Monday, September 12, 2022

Celeb Host Judges Stand Ins Monday NYC reading prompter comfortable


 

Hadestown,Tour AEA future replacements

Hadestown,Tour

CATEGORY:Theater: Musical
TAGS:Paid Union
EXPIRES:September 18, 2022 10:00 PM

Company

Hadestown North American Touring LLC

Company: Hadestown North American Touring LLC. Staff: Dale Franzen, Mara Isaacs, Hunter Arnold, Tom Kirdahy, prods.; Anais Mitchell, book-music-lyrics; Rachel Chavkin, dir.; David Neumann, choreo.; Liam Robinson, music dir.; Duncan Stewart, CSA & Benton Whitley, CSA (Stewart/Whitley), casting dirs.; Micah Johnson- Levy, assoc. casting dir.; RCI Theatricals general mgr.


Casting Equity actors for possible future replacement principal roles in the touring production of "Hadestown". All stage managerial positions have been filled.

Actors & Performers

Equity Actors for Possible Future Replacement Principal Roles: 18+
production states: "We welcome performers of all ethnicities, gender identities, and body types. We are seeking actors with unique, vibrant singing skills. Certain roles will also require strong instrumental abilities. Actors of diverse cultural and racial backgrounds are encouraged to apply. In general, we are not looking for conventional “music-theatre style”/vibrato singers. We are seeking singers capable of pure tones and/or vibrato that feels informed by jazz/rock/gospel."

To apply, see the "Key Details" section below

Rehearsal and Production Dates & Locations

Touring currently.

Compensation & Contract Details

All Roles

Pays: $1,073.00 - $1,073.00/ Week

Total: $1,073.00 per week (Estimated duration: (Estimated duration: Not Provided))

Additional: Pays $1,073/wk. Equity Short Engagement Touring (Category 1) Contract.

Key Details

Auditions:
Pearl Studios (519), 519 8th Ave, 12th Fl., New York City, NY, 10018
Equity Principal Audition
  • Sep 23, 2022: 9:30 AM to 5:45 PM EDT

lunch break, 1:45 p.m.–2:30 p.m. Check in 12th-floor lobby upon arrival for any changes.
Seeking talent from:

New York City, NY

Additional Instructions:

For consideration, prepare a brief non musical theatre song (folk, rock, jazz, gospel, etc.). An accompanist will be provided. Note: There will be no dancing at this call. Bring a picture and resume, stapled together. Submissions deadline is Sep. 19 at noon EDT. For an audition appointment, sign up at https://forms.gle/kxLwafWmsQpdvwFX6 If all slots are full, email hadestownaudition@gmail.com with “Hadestown Tour EPA Waitlist” in the subject line, to add yourself to the waitlist. Once submissions are closed, confirmations will be sent out and any open slots will be allocated to individuals on the waitlist.

Requirement for proof of vaccination/negative test: Everyone entering the audition venue (i.e., venue employees, Equity members, non- members, casting personnel, creatives, producers, musicians, COVID Safety Managers, etc.) will be required to undergo a symptom check and provide one of the following prior to entry into the venue: Proof of full vaccination. “Fully vaccinated,” as defined by the CDC, is more than 14 calendar days following receipt of a final dose of an FDA or World Health Organization authorized or approved vaccine. Or Proof of a negative PCR test result taken no earlier than 48 hours prior to entry into the audition venue. Or Proof of two negative antigen test results (e.g., the first taken the night before and the second taken no less than 2 hours) prior to entry into the venue. Results of non-proctored at-home antigen tests will not HADESTOWN (Tour) - NYC EPA Page 3 of 4 be accepted.*Remove this it’s the footer* Two-ply cloth face masks, surgical masks, singer’s masks and respirators (N95, KN95 or KF94) will be allowed for face coverings. Single-ply face masks, gaiters and bandanas are not acceptable face coverings. Everyone in the holding room and audition room will always wear a face covering as described above, except for the actor when they are actively auditioning. The time spent unmasked should be as minimal as possible. Face coverings must be worn correctly (covering the nose and mouth). Singer’s masks can be found at www.broadwayreliefproject.com/singersmask.

If the risk level for New York County is trending upwards and may rise to High (Red) we will contact members with appointments at least 24 hours before the first audition appointment time to let them know there is a chance that the auditions may need to be postponed or cancelled. All members with appointments will be notified if the auditions must be postponed or cancelled. We encourage members to prepare for their audition at home, to the extent that they can (e.g., get dressed, hair/make-up, etc.) to avoid crowding in bathrooms and dressing rooms. Audition room: Studio D (max capacity: 100 persons). Holding room: Studio F (max capacity: 40 persons).

An Equity Monitor will not be provided. The producer will run all aspects of this audition. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions.

Additional Materials

Breakdown

Orpheus: High Tenor with falsetto up to G#5. (A2 – F5). 20s to 30s, male, any ethnicity. Orpheus is an optimist, an idealist, a counter-culturalist. There should be something special about his pipes. Not a conventionally handsome leading man, Orpheus should feel unique and have the sensitive soul of an artist. Plays guitar.

Hades: Bass. G1 – Eb4 (will consider G2 – Eb4). 40s-60s, male, any ethnicity. Lord of the Dead. Powerful, immortal and deeply in love with Persephone. Has a major seductive power and strong authoritative presence. Tyrannical and a bit menacing.

Persephone: Alto/Mezzo. (E3 – C5). 40s to 60s, female, any ethnicity. Goddess, playful, mercurial, fun and sexy. Persephone is not too feminine and lets her sharp edges show. She is the seasons and is cut from the same cloth as Orpheus. She has a wryness and intelligence that she uses sharply for both entertainment and as a defense mechanism.

Hermes: Tenor/baritone. (D3 – B4). 30s-80s, any ethnicity. Hermes is the narrator/guide/emcee of the story. Charismatic, often mysterious, with a trickster-ish quality.

Eeurydice: Alto/Soprano. (E3 – E5). 20s to early 30s, female, any ethnicity. A practical leading heroine with an extremely vulnerable underbelly, a haunted bird. She takes the leap to the underworld as a step towards something reliable. There is both toughness and delicacy in her being and her singing; she uses a belt for some songs, real subtlety for others.

The three fates: Powerful and dark. Operate as one of the “voices in the heads” of the other characters. All three of the Fates play an instrument of some kind, are skilled with harmonies, and are good movers.

Fate 1: Soprano. (F#3 – E5). Any age, any ethnicity.
Fate 2: Alto/Mezzo/ Soprano. (G3 – E5). Any age, any ethnicity.
Fate 3: Low alto. (F3 – C5). Any age, any ethnicity.

Saturday, September 10, 2022

The Marvelous Mrs. Maisel,' College Students & Reunion Attendees NYC Females

The Marvelous Mrs. Maisel, College Students & Reunion Attendees

CATEGORY:TV / Series: Scripted Show
TAGS:Paid Nonunion
EXPIRES:September 14, 2022 7:59 PM

Company

Grant Wilfley Casting

Jackie B, casting dir.


Casting non-SAG females to portray 1960s College Students and Reunion Attendees for work on The Marvelous Mrs. Maisel!

Actors & Performers

1960s College Students & Reunion Attendees (Non SAG Covered): Background / Extra, Female, 18-40
Draft saved on Sep 10, 2022
Grant Wilfley Casting is seeking non SAG females to portray 1960s College Students & Reunion Attendees & for work on The Marvelous Mrs. Maisel! Seeking Non SAG Women, 18-late 30s to portray 1960s college students or college reunion attendees for a scene with Midge Maisel!
YOU MUST BE AT LEAST 18 YEARS OF AGE TO WORK!

Tentative Shoot Dates: 9/19 OR 9/20
Covid Test for Shoot Date: 9/15 & 9/16
Costume Fitting: 9/13
Covid Test for Fitting: 9/12
*All Dates Tentative*

VAX POLICY --- Consistent with the newly re-negotiated Return to Work Agreement, this production has a mandatory vaccine policy for individuals working in Zone A Cast and Crew, which includes background actors. ALL Zone A must be up to date with their vaccines, including boosters, by March 15, 2022. The Return to Work Agreement stipulates that effective March 15, 2022 only individuals who are “up to date” on their vaccines, as that term is defined by the CDC, shall be considered “fully vaccinated.” Per the CDC, individuals are considered “up to date” on their vaccines if they have received a booster dose at least 5 months after the last dose of either the Pfizer or Moderna vaccine or a booster dose at least 2 months after the first dose of the J&J/Janssen vaccine. This production may make limited accommodations as required by law for individuals that cannot be vaccinated because they have a disability and/or a sincerely held religious belief.


Work Requirements
- Must be okay working around atmospheric smoke. No wool allergies.
-Must have full day/night availability as we don't get the call time until the day before.
-Interior/Exterior work with period (1960s) appropriate winter/spring wardrobe.
- This role is not covered by a SAG-AFTRA CBA.
- MUST BE AT LEAST 18 YEARS OLD TO WORK THIS SCENE!

Wardrobe/Hair & Make Up Notes
- Men must be okay getting a period appropriate haircut, if needed, and being clean shaven on the shoot date.
-Women's hair requirements are as follows: No fashion colors. No wigs. No weaves. No braids. No undercuts. No ombré or unnatural looking highlights. No roots if hair is colored. Hair must be above the shoulders; it CANNOT touch the shoulders. If hair touches shoulders, it will need to be cut by our hair dept. Short hair is great. Any texture is ok. Gray hair on more mature women is great.
-No Tattoos for women. Men cannot have any visible tattoos that won't be covered in a suit.
Ethnicity: All Ethnicities
Required Media: Headshot/Photo

Rehearsal and Production Dates & Locations

Fittings Sept. 13 in Brooklyn, NYC; Testing Sept. 12, 15, 16 in Brooklyn, NYC; shoots Sept. 19 or 20 in NYC area. Note: All dates tentative.

Compensation & Contract Details

All Roles

Pays: $210.00 (Flat Rate)

Total: $210.00 for an estimated 13 hours of work

Additional: Rate Details: $210/12hrs for each shoot date. $60 covid test stipend.

Key Details

Seeking talent from:

New York City, NY

Additional Instructions:

To submit, email 

tmmm@gwcnyc.com 

with the following information: Subject line should say "Backstage College Reunion, Fitting 9/13." Your name, phone. Are a member in good standing with SAG-AFTRA? Are you available for Sept. 19 or 20 shoot date? Are you available for Sept. 12, Sept. 15 and Sept. 16 covid test? Are you available for Sept. 13 fitting? All wardrobe sizes ( Women: height, weight, dress, bust, waist, hip, shoe.) If you wear glasses or have piercings, are you okay working without them? Women: what is the current length of your hair? Women: does your hair touch your shoulders? Women: if your hair touches your shoulders, are you okay having it cut by our hair dept? Women: do you have any highlights, undercuts, weaves, extensions, braids, balayage or color in your hair? Or do you wear a wig? Have you worked on the show this year? If so when and as what? Are you local to the NY tri-state area? Have you read the vaccine requirement for this show? Confirm you are 18 years old or older. Do you have any tattoos? (this includes, hands, calves, feet, ankles, back of neck, behind the ear.) Attach current, candid photos. Need to see current hair style and length. One photo should be full body.

A Christmas Carol AEA NYC

A Christmas Carol

CATEGORY:Theater: Play
TAGS:Paid Union
EXPIRES:September 23, 2022 4:55 AM

Company

Indignant Potato LLC

Michael Arden, Dane Laffrey, playwrights; Hunter Arnold, Kayla Greenspan, producers; Jefferson Mays, Susan Lyons, Michael Arden, adaptation; Michael Arden, dir.; Stephen Kopel, Carrie Gardner, casting dirs.

Production Description

Seeking video submissions from Equity actors for roles in Charles Dickens's "A Christmas Carol," a play. Note: There are no available stage management
positions at this time.

Actors & Performers

Standby for The Mourner: 40-65
a transformative, virtuosic player that embodies over 50 roles. Comfortable with classical text and multiple British dialects. Highly skilled, physically nimble, full of stamina, and excellent with memorization.

To apply, see the "Key Details" section below

The Spectre: 35-55
highly physical. Skilled in movement, dance, body control, and isolation. Between 5’9" and -5’11".

To apply, see the "Key Details" section below

The Mourner understudy/Spectre understudy: 35-65

To apply, see the "Key Details" section below

Rehearsal and Production Dates & Locations

Rehearsals begin Oct. 13; runs Nov. 8, and Nov. 21- Jan. 1, 2023, in NYC.

Compensation & Contract Details

All Roles

Pays: $2,323.00 - $2,323.00/ Week

Total: $2,323.00 per week (Estimated duration: (Estimated duration: Not Provided))

Additional: Pays $2,323 Equity Production League Contract.

Key Details

Seeking talent from:

New York, NY

Additional Instructions:

For consideration prepare the side at https://www.dropbox.com/sh/o5nopt06mg18axt/AADfPBNn0SJD5CXGXlt6asILa?dl=0 using a British dialect. Note that in this production a single actor plays all the roles in the Charles Dickens classic, so prepare the side accordingly (playing Fred, Narrator, and Scrooge). Alternately, you may submit a 2-minute classical monologue of your choice. Email your audition, picture, and resume with your full name and the role you are submitting for, in the subject line. Email at AChristmasCarolBroadway@gmail.com. Submisssions deadline is Sept. 23.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Thursday, September 8, 2022

Elyria NYC AEA video submission

Elyria

CATEGORY:Theater: Play
TAGS:PaidUnion
EXPIRES:September 20, 2022 9:00 PM

Company

Atlantic Theater Company

Neil Pepe, art dir..; Deepa Purohit, playwright; Awoye Timpo, dir.; Annie MacRae, assoc. art dir.; Abigail Katz, assoc. prod.

Seeking video submissions from Equity actors for roles in "Elyria". All stage management positions have been filled.

Actors & Performers

Equity Actors: 18+
Ethnicity: All Ethnicities

To apply, see the "Key Details" section below

Rehearsal and Production Dates & Locations

Rehearsals begin Jan. 9, 2023 runs Feb. 9-Mar. 26, 2023 in New York, NY.

Compensation & Contract Details

All Roles

Pays: $1,061.00 - $1,061.00/ Week

Additional: Pays $1,061/wk. Equity Off Broadway Contract.

Key Details

Seeking talent from:

New York, NY

Additional Instructions:

For consideration email headshot/resume and video audition in a downloadable format (Google Drive, Dropbox, etc.) to 

elyrialgt@gmail.com 

with “[Your Full Name]-[The Role for which you’d like to be considered]” in the subject line.

Submissions deadline Sept. 21.

Video Instructions: If you are using an iPhone to video record, be sure to film horizontally and in a well-lit space (not backlit). At the top of the video, slate your name. Prepare a one-minute monologue of your choice.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

Additional Materials

Character Breakdown

Dhatta. (female) Indian woman, 40s. A homemaker/housewife of her era to a tee. Of an upper-class background. Brahmin caste. Plays by the rules, except when she doesn’t.

Vasanta. (female) Indian woman. 40s. She resists, fights against AND succumbs to the rules of a man’s world. A bombshell, with grit, who was abandoned by her father and raised by a single mother. Of a lower caste and class, but breaks boundaries.

Rohan. (male) Indian man, 20s/college age. Reserved, whip smart, with a streak of fire and an edge that he has yet to manifest in his life.

Hassanali. (male) Indian man, 20s/college age. Gregarious, a mover and a shaker, always pushing himself and others to the edge.

Shiv. (male) Indian man 40s. A deal maker. Soni Caste (goldsmith family). A failed businessman who has a chip on his shoulder, but a vulnerable heart.

Charu. (male) Indian man 40s. A quiet achiever. A well-to-do Brahmin doctor.

Young Woman in Red (YW1). (female) Indian woman 20s. Idealistic, mirrors Dhatta’s character. Strong mover, comfort/ability to learn movement and gesture vocabulary with ease.

Young Woman in Gold (YW2). (female) Indian woman 20s. Idealistic, mirrors Vasanta’s
character. Strong mover, comfort/ability to learn movement and gesture vocabulary with ease.

Young Man (YM1). (male) Indian man 20s. A charming electric presence. Can incite a connection with anyone. Strong mover, comfort/ability to learn movement and gesture vocabulary with ease.

The Gilded Age Season 2: NY BK

The Gilded Age Season 2

CATEGORY:TV / Series: Scripted Show
TAGS:PaidUnion And Nonunion
EXPIRES:October 21, 2022 7:59 PM

Company

Grant Wilfley Casting

Belle GWC, Casting Director

Actors & Performers

SAG/Non-SAG to portray 1880's Firework Watchers: Background / Extra, All Genders, 18-70
GWCI is seeking African American men & women to portray 1880's Firework Watchers for an overnight shoot.

Tentatively works 10/27 with covid test 10/25. Covid test 9/9 or 9/12, Fitting 9/12 or 9/13. 2nd TBD Fitting between September & October.

This background performer role is covered by a SAG-AFTRA CBA.

- WOMEN must have natural colors, NO balayage, NO undercuts, NO wigs, NO weaves, NO braids, NO ombre or unnatural looking highlights.
- WOMEN must be okay with working in a corset, bustle and multiple layers as appropriate to the 1880s.
- WOMEN must NOT have acrylic nails, gel polish, etc. MUST HAVE BARE NAILS!- MEN must be okay getting an 1880s haircut. (http://production.gwcnyc.com/thegildedagehmunotes)
- MEN Must be comfortable being clean shaven for the shoot OR if you have facial hair already, must be willing to have it altered in an 1880's style.(http://production.gwcnyc.com/thegildedagehmunotes)
- MEN: must have natural hair colors, ok getting period haircut, and being clean-shaven if your look is clean shaven. If you have facial hair/mustache, should be willing to get it altered. No buzzed cuts.
- MEN & WOMEN must have NO VISIBLE TATTOOS. (especially on neck, shoulders, upper back, chest, & hands)
- MEN & WOMEN must have NO wool allergies.
- MEN & WOMEN must NOT have braces

Please be advised that to work on The Gilded Age S2, all cast members must be up-to-date with their COVID-19 vaccinations as defined by the Centers for Disease Control and Prevention (“CDC”). Being “up-to-date” means a person has received all recommended COVID-19 vaccines, including any booster dose(s) when eligible. If you are offered employment on The Gilded Age S2 and would like to request an accommodation to this policy due to medical or religious reasons, you must submit your request for approval via WarnerMedia’s Xempt

If interested/available, please email gildedage@gwcnyc.com with the subject line "BS Firework Watcher”
-Full Name
-Confirm you are SAG or non-SAG
-Phone number
-Are you local to the NYC area?
-Please attach 3 photos WITHOUT MAKE UP if possible: 1 selfie that shows your current hair length/color; 1 waist up in plain clothes; 1 full body in plain clothes. (ABSOLUTELY NO FILTERS, NO HATS, NO SUNGLASSES, ETC. PLEASE NO SLOUCHING)
-Measurements: Women: height, weight, dress, bust x true waist at the smallest part of your waist x hip, shoes; Men: height, weight, chest in inches, neck x sleeve, true waist @ belly button x inseam, shoes;
-Please confirm that you are fully available to work 10/27 and covid test 10/25
-Please confirm that you are available to do fitting 9/12 or 9/13, covid test 9/9 or 9/12
-What forms of ID can you bring to set to fill out an I9? (If you have a VISA or Employment Authorization Card, please let us know!)
-Do you have ANY tattoos? (this includes, hands, arms, feet, shoulders, chest, ankles, back of neck, behind the ear)
-Confirm your hair has not been dyed, highlighted, bleached, etc
-That you have read & acknowledged the shows vaccination policy.
Ethnicity: Black / African Descent
Required Media: Headshot/Photo
Rehearsal and Production Dates & Locations

Tentatively works 10/27 with covid test 10/25. Covid test 9/9 or 9/12, Fitting 9/12 or 9/13. 2nd TBD Fitting between September & October. 

Compensation & Contract Details

 Pays: $165.00 - $187.00 (Flat Rate)

Total: $165.00 - $187.00 for an estimated 10 hours of work 

Key Details

Seeking talent from:

Brooklyn, NY; New York, NY

Additional Instructions: 

If interested/available, please email gildedage@gwcnyc.com with the subject line "BS Firework Watcher”
-Full Name
-Confirm you are SAG or non-SAG
-Phone number
-Are you local to the NYC area?
-Please attach 3 photos WITHOUT MAKE UP if possible: 1 selfie that shows your current hair length/color; 1 waist up in plain clothes; 1 full body in plain clothes. (ABSOLUTELY NO FILTERS, NO HATS, NO SUNGLASSES, ETC. PLEASE NO SLOUCHING)
-Measurements: Women: height, weight, dress, bust x true waist at the smallest part of your waist x hip, shoes; Men: height, weight, chest in inches, neck x sleeve, true waist @ belly button x inseam, shoes;
-Please confirm that you are fully available to work 10/27 and covid test 10/25
-Please confirm that you are available to do fitting 9/12 or 9/13, covid test 9/9 or 9/12
-What forms of ID can you bring to set to fill out an I9? (If you have a VISA or Employment Authorization Card, please let us know!)
-Do you have ANY tattoos? (this includes, hands, arms, feet, shoulders, chest, ankles, back of neck, behind the ear)
-Confirm your hair has not been dyed, highlighted, bleached, etc
-That you have read & acknowledged the shows vaccination policy.

Technical Director, Davis Performing Arts Center Washington DC

Technical Director, Davis Performing Arts Center

CATEGORY:More Projects: General Staff + Crew

EXPIRES:October 5, 2022 7:59 PM

Company

Georgetown University

Alicia DiGiorgi, head of production

Production Description

Seeking a Technical Director for the Davis Performing Arts Center. Note: The Technical Director is an Academic and Administrative Professional position reporting directly to the Director of Production at Georgetown.The Technical Director oversees the production shop, and manages all staff working in the shop, including any over hires, technical staff, etc.; and oversees all technical aspects of production for the Theater & Performance Studies Program mainstage and studio productions, modeling a professional approach to technical production and ensuring a safe and respectful work environment for student-centered learning.The Technical Director - in collaboration with the Director of Production, Davis Center - monitors inventory and maintenance needs for equipment and implements these repairs or upgrades as needed; and they assure that the Davis Center’s theatres (one 235-seat proscenium theatre, and one 80-seat black box theatre) and their technical equipment are operated and maintained in a safe manner, respecting safety policies and procedures. Responsibilities also include but are not limited to leadership of production staff and participating as a collaborative team member with other administrative and technical staff; and in a timely manner and within allocated budgets, handles technical coordination and realization of set, lighting, sound and projection designs - typically designed by professionals or students with faculty mentor.

Roles

Technical Director, Davis Performing Arts Center: 18+
the Technical Director is an Academic and Administrative Professional position reporting directly to the Director of Production at Georgetown. The Technical Director oversees the production shop, and manages all staff working in the shop, including any over hires, technical staff, etc.; and oversees all technical aspects of production for the Theater & Performance Studies Program mainstage and studio productions, modeling a professional approach to technical production and ensuring a safe and respectful work environment for student-centered learning. The Technical Director - in collaboration with the Director of Production, Davis Center - monitors inventory and maintenance needs for equipment and implements these repairs or upgrades as needed; and they assure that the Davis Center’s theatres (one 235-seat proscenium theatre, and one 80-seat black box theatre) and their technical equipment are operated and maintained in a safe manner, respecting safety policies and procedures. Responsibilities also include but are not limited to leadership of production staff and participating as a collaborative team member with other administrative and technical staff; and in a timely manner and within allocated budgets, handles technical coordination and realization of set, lighting, sound and projection designs - typically designed by professionals or students with faculty mentorship. Work Interactions: The Technical Director reports directly to the Director of Production at Georgetown and indirectly reporting to the Davis Center for Performing Arts Artistic Director, the General Manager for Performing Arts, and the Chair of the Department of Performing Arts. Additionally, they cultivate and maintain relationships with a range of faculty, staff, students, professionals, and prospective collaborators. Qualifications: BFA or equivalent – preference for MFA in Technical Direction or Theatrical Design. 3 to 5 years of relevant experience [note: an equivalent combination of education and relevant experience will be considered] Ability to create and manage production calendars and budget for mid-size producing organization. Experienced with stage carpentry, rigging, and safe operation of fly systems; as well as MIG welding, Auto CAD/ Vectorworks, audio, lighting, projection and automation/motor control. Ability to lift 50+ pounds and to climb 18-foot straight ladder
Readiness to spec labor and materials ranging from scenery to soft goods, furniture to props
Proficiency with Word, Excel, Google Calendar and/or other calendar-based programs
Required Media: Cover Letter
 
Rehearsal and Production Dates & Locations

Work to be in-person in Washington, D.C. 

Compensation & Contract Details

 $70,000.00 in Annual Salary 

 Key Details

Additional Instructions: 

Submit your application directly to the following website:https://georgetown.wd1.myworkdayjobs.com/en-US/Georgetown_Admin_Careers/job/Technical-Director--Davis-Performing-Arts-Center---Georgetown-University_JR13935 

 

Additional Materials