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Meeting today agenda:
People's Light 2023-24 Season
Zak Berkman, producing artistic dir.; Erica Ezold, dir. of finance and operation; Erin Sheffield, general mgr.
Seeking Equity stage manager submissions for People's Light's 2023-24 Season. Season includes: "Bones" (Steve Broadnax III, dir. Rehearsal begin Aug. 22 2023; opens Sep. 27 2023; closes Oct. 2, 2023); "A Christmas Carol" (Nell Bang-Jensen, dir.; Rehearsal begin Oct. 12t, 2023; opens Nov. 19 2023; closes Dec. 31 2023); "Small" (Roberto Montano, writer; Jessie Hill, dir. Rehearsal begin Dec. 19 2023; opens Jan. 14 2024; closes Jan. 28 2024); "The Ripple, the Wave that Carried Me Home" (Christina Anderson, writer; TBD, dir. Rehearsal begin Jan. 23 2024; opens Feb. 25 2024; c closes March 24 2024); TBD (Molly Rosa Houlahan, dir. Rehearsal begin April 2 2024; opens May 5 2024; closes May 26 2024); TBD (TBD, writer; Abigail Adams, dir. Rehearsal begin May 10 2024; opens June 16 2024; closes July 7 2024); TBD (Rehearsal begin July 2 2024; opens Aug. 11 2024; closes Sep. 1 2024).
To apply, see the "Key Details" section below
Rehearses and performs in Malvern, PA.
New York City, NY
To request an audition appointment, fill out the following form: https://docs.google.com/forms/d/e/1FAIpQLScOFaWS9n9EB1p3fagA91bowtA3ivS7pbLMsd4fPKdFEGB_Yw/viewform.
Applicants will receive an audition time confirmation via email. If
applicants would like to be seen and did not sign up for an audition, we
will accept walk-up appointments on the day of auditions from 10:30
a.m. to 6:30 p.m. The form will close on Feb. 16 at 12 p.m. ET.
Audition instructions: Prepare a brief monologue or song of the
applicant's choice. If singing, use accompaniment. An accompanist will
be provided. Slate before the audition. Note: Slots do not exceed 3
minutes in length, per equity rules. Bring a headshot and resume stapled
together.
We welcome Actors of all races and all gender
identities, abilities/exceptionalities, and body types. Take this into
consideration when auditioning. In addition to genders listed in
character breakdowns, we are actively. Seeking trans and non-binary
performers for all roles. If applicants haven’t received their audition
time slot confirmation by or on Feb. 18, check all spam and junk
folders. Then reach out to casting@peopleslight.org
with inquiries. An Equity Monitor will not be provided. The producer
will run all aspects of this audition. Equity encourages everyone
participating in the auditions to wear a two-ply cloth face mask,
surgical mask, singer’s mask or respirator (N95, KN95 or KF94).
Single-ply face masks, gaiters and bandanas are not recommended.
Singer’s masks can be found at www.broadwayreliefproject.com/singersmask.
Equity encourages members to prepare for their audition prior to
arriving at the audition venue, to the extent that they can (e.g., get
dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing
rooms. Holding/Audition room information: The maximum capacity in the
holding room is: 40; The maximum capacity in the audition room is: 11.
Equity’s
contracts prohibit discrimination. Equity is committed to diversity and
encourages all its employers to engage in a policy of equal employment
opportunity designed to promote a positive model of inclusion. As such,
Equity encourages performers of all ethnicities, gender identities, and
ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
"Bones" By Steve Broadnax III; Directed by Steve Broadnax III. Seeking:
TREY - he/him, Black, mid 30s to early 40s. Professor of Behavioral Studies.
REMELLO - he/him, Black, mid to late 30s. Barber. Lover of sports and WWE Wrestling. Father of two boys.
PJ - he/him, Black, mid 30s to early 40s. Actor.
DEREK - he/him, Black, mid to late 20s. Graduate Student at Columbia College; New York
"A Christmas Carol" Adapted from Charles Dickens by Zak Berkman; Directed by Nell Bang-Jensen. Seeking:
ENSEMBLE: any gender, any race, strong singer, strong physical theater background, 20-30s.
"Small" By Roberto Montano; Directed by Jessie Hill
This Production Is Fully Cast
"THE RIPPLE, THE WAVE THAT CARRIED ME HOME" By Christina Anderson; Directed by: TBD. Seeking:
Janice – she/her, Black, 20s-40s, the daughter
Helen – she/her, Black, 30s-40s, the mother
Gayle – she/her, Black, 30s-40s, the aunt
Edwin – he/him, Black, 30s-40s, the father
People's Light 2023-24 Season, Stage manager submissions
Zak Berkman, producing artistic dir.; Erica Ezold, dir. of finance and operation; Erin Sheffield, general mgr.
Seeking Equity stage manager submissions for People's Light's 2023-24 Season. Season includes: "Bones" (Steve Broadnax III, dir. Rehearsal begin Aug. 22 2023; opens Sep. 27 2023; closes Oct. 2, 2023); "A Christmas Carol" (Nell Bang-Jensen, dir.; Rehearsal begin Oct. 12t, 2023; opens Nov. 19 2023; closes Dec. 31 2023); "Small" (Roberto Montano, writer; Jessie Hill, dir. Rehearsal begin Dec. 19 2023; opens Jan. 14 2024; closes Jan. 28 2024); "The Ripple, the Wave that Carried Me Home" (Christina Anderson, writer; TBD, dir. Rehearsal begin Jan. 23 2024; opens Feb. 25 2024; c closes March 24 2024); TBD (Molly Rosa Houlahan, dir. Rehearsal begin April 2 2024; opens May 5 2024; closes May 26 2024); TBD (TBD, writer; Abigail Adams, dir. Rehearsal begin May 10 2024; opens June 16 2024; closes July 7 2024); TBD (Rehearsal begin July 2 2024; opens Aug. 11 2024; closes Sep. 1 2024).
To apply, see the "Key Details" section below
Rehearses and performs in Malvern, PA.
Malvern, PA
For consideration submit a resume to casting@peopleslight.org. In the subject line of the email type "AEA Stage Manager and your name." Submission deadline is Feb. 27.
We
welcome all races and all gender identities, abilities or
exceptionalities, and body types. Take this into consideration when
submitting. Equity’s contracts prohibit discrimination. Equity is
committed to diversity and encourages all its employers to engage in a
policy of equal employment opportunity designed to promote a positive
model of inclusion. As such, Equity encourages performers of all
ethnicities, gender identities, and ages, as well as performers with
disabilities, to submit.
"Bones" By Steve Broadnax III; Directed by Steve Broadnax III. Seeking:
TREY - he/him, Black, mid 30s to early 40s. Professor of Behavioral Studies.
REMELLO - he/him, Black, mid to late 30s. Barber. Lover of sports and WWE Wrestling. Father of two boys.
PJ - he/him, Black, mid 30s to early 40s. Actor.
DEREK - he/him, Black, mid to late 20s. Graduate Student at Columbia College; New York
"A Christmas Carol" Adapted from Charles Dickens by Zak Berkman; Directed by Nell Bang-Jensen. Seeking:
ENSEMBLE: any gender, any race, strong singer, strong physical theater background, 20-30s.
"Small" By Roberto Montano; Directed by Jessie Hill
This Production Is Fully Cast
"THE RIPPLE, THE WAVE THAT CARRIED ME HOME" By Christina Anderson; Directed by: TBD. Seeking:
Janice – she/her, Black, 20s-40s, the daughter
Helen – she/her, Black, 30s-40s, the mother
Gayle – she/her, Black, 30s-40s, the aunt
Edwin – he/him, Black, 30s-40s, the father
"TBD" Directed by Molly Rosa Houlahan
"TBD" By: TBD; Director: Abigail Adams
"TBD"
Not AEA, local hires only, but can expedite if your GIAA membership less than 1 year
https://thecarnegie.com/auditions/
The Carnegie is accepting video submissions for our Summer 2023 productions of KINKY BOOTS and GUYS AND DOLLS.
KINKY BOOTS
June 30 – August 19, 2023
Directed by Lindsey Augusta Mercer
Music Directed by Steve Goers
GUYS AND DOLLS
July 29 – August 18, 2023
Directed and Choreographed by Eric Byrd
Music Directed by Steve Goers
Auditions by Video Submission.
Submissions are due by 11:59 PM EST on February 28, 2023.
Performers must be 16 years of age or older to submit an audition.
What to send:
Audition videos will only be accepted as links. Files requiring download will not be accepted. Please create separate videos for each song and the dance combination. You will be asked to submit them separately in the online form.
Please ensure that privacy settings are such that we are enabled to view by the link only, with no need for password or additional access request. Please film your material in a horizontal/landscape frame on a solid background or plain wall. A ¾ shot is preferred for vocal selections
Your headshot must be an image file and your resume must be in PDF format. Both should be labeled with you name (i.e. Gabbard_Tyler.pdf)
Please submit your audition here: https://forms.gle/Cqsc3yGwshypKXfd7
Callbacks
Callbacks
will be a mix of live and digital based on the availability of the
auditionee and production staff. In-person callbacks are planned for
Monday, March 20.
Casting
All auditionees will be notified of casting outcomes by March 31, 2023.
The Carnegie is committed to inclusive casting. All races, ethnicities, gender identities, body types, and mobilities are encouraged to apply. Pronouns listed in the character breakdown refer to the genders of the characters only. Actors should submit for any roles they feel comfortable playing.
Also Note:
Rehearsals and Performances
Rehearsals
will take place in the evenings and on weekends. Daytime rehearsals may
be added based on the availability of the cast and production staff.
Conflicts will be accepted on a limited basis. The Carnegie strives to provide flexible opportunities for artists to pursue their craft in an environment that respects work-life balance. If conflicts are too numerous, we reserve the right to retract our offer. No performance conflicts will be accepted.
COVID-19 Policies
The
Carnegie fervently encourages all auditioners to seek the Covid-19
vaccination before attending in-person callbacks. Proof of a completed
initial vaccine course is required before the start of rehearsals for
all company members. Rehearsals may be conducted in masks depending on
virus transmission rates. Performances and audiences will not be masked.
GUYS AND DOLLS
A Musical Fable of Broadway
Music and Lyrics by Frank Loesser
Book by Jo Swerling and Abe Burrows
Based on a Story and Characters of Damon Runyon
Directed and Choreographed by Eric Byrd
Music Directed by Steve Goers
GUYS AND DOLLS is musical theatre at its show-stopping best! Hailed by many as the perfect musical comedy, this colorful classic follows a rowdy bunch of gamblers and showgirls in a wild game of chance and love. Set in bustling 1950s Manhattan, GUYS AND DOLLS features some of the most memorable showtunes of all time, including “Luck Be a Lady,” “I’ve Never Been in Love Before,” and the irrepressible anthem “Sit Down, You’re Rockin’ the Boat.”
Rehearsals: July 2-28
Performances:
Saturday, July 29, 7:30 PM
Sunday, July 30, 3:00 PM
Friday, August 4, 7:30 PM
Saturday, August 5, 7:30 PM
Saturday, August 12, 7:30 PM
Sunday, August 13, 3:00 PM
Thursday, August 17, 7:30 PM
Friday, August 18, 7:30 PM
Available Roles
Nathan Detroit (He/Him)
A
good-hearted gambler and craps game organizer who could never hit the
bigtime. He loves Adelaide, but cannot quit his gambling ways. A broke
schemer with unwitting ways.
Baritone (Eb4-B4)
Miss Adelaide (She/Her)
Nathan’s
fiancé and a lead performer at the Hot Box nightclub. She loves Nathan
more than anything in the world and desperately wants to get married.
Pretty, outspoken, stubborn.
Mezzo-Soprano (A3-D5)
Sky Masterson (He/Him)
A
high-stakes gambler whose luck never seems to run out, and a wild card
who surprises himself when he falls in love with the unlikeliest of
women. Suave, smart, handsome.
Baritone (Bb3-D5)
Sarah Brown (She/Her)
A
pretty, bright-eyed woman who serves as Sergeant of the local Mission.
She fully believes in her worthy cause and wishes to convert the
gambling sinners to saints. Falls unexpectedly in love with Sky along
the way. She is prudish and uptight, but eventually lets go.
Soprano (Bb3-E5)
Nicely-Nicely Johnson (He/Him)
Just
like his name suggests, he is the nicest and cheeriest of the gambling
crooks. High-spirited and a bit naïve, but sincere and genuine. Nathan’s
loyal friend and lackey.
Tenor (Bb3-F5)
Benny Southstreet (He/Him)
Nathan’s
right-hand man and a gambler himself. Smart, slick, always moving and
shaking, but with what he thinks are Nathan’s best interest at heart.
Baritone (Bb3-E5)
Arvide Abernathy (He/Him or She/Her)
The bass drum and cymbal player in the Mission band and Sarah’s loving grandparent. Wise and sweet.
Harry The Horse (He/Him)
A
crook and gambler. He is a tough guy with dollar signs as his bottom
line. Brings Big Jule into Nathan’s craps game and backs his cheating
but is also a man of his word in the gambling community.
Lt. Brannigan/Ensemble (He/Him)
A
New York police officer who is on to Nathan’s illegal craps games and
is dead set on catching him. A tough, no-nonsense character.
Big Jule (He/Him)
A
big time craps player from Chicago who uses a gun and his own pair of
rigged dice to bully his way into never losing. Tough looking. A bit of
an oaf.
General Matilda B. Cartwright (She/Her)
The regional representative of the Save-a-Soul missions. Powerful, matronly, and no-nonsense.
Mezzo-Soprano
Rusty Charlie (He/Him)
Angie the Ox (He/Him)
Hot Box Dancers/Ensemble (She/Her)
A chorus of performers who back-up Adelaide in her nightclub act. Strong dancing, singing and character performance required.
