Drunk Shakespeare Off-Broadway (NYC 2025)
About the project
Scott Griffin - Producer David Hudson - Director Lisa Klages - Director Kayla Prestel - NYC manager
Every evening, a group of five skilled performers, members of 'The Drunk Shakespeare
Society,'
gather to put on a mesmerizing play. But here's the thrilling twist:
one among them bravely indulges in multiple shots of liquid courage,
setting the stage for an unforgettable performance.
Since 2014,
Drunk Shakespeare has been entertaining audiences from all over the
world with productions in NYC, Chicago, DC, Phoenix, and Houston. Drunk
Shakespeare is a New York Times Critics’ Pick and the Chicago Tribune
said it “may just wind up being one of the most enjoyable ways to
experience a tragedy.” Alumni from the cast have gone on to perform on
Broadway, in the West End, Blue Man Group, The Deuce, Billions,
Sunnyside and on national tours. An eclectic mix of performers, each
bringing their unique flair and artistic prowess to our ensemble. No
matter your background or identity, we invite you to audition for roles
that interest and excite you. Joining our dynamic troupe means being
part of a rotating cast, collaborating closely with the director to
sculpt your character, putting forth your individuality, and
spotlighting your strengths as a performer. It's a celebration of you!
NOTE: With the exception of The Host, all roles will be required to drink alcohol on stage
approximately once a week.
Roles in this project
Applicant Questions
into the society and wrangle the drunk actor while keeping the show in motion. A magnetic performer
with the ability to listen and connect to an audience and a love for hosting a party. Picture wielding a
vast repertoire of impressions, effortlessly slipping into diverse dialects and characters, all while
ensuring the show pulses with excitement and laughter. *Note: This track is NOT required to drink on
stage.
- Comedy: Impressions
Applicant Questions
a valiant soldier returning home from war who is enticed by compelling allure of ambition (and a very
convincing wife). Commanding with excellent Shakespeare chops and the ability to drive the play.
Macbeth often ends up shirtless at the end of the play. (Dependent on the comfort of the actor). *This
role may be required to drink on stage approximately once a week.
- Acting Techniques: Shakespeare Training
Applicant Questions
audience, and propel their joint ascent (and inevitable descent) into power. You also get to play a
pretty gnarly witch. A bold and enchanting character with a strong command of Shakespeare’s text,
ready to mesmerize audiences with every compelling twist of the tale. *This role may be required to
drink on stage approximately once a week.
- Acting Techniques: Shakespeare Training
Applicant Questions
from the confidant best friend to the hilariously hungover, flirtatious porter; a puppet, a witch, and
more. A broad character range and a love for the outrageous. Improvisation and puppetry skills are a major plus! *This role may be required to drink on stage approximately once a week.
- Comedy: Sketch Comedy
electric energetic. A compelling mover and has an impressive musical talent. This track also gets to
play a fun witch and indulge in a little puppetry. Whether you're a singer or a wizard with a guitar, this
role promises an exhilarating fusion of movement, music, and mystique. *This role may be required to
drink on stage approximately once a week.
Dates & Locations
Requesting
submissions now with audition appointments scheduled ASAP. Performers
are integrated into the cast on a rolling basis so there is some
flexibility possible with scheduling put-in rehearsals and show
schedule.
Location: The Ruby Theatre | 35 W 39th St, New York, NY 10018
Compensation & Contract
Weekly - $900 minimum of 8 shows per week
Core - $600 minimum of 5 shows per week
Part Time - guaranteed 2 shows a month or
more at $120 per show
If you have any questions, email: jobs@brassjar.com
Key Details
VIDEO submission with IN PERSON callbacks to follow.
NOTE:
You may choose to submit EITHER or BOTH of the video submissions
(listed below) for your appointment request. If you are interested in
Macbeth or Lady M: pleasure be sure to include a Shakespeare mono. If
you are interested in Banquo or the Host: please include a skills
showcase. If you are interested in Macduff - please be sure to include
musical talent. If you have no idea what you're interested in - send
either or both.
HOW TO SUBMIT
1) Email headshot, resume, and video highlighting any special skills / talents to jobs@brassjar.com with the following in the subject line: NYC - “[YOUR NAME], [THE ROLE(s) YOU WISH TO BE CONSIDERED FOR]”
2) Please include a video (roughly 1-3 minutes) to showcase either or both of:
- a portion of Shakespeare text
- any special skills as outlined below.
Note: Please DO NOT drink as a component of your audition.
VIDEO REQUIREMENTS
Videos
should be sent via shareable link (Youtube, Vimeo, google drive etc.)
but please ensure no password or account is needed and no download is
required. Do not attach a video file to your email.
MATERIAL TO PREPARE
MONOLOGUE
- Shakespeare, 1 minute in length. We would like to meet YOU through
this text, so approach it in a contemporary way that allows your
personality to shine while honoring Shakespeare's intention.
SKILLS
SHOWCASE - Prepare a 1-2 minute video showcasing your special skills.
Examples could include: dialects, impressions, dance, acrobatics,
musical abilities, speaking multiple languages, etc. Let your
imagination run wild! You can incorporate your skills into a speech or
use a more freestyle approach.
Deadline for audition submission:
January 26, 2024 (an extension may be provided upon specific request
with casting director approval. jobs@brassjar.com)
