Saturday, January 27, 2024

NYC Working Girl musical AEA

 

Working Girl

Seeking talent from New York City, NY

About the project

COMPANY DETAILS
Producing Org TBD

Christopher Ashley, dir.; Theresa Rebeck, book; Cyndi Lauper; music-lyrics; Rashad Naylor, casting dir.

Casting Equity actors for "Working Girl."

Equity Actors
Lead. 18-99

To apply, see the "Key Details" section below.

Dates & Locations

Runs March 25-April 19 in NYC.

Compensation & Contract

Additional: Pays $1350/wk. Equity Development Agreement Tier 3 Contract.

Key Details

Auditions:
Pearl Studios (519), 519 8th Ave 12th Fl, Studio D (Audition); Studio F (Holding), New York City, NY, 10018
Equity Principal Audition
  • Feb 8, 2024: 10:00 AM to 6:00 PM EST
Break: 1:30-2:30 p.m.
Seeking talent from New York City, NY
Additional Instructions:

Prepare a brief pop/rock song or contemporary musical theatre song. Bring sheet music for the piano accompanist provided. Bring a headshot and resume stapled together.

EPA Procedures are in effect for this audition. An Equity Monitor will be provided. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions.

Additional Materials

Character Breakdown

"Working Girl"

Tess: female (cis, transgender, or non-binary). Mid 30s. Our heroine. Staten Islander. As her story begins, she is a Wall Street secretary from Staten Island with big dreams. As her story develops, she learns how to break a lot of rules to get what he wants. She’s brave, determined, funny, cunning and full of heartfelt yearning for a better world. In the mid-eighties, she’s the voice insisting that it’s possible to build companies rather than tear them apart. Excellent pop/rock voice.

Cyn: female (cis, transgender, or non-binary). Mid 30s. Tess’s best friend. She is funny, loyal, tender and fierce. Comedic chops, excellent pop/rock voice.

Katharine: female (cis, transgender, or non-binary). Mid 30s — 40s. Tess’s evil boss. She is ultimately the source of all destruction and disappointment in the story. She claims to be Tess’s savior before stabbing her in the back. Funny and definitely chilly. Great singer.

Jack: male (cis, transgender, or non-binary). Late 30s to early 40s. Middle Eastern, North African, Southeast Asian. Tess’s love interest. He is a bit of an underdog when Tess meets him, but together they conspire on a work plan and eventually fall for each other. Comedic chops, great mover, great pop/rock singer.

Mick: male (cis, transgender, or non-binary). Mid 30s. Tess’s hard-rocking boyfriend. Excellent pop/rock tenor voice.

Trask: male (cis, transgender, or non-binary). 60s. The sentimental capitalist. He is all business, but he is also a pussycat. He is in charge of the big corporate deal-making but is simultaneously a tender and delightful family man. Good singer.

Joe: male (cis, transgender, or non-binary). Mid 30s. Cyn’s husband-to-be. A stand-up guy from Staten Island whose dream is to own a string of pizza shops. Great pop/rock voice

Video submit & Juliet tour

& Juliet

Seeking talent from New York, NY

About the project

COMPANY DETAILS
Producing Org TBD

Luke Sheppard, dir.; David West Read, book; Max Martin, music; Bill Sherman, music supervisor; Jennifer Weber, choreo.; Max Martin, Tim Headington, Theresa Steele Page, Martin Dodd, Jenny Petersson, Eva Price, prods.; Stephen Kopel, Carrie Gardner, Jillian Cimini, casting dirs.; Neal Buckley, Sujotta Pace, casting associates


PROJECT DESCRIPTION

Seeking video submissions from Equity actors for roles in "& Juliet."


Equity Actors
Lead. 18+

To apply, see the "Key Details" section below.

Dates & Locations

Rehearsals begin o/a Aug. 19; tour begins o/a Sept. 21.

Compensation & Contract

Additional: Pays $1036/wk. Equity Touring Agreement Level 5 Contract.

Key Details

Seeking talent from New York, NY
Additional Instructions:

Prepare one song from the Dropbox for the character you wish to be considered for. All audition videos must be sent as a streaming link (youtube, vimeo etc). No downloads please. Alternatively, you may instead sing a song of your choice, in the style of the show (pop music) Dropbox: https://www.dropbox.com/scl/fo/3rsk6hrp80ce 61ng2uhhz/h?rlkey=7ub2rl0ke1n1z6y. The employer will accept 126 video submissions from Equity members. Members will sign up online for one of the 126 slots. Only members who get one of the 126 slots will receive a confirmation e-mail with the preparation and submission information. After members' submissions have been viewed, the employer will notify each member who viewed their audition.

"& Juliet" welcomes diversity and inclusion across the spectrum of race, gender, gender identity, gender expression, sexual orientation, religion, neurodiversity, body types and artists with disabilities.

An Equity Monitor will not be provided. The producer will run all aspects of this audition. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions.

Additional Materials

Character Breakdown

"& Juliet" (tour)

Synopsis: The most famous love story of all time....Remixed. & JULIET is the hilarious and fun-loving hit Broadway musical that asks: what if Juliet’s famous ending was really just her beginning? What if she decided to choose her own fate? Soaring with pop anthems from the catalogue of Max Martin, including ...Baby One More Time, Everybody (Backstreet's Back), Since U Been Gone and Can’t Feel My Face, & JULIET is a riotous blast of fun and glorious music that proves when it comes to love, there’s always life after Romeo...

Juliet (early 20s, any ethnicity). The overprotected daughter of the Capulets, limited in her experience of love, but also an unfailingly optimistic rebel-in-waiting. Juliet will challenge social conventions of female modesty and decorum — not a docile, obedient girl, but a confident, independent woman — as she learns to own her choices and love herself for who she truly is. Vocal range: G3 - minimum top D5 belt, strong mix to F5.

Anne/April (30s – mid 40s, any ethnicity) The strong-willed wife of Shakespeare who doubles as Juliet’s best friend. Older than her husband, and in many ways wiser, she is his biggest fan, but also his sharpest critic. Recognizing the parallels between Romeo & Juliet and her own life, Anne’s determination to see Juliet persevere is deeply personal. As she writes herself into the new play as April, we see the fun-loving side of Anne that she hasn’t explored in years. Vocal range: G3 - top D5 full belt.

May (20s, any ethnicity) Loving and always supportive of Juliet, May is a young person discovering who they are in the world. An ideal companion for a trip to Paris with Juliet, May sees an opportunity to start fresh, and finds a newfound strength while fighting for a life-changing relationship. Vocal range: G3 - Bb4.

William Shakespeare (30s – mid 40s, any ethnicity) Handsome, famous, and endlessly aware of his own wit, William Shakespeare is the jolly leader of his company of Players, until his wife Anne begins to question his authority. William enjoys the spirited competition that ensues, and brings a mischievous spirit to rewriting with Anne, until it becomes clear that much more than the fate of his play is at stake, and he is forced to reexamine his priorities. Vocal range: G3 - A4 (or ideally C5).

Romeo (20s, any ethnicity) Juliet’s first love is a notorious womanizer, in love with love, and above all, a drama queen, but he is also a true romantic whose feelings for Juliet go beyond anything he has experienced before. As he comes to terms with mistakes of the past, he, too, is longing for a second chance. Vocal range: G3 - A4.

Francois (20s, any ethnicity) A misunderstood French musician with a playful sense of humour. Like Juliet, Francois is inexperienced in the ways of love, and is dealing with an overly controlling parent. Through Juliet, he develops the courage that will open up a world of possibilities. Vocal range: C#3 - F#4 or G#4.

Lance (40s – 50s, any ethnicity) Francois’ father, a burly former soldier. As a widowed single parent, Lance only wants a better life for his son, but the weight of his expectations is driving a wedge between them. This changes, however, when an unexpected reunion with an ex-lover restores the twinkle to Lance’s eye, and he is reminded of the complicated nature of finding true love. Vocal range: A2 - Eb4. (lowest notes can be a talk/sing if necessary).

Angélique (Nurse) (40s – 50s, any ethnicity) Juliet’s confidante who has cared for her since she was a baby and is closer to Juliet than her own mother. Boisterous, bawdy, and full of surprising sensuality that has long been repressed for Juliet's sake. As Ange´lique becomes the unexpected focus of a reignited romance, she struggles, for the first time, to put her own needs first. Vocal range: needs a minimum D5 in full belt (mix to high F#). Lower notes can be character-y, talk/sung.

NYC & Juliet' EPA tour

& Juliet' EPA

Seeking talent from Manhattan, NY

About the project

COMPANY DETAILS
Producing Org TBD

Luke Sheppard, dir.; David West Read, book; Max Martin, music; Bill Sherman, music supervisor; Jennifer Weber, choreo.; Max Martin, Tim Headington, Theresa Steele Page, Martin Dodd, Jenny Petersson, Eva Price, prods.; Stephen Kopel, Carrie Gardner, Jillian Cimini, casting dirs.; Neal Buckley, Sujotta Pace, casting associates

Equity Actors
Lead. 18+

To apply, see the "Key Details" section below.

Dates & Locations

Rehearsals begin o/a Aug. 19; tour begins o/a Sept. 21.

Compensation & Contract

Additional: Pays $1036/wk. Equity Touring Agreement Level 5 Contract.

Key Details

Auditions:
Ripley-Grier Studios (520), 520 8th Ave, Holding Room: Studio 17R; Audition Room: Studio 17S, Manhattan, NY, 10018
Equity Principal Audition
  • Feb 7, 2024: 10:00 AM to 6:00 PM EST
Break: 1:30-2:30 p.m.
Equity Principal Audition
  • Feb 8, 2024: 10:00 AM to 6:00 PM EST
Break: 12:30-1:30 p.m.
Seeking talent from Manhattan, NY
Additional Instructions:

Bring sheet music for a brief cut of a pop song; please no musical theatre selections. Alternatively, you can choose and prepare a song from the Dropbox link for the character you wish to be considered for. Dropbox: https://www.dropbox.com/scl/fo/3rsk6hrp80ce 61ng2uhhz/h?rlkey=7ub2rl0ke1n1z6y. Additionally, bring your headshot and resume, stapled together.

"& Juliet" welcomes diversity and inclusion across the spectrum of race, gender, gender identity, gender
expression, sexual orientation, religion, neurodiversity, body types and artists with disabilities.

EPA Procedures are in effect for this audition. An Equity Monitor will be provided. The producer will run all aspects of this audition. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions.

Additional Materials

Character Breakdown

"& Juliet" (tour)

Synopsis: The most famous love story of all time....Remixed. & JULIET is the hilarious and fun-loving hit Broadway musical that asks: what if Juliet’s famous ending was really just her beginning? What if she decided to choose her own fate? Soaring with pop anthems from the catalogue of Max Martin, including ...Baby One More Time, Everybody (Backstreet's Back), Since U Been Gone and Can’t Feel My Face, & JULIET is a riotous blast of fun and glorious music that proves when it comes to love, there’s always life after Romeo...

Juliet (early 20s, any ethnicity). The overprotected daughter of the Capulets, limited in her experience of love, but also an unfailingly optimistic rebel-in-waiting. Juliet will challenge social conventions of female modesty and decorum — not a docile, obedient girl, but a confident, independent woman — as she learns to own her choices and love herself for who she truly is. Vocal range: G3 - minimum top D5 belt, strong mix to F5.

Anne/April (30s – mid 40s, any ethnicity) The strong-willed wife of Shakespeare who doubles as Juliet’s best friend. Older than her husband, and in many ways wiser, she is his biggest fan, but also his sharpest critic. Recognizing the parallels between Romeo & Juliet and her own life, Anne’s determination to see Juliet persevere is deeply personal. As she writes herself into the new play as April, we see the fun-loving side of Anne that she hasn’t explored in years. Vocal range: G3 - top D5 full belt.

BK A Little Night Music

A Little Night Music

Seeking talent from Brooklyn, NY

About the project

COMPANY DETAILS
Theater 2020, Inc.

Stephen Sondheim, music-lyrics; Hugh Wheeler, book; David Fuller, producing artistic dir.; Judith Jarosz, producing artistic dir.-dir.-choreo.; Mitchell Brownell, music dir.; Giles Hogya, lighting designer

Member since Jul 12, 2013
10990 Jobs posted
PROJECT DESCRIPTION

Seeking Equity actors for roles in "A Little Night Music."

Equity Actors
N/A. All Genders. 18-99
Ethnicity: All Ethnicities

To apply, see the "Key Details" section below.

Dates & Locations

Rehearsals begin March 12 (Tues.-Sat., 6-10 p.m.; Sun., 2-7 p.m.) at ART/NY South Oxford Space (138 S. Oxford St., Brooklyn); tech runs April 13-14 (12-10 p.m.); dress rehearsals will be April 16-17; runs April 18-May 12 (Thurs.-Sat., 7 p.m.; Sun., 3 p.m.) in Brooklyn Heights, NY.

Compensation & Contract

Additional: Travel stipend. Equity Showcase-NY Contract.

Key Details

Auditions:
A.R.T. South Oxford, 138 S. Oxford St., Holding room, Studio G, First Fl., Brooklyn, NY, 11217
Open Casting Call
  • Feb 9, 2024: 4:30 PM to 9:30 PM EST
  • Feb 16, 2024: 4:30 PM to 9:30 PM EST
  • Feb 17, 2024: 4:30 PM to 9:30 PM EST
  • Seeking talent from Brooklyn, NY
    Additional Instructions:

    Doors will open and sign-ups for the open call begin at 4 p.m. To audition, prepare one song by Stephen Sondheim. A song from "A Little Night Music" is preferable but not necessary. Bring a headshot and resume stapled together.

    Callbacks will be held on Feb. 24-25 (4-10 p.m.)

    Theater 2020 is committed to casting without regard to race or ethnic origin and encourages all ethnicities to audition. For more info, go to www.theater2020.com

    Venue: The Mark O'Donnell Theater at the Entertainment Community Fund Arts Center, 160 Schermerhorn St., Brooklyn, NY 11201.

    An Equity Monitor will not be provided. The producer will run all aspects of this audition. Always bring your Equity Membership card to auditions.

    Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

    Additional Materials

    Character Breakdown

    “A Little Night Music”
    Seeking:
    - Fredrik Egerman: (age 45-60) A successful widowed middle-aged lawyer. Once upon a time, he had an affair with an actress named Desiree, whom he has never forgotten. He is married to the 18-year-old Anne and has one son from his previous marriage, Henrik. Fredrik is a baritone with a range of Bb2 to E4.
    - Anne Egerman: (age 18) Fredrik's new, naive wife who, though they have been married for 11 months, is still a virgin. She does not know that she is secretly loved by her step-son, Henrik. Anne is a soprano with a range of G#3-G#5.
    - Henrik Egerman: (age 20-25) Fredrik’s gloomy, ignored son who is studying to become a minister. He is secretly in love with Anne, his step-mother, but temptations abound in the person of Petra, the family maid. He is a cello player, so the ability to truly play the cello is a major advantage for being cast, but it is not a requirement! Playing another non wind instrument, piano, accordion, etc. could also be an advantage. Henrik is a tenor with a vocal range of G2 to B4.
    - Petra: (age 20s-30s) Anne's maid and closest confidante. She is lusty, earthy, and practical about her status in life. Petra is a mezzo-soprano/alto with a range of F#3-B4.
    - Desiree Armfeldt: (age 35-50) An attractive, self-absorbed, once-successful actress, now touring the country-side in what is clearly not the "glamorous life.” She bore her daughter, Fredrika, after an affair with Fredrik (he does not know). Like her mother, she has had many lovers and knows how to “handle” men but is getting tired of that lifestyle. Desiree is a mezzo-soprano/alto with a range of E3- B4.
    - Fredrika Armfeldt: (age 13-16) Desiree’s daughter by Fredrik (unbeknownst to Fredrik) she is a very sophisticated young lady who is wise beyond her years. Living with her grandmother, Madame Armfeldt, while her mother travels, she secretly longs for Desiree to settle down and assume a normal life. Fredrika is a soprano with a range of C4-Eb5.
    - Madame Armfeldt: (age 65+) Desiree's mother, who has had "liaisons" with royalty. She had many lovers over the years, making sure she secured something of monetary value from each relationship, but never truly finding love. She dispenses wisdom to her granddaughter, Fredrika, whom she cares for while Desiree is on the road. Madame is a contralto with a range of C3-F#4.
    - Count Carl-Magnus Malcolm: (age 30s-40s) A military man who is pompous, arrogant, & egomaniacal. He is married to Charlotte while having an affair with Desiree. Carl-Magnus is a baritone with a range of C3 to F4.
    - Charlotte Malcolm: (age 30s-40s) The put-upon wife of Carl-Magnus, Charlotte is fully aware of his repeated infidelities but is powerless to stop them. Childless, she has devolved into a cynical depression and is willing to take down everyone else with her. Charlotte is a mezzo-soprano/alto with a range of G3-B4.
    - Frid: (age 25-40) Frid is Madame Armfeldt’s butler/manservant who is attracted to Petra. He does not have a specified vocal range, but he will sing in his personal range in the group numbers along with everyone else. Frid may be played by the actor playing Mr. Lindquist, depending on casting.
    - The Quintet/Liebeslieder Singers: The Greek chorus of the show and a VERY important aspect of this cast. They have some of the most vocally interesting music to sing, and they may also double with some other characters. They have a number of scenes which require both vocal as well as acting skill and must be skilled at singing harmony. The include:
    - Mrs. Nordstrom: (Any Age) Ms. Nordstrom is a soprano (B3-C6 (E6)
    - Mrs. Segstrom: (Any Age) Ms. Segstrom is a soprano (B3-Bb5)
    - Mrs. Anderssen: (Any Age) Ms. Anderssen is a mezzo-soprano/alto (Ab3-G5 (Bb5)
    - Mr. Erlanson: (Any Age) Mr. Erlanson is a tenor (C3-Bb4)
    - Mr. Lindquist: (Any Age) Mr. Lindquist is a baritone (G#2-F#4)
    - Understudies (4): Tenor, Baritone, Soprano and Mezzo/Alto who wll play servants in the Armfeldt household and cover roles TBD.