12th Fl., New York City
Equity Principal Audition
  • Jun 23, 2025: 10:00 AM to 6:00 PM EDT
break, 2-3 p.m.
Seeking talent from New York City, NY
Additional Instructions:

EPA Procedures are in effect for this audition.

Prepare a brief vocal piece that showcases you best and have other materials in your book on possible standby. Also, bring your headshot and resume stapled together.

For more info visit www.tuts.com and https://www.tuts.com/casting

TUTS is committed to diversity and encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities to attend this call. Understudies have not been determined yet.

An Equity Monitor will be provided. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions.

Additional Materials

Season Breakdown

"25th Annual Putnam County Spelling Bee"
Seeking:
Chip Tolentino: An athletic, social, boy scout and champion of the Twenty-Fourth Annual Putnam County Spelling Bee, he returns to defend his title, but he finds puberty hitting at an inopportune moment. C4 - B5. Male presenting character.
Logainne Schwartzandgrunenierre (Schwartzy): Logainne is the youngest and most politically aware speller, often making comments about current political figures. She is driven by internal and external pressure, but above all by a desire to win to make her two fathers proud. She is somewhat of a neat freak, speaks with a lisp, and will be back next year. A3 - F5. Female presenting character.
Leaf Coneybear: The second runner-up in his district, Leaf gets into the competition on a lark and finds everything about the bee incredibly amusing. He is home-schooled and comes from a large family of former hippies. He has severe attention deficit disorder and spells words correctly while in a trance. A3 - A5. Female presenting character.
William Barfee: A Putnam County Spelling Bee finalist last year, he was eliminated because of an allergic reaction to peanuts and is back for vindication. His famous "Magic Foot" method of spelling has boosted him to spelling glory, even though he only has one working nostril and a touchy, bullying personality. He develops a crush on Olive. E4 - B5. Male presenting character.
Marcy Park: A recent transfer from Virginia, Marcy placed ninth in last year's nationals. She speaks six languages, is a member of all-American hockey, a championship rugby player, plays Chopin and Mozart on multiple instruments, sleeps only three hours a night, hides in the bathroom cabinet, and is getting very tired of always winning. She is the poster child for the Over-Achieving Asian, and attends a Catholic school called "Our Lady of Intermittent Sorrows." She is also not allowed to cry. C4 - E5. Female presenting character.
Olive Ostrovsky: A young newcomer to competitive spelling. Her mother is in an ashram in India, and her father is working late, as usual, but he is trying to come sometime during the bee. Having found comfort in its words and vastness, Olive made friends with her dictionary at a very young age, helping her to make it to the competition. She starts enormously shy and shyly blossoms. B3 - F5. Female presenting character.
Rona Lisa Peretti: The number one realtor in Putnam County, a former Putnam County Spelling Bee Champion herself, and the returning moderator. She is a sweet woman who loves children, but she can be very stern when it comes to dealing with Vice Principal Panch and his feelings for her. Her interest in the competition is unflagging and drives it forward. B3 - F5
Douglas Panch: The Vice Principle. Frustrated with his life, he finds the drive of the young spellers alien to him. After five years' absence from the Bee, Panch returns as judge. There was an "incident" at the Twentieth Annual Bee, but he claims to be in "a better place" now, thanks to a high-fiber diet and Jungian analysis. He is infatuated with Rona Lisa Peretti, but she does not return his affections. Male presenting character.
 

Mitch Mahoney: The Official Comfort Counselor. An ex-convict, Mitch is performing his community service with the Bee, and hands out juice boxes to losing students. He has no idea how to offer comfort but does find himself wishing he could find a way to make the kids feel better. E4 - A5. Male presenting character.
Carl Dad: Schwarzy's main trainer, the more intense and competitive of Schwarzy's fathers. Normally played by actor playing Leaf. G3 - D5.
Dan Dad: The more laid back and ineffectual of Schwarzy's fathers. Normally played by the actor playing Mitch. G3 - D5.

Jesus Christ: Deity invoked by a speller in need. Normally played by the actor playing Chip.
Olive's Dad: A fantasy version of Olive's dad coming to the bee from work. Normally played by the actor playing Mitch. E4 - B5.
Olive's Mom: A fantasy version of Olive's mom at her Ashram in India. Normally played by the actor playing Rona. D4 - E5.

"Irving Berlin’s White Christmas"
Seeking:
Bob Wallace: (35-40) A former army captain and half of the song-and-dance duo Wallace and Davis, Bob is a world-wise, cynical yet charming individual with a strong sense of loyalty and duty. He falls for Betty, the elder of the Haynes sisters. His key songs include "Happy Holidays," "White Christmas," "Count Your Blessings Instead of Sheep," and "How Deep is the Ocean." Male presenting character.
Phil Davis: (30-35) Phil, the other half of the duo, is Bob's complete opposite - a fun-loving, adventurous, and somewhat mischievous individual who's always on the lookout for a good time and romance. He's instantly smitten with Judy Haynes. His main songs include "The Best Things Happen While You're Dancing," "Sisters (Reprise)," "I Love a Piano," and "Count Your Blessings Instead of Sheep." Male presenting character.
Betty Haynes: (30-35) Betty is the older Haynes sister. She's independent, pragmatic, and protective of her younger sister Judy. Despite her skepticism, she finds herself falling for Bob. Her featured songs include "Sisters," "Count Your Blessings Instead of Sheep," "Love, You Didn't Do Right By Me," and "How Deep is the Ocean." Female presenting character.
Judy Haynes: (25-30) Judy is the more vivacious and adventurous of the Haynes sisters. She's a romantic at heart and often the driving force behind many of their decisions, including the one to follow Bob and Phil to Vermont. Her key songs include "Sisters," "The Best Things Happen While You're Dancing," "I Love a Piano," and "Snow." Female presenting character.
General Henry Waverly: (50-60) The General is a stern, authoritative figure with a gruff exterior but a kind and caring heart. He's the owner of the failing Vermont Inn and was the commanding officer of Bob and Phil during World War II. He doesn't have any solo songs, but his character plays a significant role in the plot. Male presenting character.
Martha Watson: (45-50) Martha is the General's lovable and nosy housekeeper. She's a Broadway performer in retirement and still has a flair for the dramatic. She has a heart of gold and only wants what's best for the General. Her main songs include "Let Me Sing and I'm Happy" and "Falling Out of Love Can Be Fun." Female presenting character.
Susan Waverly: (9-12) Susan is the General's curious and intelligent granddaughter with dreams of becoming a performer. She's wise beyond her years but still has a childlike innocence about her. She sings "Let Me Sing and I'm Happy." Female presenting character.
Ed Sullivan Show Announcer/ Mike Nulty/ Regency Room Announcer (Off-Stage Voice-taped)
Snoring Man/Ezekiel Foster/Quintet*
Also seeking Chorus Parts and/or Specialties to play the following:
Rita
Rhoda
Tessie
Jimmy
Quintet*
Mrs. Snoring Man
Train Conductor
“Let me Sing and I’m Happy” Specialty (4)
Sheldrake’s Secretary (Offstage Voice–taped)
Regency Room Dancers (3)

"Million Dollar Quartet"
Seeking:
 

ELVIS: 20s; male presenting character; singer/guitar player. Elvis in his 20s at the beginning of his career. Must be familiar with his music and able to play guitar; should sound and look somewhat like Elvis without being an “impersonator.” In the production, Elvis sings: “Memories Are Made Of This,” “That’s All Right,” “Long Tall Sally,” “Peace In The Valley,” “Party,” and “Hound Dog.”
 

JERRY LEE LEWIS: 20s-early 30s; male presenting character; singer/pianist; he was rock ‘n’ roll’s legendary piano prodigy and celebrated “Last Man Standing.” A superb piano player, able to play like Jerry Lee Lewis; fun, energetic; comic skills a plus. In the production, Jerry Lee Lewis sings: “Real Wild Child,” “Great Balls Of Fire,” and “Whole Lotta Shakin’ Goin’ On.”
 

CARL PERKINS: Mid 20s; male presenting character; singer/guitar player (lead guitar); he was the American pioneer of rockabilly music and best known for his song “Blue Suede Shoes.” An excellent lead guitarist. An amp will be provided. In the production, Carl Perkins sings: “Matchbox,” “Who Do You Love?,” “My Babe,” and “See You Later, Alligator.”
JOHNNY CASH: Late 20s-late 30s; male presenting character; singer/guitar player. Johnny Cash at the dawn of his epic career. Must be familiar with his music and able to play guitar; tall; should sound and look somewhat like Johnny without being an “impersonator.” In the production, Johnny Cash sings: “Folsom Prison Blues,” “Sixteen Tons,” “I Walk The Line,” and “Riders In The Sky.”
 

SAM PHILLIPS: Mid-30s-40s; male presenting character; “Father of Rock ‘n’ Roll” and founder of Sun Records who discovered Elvis Presley, Johnny Cash, Jerry Lee Lewis, Carl Perkins, and many others including Roy Orbison and B.B. King; a towering and charismatic figure in American music.
 

DYANNE: 20s-early 30s; female presenting character Excellent singer; she was an aspiring singer and Elvis’s girlfriend; ahead of her time and assertive, she’s a great singer with a wide range; sings solos and back-up throughout the show; sings “Fever” in her alto range and covers the high soprano part of “Riders In The Sky” (Johnny Cash song). In the production, Dyanne sings “Fever” and “I Hear You Knockin’.”

"Beautiful: The Carole King Musical"
Seeking:
 

CAROLE KING: An aspiring singer/songwriter. A unique, appealing, funny and vulnerable girl from a Jewish family in Brooklyn. Talented, good natured, unassuming, and often the peace maker in difficult situations. A reluctant star with no pretense and a passion for music. Age: 18 to 30 (Vocal range: Eb3 to Eb5). Female presenting character.
 

GERRY GOFFIN: Carole’s boyfriend, songwriting partner and eventual husband. Innately sympathetic, wounded and tortured. An ambitious artist always striving for more. Age: 18 to 30 (Vocal range: D3 to A4). Male presenting character.
 

BARRY MANN: A songwriter who becomes romantically involved with Cynthia. He is good natured, appealing & neurotic. Ambitious, but likeable. Age: 18 to 30 (Vocal range: C3 to A4). Male presenting character.
 

CYNTHIA WEILL: A songwriter who becomes romantically involved with Barry. Carole’s best friend. She is sophisticated, smart & chic with a quick wit. Although self-confident and sarcastic, she is also extremely likeable. Age: 18 to 30 (Vocal range: G3 to E5). Female presenting character.
 

ENSEMBLE/DON KIRSCHNER: an influential music publisher and producer. He is a fast talking, energetic force of nature. Powerful, direct & sometimes intimidating, but he has a real affinity for his writers and artists. A hit maker. Age: 40 to 60 (Vocal range: A2 to C#4). Male presenting character.
 

ENSEMBLE/GENIE KLEIN: Carole’s Jewish mother. Once an aspiring playwright, she has been broken down by life & her husband’s infidelity. Protective of Carole and unforgiving of her husband’s mistakes. Age: 40 to 50. Female presenting character.
ENSEMBLE: Strong singers who move to play Drifters, Shirelles, and other various parts in the show. Also, actors who play instruments.

 

Wednesday, June 4, 2025

GROUP 20250604

 

  • Bronxville NY Oct. 11 casting I CAME I SAW I LAUGHED
  • Brooklyn nyc F jun19-22 series
  • FREE Casting Director ZOOM FRI 6JUN, CALL TO REGI..
  • Bronxville NY Oct. 11 casting I CAME I SAW I LAUGHED

    EMAIL SUBMIT PICS RESUME DIRECTLY TO PRODUCER 

    From: "I Came, I Saw, I Laughed" <camesawlaughed@gmail.com>

    I Came, I Saw, I Laughed...

    https://www.icameisawilaughed.com/ 

    Sat,Oct 11 6:00 PM-7:35 PM Bronxville auditorium 1

    Good afternoon Carlo, hope all is well...we collaborated on a project many years ago. (LatinUSA FilmFest @ MSG) I'm currently producing a comedic one night show with Italian American short plays. I would like to coordinate with GIAA in ways where we could both benefit. There are also some casting opportunities. Please take a moment to view our website for more info about the night, and feel free to contact me directly when you have a chance. Thanks in advance for your time, 

    Anthony N. Sarro-Producer  81 Pondfield Road #231, Bronxville NY, 10708 (914)-793-9688

     

    Brooklyn nyc F jun19-22 series

     IG DM



    Tuesday, June 3, 2025

    FREE Casting Director ZOOM FRI 6JUN, CALL TO REGISTER

     

    Free: Casting Director David Vaccari zoom


    Call to RSVP Wednesday or Thursday

     

    +1 212.242.4700

     

    THE LUNCH BUNCH

     

    WHEN:  Friday, June 6, 2025 

     

    TIME:    1:00 pm - 2:00 pm ET

    .......... .. ...10:00 am - 11:00 am PT


    WHERE: Zoom. Meeting ID & Passcode

    ..................emailed Thursday 6:00 pm ET

    ..................to those registered

     

    COST:  ..Free

     









    Friday, June 6, 2025 


    Casting Director DAVID VACCARI, CSA




    new projects he's currently and just starting to cast. This could be a very good day for you.



    David's castings include:


    Film: "Respect" with Jennifer Hudson, "The Intern" with Robert DeNiro, "Focus" with Will Smith, "The Kitchen" with Melissa McCarthy, "Finding Forrester" with Sean Connery, "The Bone Collector" with Denzel Washington.


    TV: "This is Us" [NBC], "House of Cards," "I'm Dying Up Here," "Penny Dreadful," "Nightcap," "A Gifted Man" and "NOS4A2."


    Commercials: Over 1500, for directors such as Martin Scorese, Barry Levinson, Jonathan Dayton, etc.


    Musical Theatre: Original productions of "Rent," "The Capeman" with Paul Simon, "Hedwig," "Hairspray," "Martin Short - Fame Becomes Me."


    Theatre: "GlenGary GlenRoss" and "The Cryptogram for dir. David Mamet, "Humpty Dumpty" and "Talk Radio" starring Eric Bogosian and "A Second Hand Memory" and "Writer's Block" for dir. Woody Allen.




    To your career success,

    Scott Powers Studios 

    1460 Broadway  

    Suite 11045  

    New York, NY 10036 

    t: +1 212.242.4700

    Scott Powers Studios, Inc. | 1460 Broadway Suite 11045 | New York, NY 10036-7329 US

    Unsubscribe | Update Profile | Constant Contact Data Notice

    group 20250603

     

  • NYC EPA Alabama Shakespeare Festival 2025-26 Season
  • NYC boy 4-7 Jun6
  • MAY UNION EFFORTS
  • NY area boys 14-18 Jun 6,11
  • NY area 3Jul 1970s blue collar bowling NON-SAG
  • NYC EPA Alabama Shakespeare Festival 2025-26 Season

    Alabama Shakespeare Festival 2025-26 Season, NYC EPA

    Play
    Musical
    Seeking talent from New York City, NY

    About the project

    COMPANY DETAILS
    Alabama Shakespeare Festival

    James Evans, casting assist.

    Casting Equity actors for roles in Alabama Shakespeare Festival's 2025-26 Season. Season includes "Agatha Christie’s Murder on the Orient Express" (Festival Stage. Quin Gresham, dir. Rehearsals begin Sep. 9; runs Oct. 2-26); "Disney’s Frozen" (Festival Stage. Quin Gresham, dir.; Sam Hay, choreo. Rehearsals begin Nov. 4; runs Nov. 26, 2025-Jan. 4, 2026); "The Lehman Trilogy" (Octagon Stage. Rehearsals begin Dec. 30, 2025; runs Jan. 28-Feb. 15, 2026; possible extension through Feb. 22, 2026); "Much Ado About Nothing" (Festival Stage. Bruce Longworth, dir. Rehearsals begin Feb. 17, 2026; runs March 19-April 5, 2026); "ReCON$ruXion" (Octagon Stage. Tiffany Nichole Greene, dir. Rehearsals begin March 31 or 24, 2026; runs April 23-May 3, 2026); "Chicken & Biscuits" (Octagon Stage. Ron Himes, dir. Rehearsals begin May 12, 2026; runs June 4-21, 2026).

    Roles in this project

    Collapse All Roles
    ACTORS & PERFORMERS
    Equity Actors

    Lead. All Genders. 18+

    To apply, see the "Key Details" section below.

    Ethnicity: All Ethnicities
    Rate: $839 / week (no duration provided)

    Dates & Locations

    Rehearses and runs in Montgomery, AL.

    Compensation & Contract

    Rate: $839 / week (no duration provided)
    Additional: Pays $839/wk. Equity LORT D Non-Rep Contract.

    Key Details

    Auditions:
    Actors' Equity New York Audition Center, 165 W 46th St, 16th Fl, New York City, NY
    Equity Principal Audition
    • Jun 16, 2025: 9:30 AM to 5:30 PM EDT
    break, 1-2 PM
    Seeking talent from New York City, NY
    Additional Instructions:

    EPA Procedures are in effect for this audition. An Equity Monitor will be provided.

    Prepare either two contrasting monologues or one monologue and one song not exceeding two minutes in length. An accompanist will be provided. Bring your headshot and resume stapled together.

    Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit. Always bring your Equity Membership card to auditions.

    Additional Materials

    Season Breakdown

    Agatha Christie’s Murder on the Orient Express
    SYNOPSIS: Just after midnight, a snowdrift stops the Orient Express in its tracks. The luxurious train
    is surprisingly full for the time of the year, but by the morning it is one passenger fewer. An American
    businessman lies dead in his compartment, his door locked from the inside. Isolated and with a killer in
    their midst, detective Hercule Poirot must identify the murderer – in case they decide to strike again.
    Book your passage now for the fast-moving, powerfully theatrical locomotive that is the new stage
    adaptation of Agatha Christie’s Murder on the Orient Express.
    SEEKING:
    Hercule Poirot (Male, 50s–60s) Any ethnicity. Renowned Belgian detective with a meticulous nature
    and sharp wit. Highly intelligent, observant, and eccentric, with a strong sense of justice. Must carry
    the show—charisma and precision are key. Accent: Belgian/French
    Monsieur Bouc (Male, 40s–60s) Any ethnicity. Director of the Wagon Lit company and old friend of
    Poirot. Jovial, affable, and perhaps a bit fond of hearing his own voice. Often serves as comic relief but
    also has moments of seriousness. Accent: French/Belgian
    Mary Debenham (Female, 20s–30s) Any ethnicity. An English governess—poised, intelligent, and
    emotionally restrained. Beneath her calm exterior lies a deep emotional intensity and secret. Accent:
    British (RP)
    Colonel Arbuthnot (Male, 30s–40s) Any ethnicity. A Scottish army officer—stoic, strong-willed, and
    deeply loyal. Holds himself with a military bearing. Will understudy Ratchett. Accent: Scottish
    Princess Dragomiroff (Female, 60s–70s) Any ethnicity. An aging Russian aristocrat with a
    commanding presence. Sharp, sophisticated, and unapologetically proud of her status. Accent:
    Russian
     

    Hector MacQueen (Male, 20s–30s) Any ethnicity. Secretary to the victim. Nervous, slightly awkward,
    but earnest. Loyal and emotionally driven. Accent: American
    Countess Andrenyi (Female, 20s–30s) Any ethnicity. Beautiful and refined Hungarian noblewoman
    with a mysterious past. Intelligent, elegant, and emotionally guarded. Accent: Eastern European
    (Hungarian preferred)
     

    Ratchett (Male, 40s–60s) Any ethnicity. The murder victim. A wealthy American businessman with a
    sinister past. Must appear both charismatic and menacing. Will understudy Arbuthnot.
    Greta Ohlsson (Female, 30s–50s) Any ethnicity. A Swedish missionary and nurse. Kind-hearted,
    emotional, and very religious. Tends to be anxious and nervous under pressure. Accent: Swedish
     

    HELEN HUBBARD (50s–60s) A loud, brassy American woman with a flair for drama and gossip.
    Flirtatious, nosy, and unapologetically outspoken, but hiding more than she lets on.
    Michel (Male, 40s–60s) Any ethnicity. The conductor of the train. Polite, discreet, and professional. A
    supporting role with key dramatic moments. Will understudy the Head Waiter. Accent: French
    Headwaiter / Ensemble (30s-60s) Any ethnicity. A fussy, know-it-all waiter who will also understudy
    MacQueen, Michel, Bouc, and Poirot. Accent: Turkish, French, or RP

    Disney’s Frozen
    For the first time in forever, the beloved Disney film comes to life as a breathtaking theatrical
    experience. In the beautiful mountainous kingdom of Arendelle, Princesses Anna and Elsa grow up
    sheltered inside their castle, isolated from the world and increasingly distant from each other. When
    Elsa is crowned queen, the magical powers she’s desperately tried to conceal from her sister take
    control, and she flees into the mountains. With stunning visuals and unforgettable music and heart,
    Frozen is a magical tale of love, courage, and a bond that can melt even the coldest heart
    SEEKING:
     

    ELSA (Female identifying, Mid 20s-Early30s, Any Ethnicity, Soprano with high belt, F#3 to D5) The
    older of the two princesses and next in line for the throne. She was born with magical powers that she
    is still learning to control. In the past she has unwittingly harmed loved ones with them. Fearful of
    hurting anyone, especially her beloved sister, Anna, Elsa becomes anxious and withdrawn.
    Eventually she learns to take control, and become confident in both her powers and as a leader.
     

    ANNA (Female identifying, Early 20s- mid 30s, Any Ethnicity, Soprano, G3 to D5) The younger of the
    two princesses, she is imbued with a tremendous amount of light, energy, and love. She is a hopeless
    optimist and extreme extrovert. She longs for connection with others, especially her sister, Elsa. Must
    be a strong singer with great comic timing.
     

    KRISTOFF (Male identifying, 20s-30s, Any Ethnicity, Baritone, G2 to A3) A hardworking ice harvester
    who has a sarcastic sense of humor and a rough-around-the-edges exterior that hides his big heart.
    Taken in by the Hidden Folk when he was young, he loves them dearly, but is a bit of a loner. Sven, a
    reindeer is his best friend and trusted confidant.
     

    HANS (Male identifying, mid 20s-30s, Any Ethnicity, Tenor, G2 to B3) An ambitious Prince of the
    Southern Isles and overlooked thirteenth son of a king. He boasts an exceedingly charming façade.
    Acts as a typical Prince Charming, but in reality is self-serving and out for personal gain at any cost.
    Has no value for other people except for how they may benefit him.
     

    OLAF (Any Gender, 20s-40s, Any Ethnicity, Tenor, F#2 to D4) A magical snowman created by Elsa
    when she and Anna were young. Olaf is endearingly delighted by everything - especially the idea of
    summer. Goofy and sweet, Olaf should possess a childlike innocence. Actor must have excellent
    comic timing.
     

    SVEN (Any Gender, Any Age, Any Etnicity) A reindeer, who happens to be Kristoffs best friend and
    companion. Fiercely loyal, though stubborn at times.
     

    PABBIE (Male identifying, 20s-30s, Any Ethnicity, Baritone) The mystical leader of the Hidden Folk
    who has a soft spot for "strays." Along with Bulda, is a parental figure to Kristoff, and always has his
    and the rest of the Hidden Folks best interests at heart, even if they are a bit misguided in their efforts.
     

    BULDA (Female identifying, 20s-30s, Any Ethnicity, Any vocal range) One of the Hidden Folk who has
    a soft spot for "strays." Along with Pabbie, is a parental figure to Kristoff, and always has his and the
    rest of the Hidden Folks best interests at heart, even if they are a bit misguided in their efforts.
     

    WESELTON (Male identifying, 30s on up, Any Ethnicity, Baritione, F#2 to D4) A visiting duke with a
    huge inferiority complex. A bombastic, overbearing sycophant, Weselton's sole purpose is to hobnob
    with influencers and royalty.
     

    BISHOP (Male identifying, 2’s-30s, Any Ethnicity) Officiates the coronation and passing of the crown
    to Elsa. (Can come from Ensemble)
     

    KING AGNARR (Male identifying, 20s-30s, Any Ethnicity, Baritone) The warm-hearted ruler of
    Arendelle who is committed to protecting both his family and the Townspeople. (can come from
    Ensemble)
     

    QUEEN IDUNA (Female identifying, 20s-30s, Any Ethnicity, Mezzo-Soprano) The queen who
    possesses a sense of rightness and kindness that guides her in her protection of her two young girls.
    A daughter of the Northern Nomads, this queen can communicate with the Hidden Folk of the
    mountains and therefore understands Elsa's powers deeply. (Can come from the Ensemble)
     

    OAKEN (Male identifying, 20s-30s, Any Ethnicity, Baritione) An exceedingly cheerful and convivial
    wandering salesperson and ardent devotee to all things cozy and comfortable. Actor must be adept
    with humor. (Can come from Ensemble)
     

    ENSEMBLE (All Genders and Ethnicities, Any Age, Any vocal range) Seeking strong singers and
    dancers to play townspeople, hidden folk, snow dancers, and other various parts in the show. Tapping
    a plus.

    The Lehman Trilogy
    On a chilly September morning in 1844, a young man from Bavaria steps onto a New York dock full of
    dreams and determination. Soon, he’s joined by his two brothers, and their journey takes them not to
    Wall Street, but first to Montgomery, Alabama—where the seeds of a financial empire are sown in the
    heart of the American South. From those humble beginnings, the Lehman brothers rise to
    unimaginable heights, building a firm that would shape—and later shake—the very foundation of
    global finance. 163 years later, their legacy collapses into bankruptcy, igniting the largest financial
    crisis in modern history. The Lehman Trilogy is a sweeping theatrical epic, tracing the rise and fall of a
    single immigrant family and the capitalist machine they helped create. It’s the story of ambition,
    identity, and the price of unchecked success—told through the lens of the American dream from
    Alabama to the world stage.
     

    SEEKING:
     

    Henry Lehman – The eldest of the Lehman brothers. A German-Jewish immigrant from Bavaria and
    the first to arrive in America. The son of a cattle merchant, he is intelligent, driven, and deeply proud of
    the business he is building from the ground up. Practical and tenacious, Henry lays the foundation for
    what the Lehman enterprise will become. Also plays: Philip Lehman, Pete Peterson, and others
     

    Emmanuel Lehman – The middle brother and second to immigrate from Bavaria. Fiery, passionate,
    and sharp-witted, Emmanuel brings ambition and bold ideas to the family venture. He frequently
    clashes with Henry over the direction of the business but ultimately pushes the firm into new territory,
    relocating it from the South to New York. A lover of luxury and refinement—his motto: “always more,
    always better.” Also plays: Herbert Lehman, Lewis Glucksman, and others.
     

    Mayer Lehman – The youngest brother and the last to arrive in America. Calm, thoughtful, and eventempered, Mayer often acts as the peacemaker between his older siblings. He is warm, persuasive,
    and quietly ambitious, helping to guide the family's growing legacy with charm and care. Also plays:
    Bobby Lehman and others.

    Much Ado About Nothing
    SYNOPSIS: The war is over, but the real battle is just beginning—between the sharp tongues and
    stubborn hearts of Beatrice and Benedick. Armed with wit as their weapon of choice, these two rivals
    spar with relentless charm, unaware that love is quietly taking aim. As friends plot to bring them
    together and secrets threaten to tear others apart, Shakespeare’s Much Ado About Nothing delivers a
    whirlwind of romance, deception, and laugh-out-loud mischief. A sparkling comedy where hearts are
    won, masks are dropped, and love triumphs—though not without a fight.
     

    BEATRICE – (Female Identifying, 20s-40s, Any Ethnicity) Witty, intelligent, fiercely independent. She
    masks vulnerability with sarcasm and brilliance. Her verbal sparring with Benedick hides a deep
    capacity for love. Requires strong command of language and comedic timing.
    BENEDICK – (Male Identifying, 20’s-40’s, Any Ethnicity) Charming, clever, and proud. He swears
    never to marry but slowly reveals a tender heart beneath the bravado. His journey from cynicism to
    sincerity is central to the play. Strong comedic skills and chemistry with Beatrice essential.
    HERO – (Female Identifying, Late Teens- 30s, Any Ethnicity) Gentle, kind, and modest. Hero is deeply
    wronged and remains graceful in adversity. She has strength in her quietude.
    CLAUDIO – (Male Identifying, 20s-30s, Any Ethnicity) Young soldier, honorable but naive. Easily
    influenced, his love for Hero is genuine, but his rashness leads to heartbreak.
    DON PEDRO – (Male Identifying, 30s-50s, Any Ethnicity) A nobleman and soldier. Wise, respected,
    and generous, though occasionally blind to nuance. Enjoys matchmaking and mischief.
    DON JOHN – (Male Identifying, 20s-40s, Any Ethnicity) The villain. Bitter, resentful, and jealous. He
    sows discord with subtlety and calculated malice.
    LEONATO –(Male Identifying, 40s-60s, Any Ethnicity) Hero’s father and governor of Messina.
    Dignified and proud, but prone to outbursts. Has a deep sense of family honor.
    DOGBERRY – (Male Identifying, Any Age, Any Ethnicty) The bumbling constable. Overconfident,
    verbose, and hilarious. A master of malapropisms. Comic gold.
    Requires physical comedy and strong character work.
    VERGES / THE WATCH – (Any Gender, Any Age, Any Ethnicty) Sidekick to Dogberry and members
    of the comically inept Watch. Great roles for character actors with physical comedy instincts.
    MARGARET – (Female Identifying, 20s-40s. Any Ethnicity) Hero’s witty and sharp-tongued waiting
    woman. Unwittingly caught in Don John’s scheme.
    URSULA – (Female Identifying, Any Age, Any Ethnicity) Another of Hero’s attendants. Loyal and
    warm. A confidante.

    ReCON$ruXion
    SYNOPSIS: Pulitzer Prize and Tony Award-winning playwright Robert Schenkkan’s ReCON$truXion,
    commissioned by the Alabama Shakespeare Festival for its New Southern Canon, plunges into the
    searing aftermath of the Civil War where the fight for a new America is anything but over. At the center
    stands Congressman John Lynch—a real-life trailblazer and one of the first Black men elected to the
    U.S. House of Representatives—who dares to challenge the broken promises of Reconstruction. As
    power shifts, alliances fray, and justice teeters on a razor’s edge, this bold new work exposes the
    brutal truths of a nation struggling to redefine itself. ReCON$truXion is not just a story of history—it’s a
    thunderous call to confront the past that shaped our present.
    John Lynch – 20-60s Black
    Catherine White/others: 20s Black
    Patrick Lynch- 20s White - Lynch’s father
    Mayor William Sturgis/others- 30s-60s White
    Gov. Adelbert Ames/others- 40s White
    Rep. James Garfield/others: mid 40s, White
    President U.S. Grant Late 40s-early 50s. White
    LQC Lamarr/others 30s to mid 40’s White
    James Wormley/others 50s Black
    Robert Elliott/others 30s Black

    Chicken & Biscuits
    SYNOPSIS: Laughter and chaos collide as the Jenkins family gathers to lay their beloved patriarch to
    rest— only to have the service turn into a feast of family drama when a shocking revelation bursts into
    the room. As past wounds resurface and tempers flare, this uproarious Broadway comedy dares to
    ask: what happens when the truth shows up uninvited? With biting humor and a whole lot of heart,
    Chicken & Biscuits serves up a deliciously messy feast of Black joy, forgiveness, and the fierce love
    that holds us together—even when everything’s falling apart.
     

    BANEATTA MABRY Black woman, late 40s to mid-50s. A dignified, devout Christian matriarch.
    Mother to Kenny and Simone, wife to Reginald. Baneatta is loving—sometimes to a fault—but rigid in
    her faith and traditional values. She means well, but often leads with judgment instead of grace.
    Balances emotional control with moments of vulnerability and humor.
     

    REGINALD MABRY Black man, 50s. Baneatta’s loyal husband and the newly appointed pastor of
    their home church. A warm, affable peacekeeper with a steady presence and a knack for corny Dad
    jokes. The heart of the family, he radiates patience and love. Grounded with strong comedic warmth.
     

    KENNY MABRY Black man, mid to late 20s. The youngest child of Baneatta and Reginald. Kenny is
    openly queer and confident—except around his mother, whose disapproval still deeply affects him.
    Sensitive, quick-witted, and deeply yearning to be seen and accepted. Possesses emotional depth,
    comedic timing, and nuance.
     

    LOGAN LEIBOWITZ White man, mid to late 20s. Kenny’s high-strung, overly analytical Jewish
    boyfriend of four years. Full of nervous energy, Logan is eager to make a good impression and
    struggles to stay calm under pressure—often turning to his weed pen for comfort. Brings neurotic
    charm, sharp timing, and heart.
     

    BEVERLY JENKINS Black woman, 40s–50s. Baneatta’s younger sister. Loud, lively, and always
    dressed to impress. The self-proclaimed “fun aunt” who’d rather party than parent. Beverly is brash,
    unapologetic, and the life of every room—until real feelings sneak through. Possesses big comedic
    energy with emotional grounding beneath the surface.
     

    LA’TRICE FRANKLIN Black female-identifying actor, age 16 (or able to play teen). Beverly’s
    daughter. Bold, nosy, and always in the middle of adults’ business. A Gen Z firecracker with a sharp
    tongue and no filter—but it’s all out of love.
     

    SIMONE MABRY Black woman, 30s. Kenny’s older sister. Polished, poised, and Baneatta’s pride and
    joy. Simone appears put-together but is privately unraveling after a failed engagement. She's sharp,
    slightly shady, and fiercely guarded.
     

    BRIANNA JENKINSBlack woman, 40s–50s. The half-sister no one expected. Daughter of the
    deceased, born from an affair. Sweet, grounded, and emotionally open. She arrives at the funeral not
    to stir drama, but to find peace and connection.

    SYNOPSIS: Before she was Carole King, she was Carole Klein—just a Brooklyn girl with a piano, a
    dream, and a sound all her own. Beautiful tells the extraordinary true story of a young woman who
    transformed heartbreak into hit records and found her voice in the process. King wrote chart-toppers
    for music’s biggest stars and eventually become one herself. Her rise to fame is as powerful as the
    songs that defined a generation. Packed with over two dozen timeless hits—including “You’ve Got a
    Friend,” “Will You Love Me Tomorrow,” “Natural Woman,” and more—this unforgettable musical
    celebration takes you from the songwriting rooms of the Brill Building to the Rock & Roll Hall of Fame.
    Beautiful isn’t just the soundtrack of an era—it’s the story of a woman who changed music forever.
     

    CAROLE KING (20s–30s) – Humble, brilliant, and emotionally open. Grows from shy songwriter to
    iconic solo artist. Plays piano. Mezzo with strong mix/belt.


    GERRY GOFFIN (20s–30s) – Charismatic, passionate, and troubled. Carole’s lyricist and first
    husband. Bari-tenor.


    CYNTHIA WEIL (20s–30s) – Stylish, sharp, and confident. Carole’s best friend and songwriting
    peer. Mezzo with belt.


    BARRY MANN (20s–30s) – Goofy, lovable, and neurotic. Cynthia’s partner and future
    husband. Tenor with falsetto
    Beautiful: The Carol King Musical


    DON KIRSHNER (40s–50s) – Supportive music producer. Believes in talent and success. Baritone;
    minimal singing.
    GENIE KLEIN (50s) – Carole’s tough but loving mother. Mezzo; minimal singing.
    ENSEMBLE – Plays iconic groups (The Drifters, The Shirelles, etc.) and various roles. Strong
    singers/dancers with R&B, soul, and pop style.